Jarrett

Keith Jarrett - Death And The Flower (1975) {1994 GRP CD} **[RE-UP]**  Music

Posted by TestTickles at June 15, 2017
Keith Jarrett - Death And The Flower (1975) {1994 GRP CD} **[RE-UP]**

Keith Jarrett - Death And The Flower (1975) {1994 GRP CD}
EAC Rip | FLAC with CUE and log | scans | 217 mb
MP3 CBR 320kbps | RAR | 103 mb
Genre: jazz

Death And The Flower is a 1975 album by jazz pianist Keith Jarrett, featuring Charlie Haden (bass), Paul Motian (drums), Dewey Redman (tenor sax), and Guilherme Franco (percussion). This CD was released by GRP in 1994.

Keith Jarrett - Directions: In The Charles Lloyd Mood (2004)  Music

Posted by TestTickles at June 13, 2017
Keith Jarrett - Directions: In The Charles Lloyd Mood (2004)

Keith Jarrett - Directions: In The Charles Lloyd Mood (2004)
DVD rip | MP4: AVC (720 x 490, 1160 Kbps) | Audio: MP3 (210 Kbps: VBR) | 29 min | English | 307 mb
Genre: music, performance

Directions: In The Charles Lloyd Mood is a 2004 CD credited to pianist Keith Jarrett. While the performance is actually Charles Lloyd and his group, it focuses on the talent of Jarrett in this 1968 set.

Keith Jarrett - No End (2013) [2CDs] {ECM 2361/62}  Music

Posted by tiburon at March 12, 2017
Keith Jarrett - No End (2013) [2CDs] {ECM 2361/62}

Keith Jarrett - No End (2013) [2CDs] {ECM 2361/62}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 647MB + 5% Recovery
Genre: Jazz

Recorded at his home studio in 1986, the double album No End illuminates hitherto undocumented aspects of Keith Jarrett's music. He is heard on electric guitars, electric bass, drums and percussion, overdubbing tribal dances of his own devising: "Somehow something happened during these days in the 80s that won't ever be repeated," he writes in his liner notes. "There was really, to my knowledge, no forethought or composition - in the typical sense - going on; just a feeling or a rhythmic idea or a bass line concept or melody. None of this was written down."

Keith Jarrett - Rio (2011) [2CD's] {ECM 2198/99}  Music

Posted by tiburon at March 12, 2017
Keith Jarrett - Rio (2011) [2CD's] {ECM 2198/99}

Keith Jarrett - Rio (2011) [2CD's] {ECM 2198/99}
EAC 1.0b1 | FLAC tracks level 8 | Cue+Log+M3U+MD5 | Full Scans 600dpi | 404MB + 5% Recovery
Genre: Jazz

2011 two CD release from the Jazz pianist On April 9, 2011 Keith Jarrett returned to South America for the first time in decades to perform three solo concerts. The third and final concert found him in Rio de Janeiro in front of a packed house and enthralled audience. Inspired by the electrifying atmosphere, the pianist pulls a broad range of material from the ether: thoughtful/reflective pieces, abstract sound-structures, pieces that fairly vibrate with energy.
Keith Jarrett & Jack DeJohnette - Ruta And Daitya (1973) {ECM 1021}

Keith Jarrett & Jack DeJohnette - Ruta And Daitya (1973) {ECM 1021}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 196 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 300 dpi (png) -> 23 Mb | 5% repair rar
© 1973, 2007 ECM Records | ECM 1021
Jazz / Post Bop / Piano / Drums

Splitting his time between the electric and acoustic pianos and a bit of organ, Jarrett teams up with drummer/percussionist Jack DeJohnette in a series of experimental duets, his only electric session for ECM. The all-acoustic title number ranges all over the lot, from tootling on a bamboo (?) flute to the energizing barrelhouse gospel riffs that would bloom in the solo concerts.
Keith Jarrett - A Multitude Of Angels (2016) {4CD Set ECM Japan UCCE-1161~64}

Keith Jarrett - A Multitude Of Angels (2016) {4CD Set ECM Japan UCCE-1161~64}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.06 Gb | MP3 @320 -> 697 Mb
Full Artwork @ 600 dpi (png) -> 846 Mb | 5% repair rar
© 1996, 2016 ECM Records / Universal Music Japan | UCCE-1161~64
Jazz / Contemporary Jazz / Improvisation / Modern Creative / Post Bop / Piano Solo

Keith Jarrett's numerous volumes of improvised solo piano recordings are all treasure troves of spontaneous music making. Documented since the 1970s, they reveal the opening of his music as it readily embraces classical and sacred music influences, filters out what is unnecessary in his technique, and encounters the depth and breadth of the jazz tradition and his own unique abilities as a composer. The four discs in A Multitude of Angels were recorded in as many Italian cities during the last week of October 1996 – some 20 months after the concert captured on La Scala.

Keith Jarrett - The Melody At Night, With You (1999) {ECM 1675}  Music

Posted by tiburon at Sept. 9, 2016
Keith Jarrett - The Melody At Night, With You (1999) {ECM 1675}

Keith Jarrett - The Melody At Night, With You (1999) {ECM 1675}
EAC 0.99pb4 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 202MB + 5% Recovery
MP3 CBR 320 Kbps | 166MB + 5% Recovery
Genre: Jazz

Pianist Keith Jarrett goes it alone on The Melody at Night, With You. No stranger to solo recitals, here Jarrett tackles familiar standards along with a few traditional pieces and as we come to expect, the performances are near flawless. Part of the beauty and majesty of it all lies within Jarrett's penchant for understatement and ebullience while possessing an astounding sense of depth and range. Throughout this recording, Jarrett has seemingly decided to forego any semblance of dramatics as he vividly sets the scenario for the listener along with the partner of his or her choice as they may sit in front of a soft burning fire under dim lights.
Keith Jarrett / Gary Peacock / Jack DeJohnette - Up For It (2003) {ECM 1860} [Re-Up]

Keith Jarrett / Gary Peacock / Jack DeJohnette - Up For It (2003) {ECM 1860}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U+MD5 | Full Scans 300dpi | 453MB + 5% Recovery
Genre: Jazz, Post-Bop

Up for It marks the 20th anniversary of Keith Jarrett's "Standards Trio," with Gary Peacock and Jack DeJohnette, and the group's 17th recording on ECM. (The figure is deceiving because many of these 17 albums have been multi-disc sets.) Up for It also signals a return to the Great American Songbook, after two recordings that were completely improvised, Inside Out and Always Let Me Go.

Keith Jarrett Trio - Bye Bye Blackbird (1993) Reissue 2008  Music

Posted by Designol at Dec. 24, 2015
Keith Jarrett Trio - Bye Bye Blackbird (1993) Reissue 2008

Keith Jarrett Trio - Bye Bye Blackbird (1993) Reissue 2008
EAC | FLAC | Tracks (Cue&Log) ~ 362 Mb (incl 5%) | Mp3 (CBR320) ~ 175 Mb (incl 5%) | Scans included
Genre: Post Bop, Piano Jazz, Standards | Label: ECM | # ECM 1467, 177 6230 | Time: 01:07:55

This is the Keith Jarrett Trio's – featuring bassist Gary Peacock and drummer Jack DeJohnette – elegy for their former employer Miles Davis, recorded only 13 days after the maestro's death. The lonely figure in shadow with a horn on the cover contrasts with the joyous spirit of many of the tracks on this CD, yet there is still a ghostly presence to deal with – and in keeping with Miles' credo, Jarrett's choice of notes is often more purposefully spare than usual. There is symmetry in the organization of the album, with "Bye Bye Blackbird" opening and the trio's equally jaunty "Blackbird, Bye Bye" closing the album, and the interior tracks immediately following the former and preceding the latter are "You Won't Forget Me" and "I Thought About You." The centerpiece of the CD is an 18-and-a-half-minute group improvisation, "For Miles," which after some DeJohnette tumbling around becomes a dirge sometimes reminiscent of Miles' own elegy for Duke Ellington, "He Loved Him Madly." As an immediate response to a traumatic event, Jarrett and his colleagues strike the right emotional balance to create one of their more meaningful albums.
Keith Jarrett - The Carnegie Hall Concert (2006) [2CD] {ECM 1989/90} [re-up]

Keith Jarrett - The Carnegie Hall Concert (2006) [2CD] {ECM 1989/90}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 444 Mb | MP3 @320 -> 262 Mb
Full Artwork @ 300 dpi (png) -> 30 Mb | 5% repair rar
© 2006 ECM Records | ECM 1989/90 / 985 6224
Jazz / Post Bop / Modern Creative / Piano

The new rules Keith Jarrett has made for himself in solo performance are firmly in play on the two-disc Carnegie Hall Concert, recorded in the Isaac Stern Auditorium in September of 2005. Those who found his earlier solo recordings – from Vienna and Köln to La Scala – to be compelling might be a bit disconcerted at first, because of the completely different approach Jarrett has taken to improvising. His concert is divided into shorter segments, or parts, and often changes direction numerous times in the course of a single piece. Indeed, the impression is given almost of composed songs where harmony, melody, and rhythm are pulled to the breaking point and reassembled along new lines.