Verve 60th Anniversary Rare Albums SHM-CD Reissue Series. Reissue with SHM-CD format. Phil Woods' recordings with his short-lived European Rhythm Machine are among the most adventurous of his career, though few of them have been available in the CD era. This 1969 concert at the Montreux Jazz Festival features the alto saxophonist with pianist George Gruntz, bassist Henri Texier and drummer Daniel Humair in a wide ranging set.
The second volume of Thelonious Monk's appearance at the 1963 Monterey Jazz Festival is drawn from two separate concerts on back to back days, with the pianist joined by longtime tenor saxophonist Charlie Rouse, bassist John Ore and drummer Frank Dunlop…
This two-fer CD pairs 1972's Live at the Lighthouse with the less impressive, though still worthy, 1974 album Kharma, which was recorded at that year's Montreux Jazz Festival. As the head of a sextet on Live at the Lighthouse, Earland spearheaded some first-class soul-jazz, which integrated some funk and rock of the early '70s without sounding like a watered-down cocktail of all those styles (as many other soul-jazz-pop albums of the time did). The horn section of James Vass on sax and Elmer Coles on trumpet leaned more toward soul than jazz, as heard on the opening instrumental cover of Sly & the Family Stone's "Smilin'." The Carpenters' "We've Only Just Begun" wasn't the greatest tune to attempt, though Earland gamely put it into a boppish swing arrangement.
With a musical career spanning more than three decades, Al Di Meola continues to be one of the most influential and pioneering guitarists in the jazz-world-fusion category, mirroring the rich influences of flamenco, tango, Brazilian, African, and Middle Eastern music in his work. Recorded in 1993 at the North Sea Jazz Festival, an event widely acknowledged as the biggest and most prestigious festival in the world. Over the past 30 years, Al Di Meola has been recognized as a prolific composer, with over two dozen recordings to his name. The profundity of Di Meola s writing, along with the soulfulness and natural lyricism of his playing, have won him a large number of admirers worldwide.
Reissue with the latest remastering. Features original cover artwork. A mighty nice set from pianist Cees Slinger – a live performance from a very hip octet – a group who can come on with ensemble fury one minute, then play like a small combo the next! Slinger's choice of musicians is wonderful – and includes Dusko Goykovich on trumpet, Fredinand Povel on alto and soprano, and Ruud Brink on tenor – all musicians who really make the sound sparkle with their solos, but can also slide nicely into the context of the rest of the group, too – in the manner that Povel and Goykovich were so good at on performances for MPS. There's a great sense of color throughout – really showing off Slinger's skill as an arranger – and titles include "Never Forever", "From Way Back", "Changing Colours", "Fee Fi Fo Fum", and "Killer Joe".
Features 24 bit remastering and comes with a mini-description. Altoist Phil Woods' European Rhythm Machine was the most adventurous group he ever led, bordering on the avant-garde at times. The 1970 version (which includes pianist Gordon Beck, bassist Henri Texier and drummer Daniel Humair) is showcased on this 1986 reissue performing two group originals, Victor Feldman's "Joshua" and "Freedom Jazz Dance."