Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. An excellent album by this lusty tenor player – and one of the rarest Blue Notes ever! Brother Don plays lean and mean, in a nice tight group that features Grant Green on guitar, Sonny Clark on piano, and Billy Higgins on drums – all of whom give Wilkerson a freer setting than he ever got working with his more famous bandleader, Ray Charles! The groove has a freer edge than on some of Wilkerson's other albums, with touches that almost reach a Latin sound at times – an influence most likely from Green's exotic work on guitar, and Higgins' wonderfully free rhythms. Titles include "Pigeon Peas", "Camp Meetin", "Jeanie Weanie", and "Dem Tamborines".
Inter-Action is an album by saxophonists Sonny Stitt and Zoot Sims recorded in Chicago in 1965 and released on the Cadet label. The Sims-Stitt collaboration is of particular interest as are Sims's rare alto solos on his own date. Worth searching for. Just what you'd expect with this front-line pair. Nice session.
Verve 60th Rare Albums SHM-CD Reissue Series. Reissue with SHM-CD format. A combination of three sessions with three different small backing groups available currently on a Japanese CD – this is an early revealing example of Anita O'Day's growth as a jazz artist since her days as a big band thrush. Her virtuosity at fast tempos is right on the dot, and she is fearlessly willing to take wide-open liberties with the melodies.
Following a long-established production pattern, Mike Oldfield assembled some relatively simple pop- and rock-flavored numbers following one long introductory piece on his 1983 Disky release, Crisis. The 20-minute opening title-track is a quintessential Oldfield texture study that consists of sparkling synth washes with edgier material weaving in and out. A fine setup, this track cleanses the aural pallet, preparing the listener nicely for the tunes that follow. Yes fans who can adjust to the sugary highlight "In High Places" will enjoy Jon Anderson's springy vocal work on the track. The energetic guitar romp "Taurus 3" will also appeal to most prog and art rock fans. Those in search of more ethereal Oldfield material should be aware of this record's pop leanings, but open-minded listeners will have a good time exploring Crisis, one of Oldfield's better releases of this type.
Cheap Trick's comeback album is by no means a return to the creativity and vitality of their glory days. But even though Lap of Luxury is largely formulaic, the band's strongest collection of material in some time fills that late-'80s pop-metal formula quite well. Combining grandly romantic power ballads ("Ghost Town") with catchy hard rockers ("Never Had a Lot to Lose"), Lap of Luxury consistently delivers strong hooks and well-crafted songs, proving that Cheap Trick were still capable of outdoing many of the bands they helped inspire. The album produced two Top Five singles in a cover of Elvis Presley's "Don't Be Cruel" and the band's first number one hit, "The Flame."
This is one of the beauties of the Japanese progressive rock. PAGEANT was formed in '81 by guitarplayer Ikkou Nakajima, singer/keyboard player Hiroko Nagai, bass player Nagashima and drummer Hideaki Indou. In '85 they appeared on a Japanese progrock compilation entilted "Progressive Battle" and one year later PAGEANT released their debut-album "La Mosaïque de la Rêverie", a 'classic'. The band was completed by Kazuhiro Miyatake (flute and electric guitar) and Nobuyuki Nagashima (bass) on those records. The second album "Abysmal Masquerade" appeared in '87 and two years followed by the third record entitled "The Pay for a Dreamer's Sin". On this album Hiroko Nagai and Hideaki Indou remained from the original line-up, Kazuhiro Miyatake played flute on two tracks and the band's new guitarplayer became Hiroyuki Maeno.
Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. One of the most obscure records from trumpeter Blue Mitchell – a great session recorded in the 60s, during Blue's classic stretch with Blue Note – but not issued until 1980, and even then, only briefly! The record's a great example of Mitchell's strong capacity to play well in a larger group – this time a sextet, featuring Joe Henderson's tenor and Leo Wright's alto – playing imaginative lyrical lines next to Blue's sweet trumpet, and dancing around with a sound that's as lyrical as it is soulful! Other players include Herbie Hancock on piano, Gene Taylor on bass, and Roy Brooks on drums – and titles include "Mamacita", "Andrea", "Step Lightly", "Sweet & Lovely", and "Bluesville".
Single Cuts: The Complete Columbia UK A Sides is a 2011 1-CD compilation from the Heavy Metal gods, Judas Priest. This compilation simply covers all 19 of the band’s unique U.K. single A sides ( 7" and/or 12" ) for CBS/Columbia Records from 1977 to 1992…
Includes two never-before-released bonus tracks. DSD remastered. Pianist Jack Wilson (1936-2007) was born in Chicago and moved Fort Wayne, Indiana at age seven. He became proficient with piano early, joining the local musicians union by his 15th birthday and playing a two-week stint as a substitute pianist in James Moody's band. He worked with Dinah Washington, Gene Ammons, Sonny Stitt, Eddie Harris before moving to Los Angeles.