Japan Mini lp Rainbow

Kevin Ayers - Joy Of A Toy +5 (1969) {2014 Remaster Japan Mini LP SHM-CD Edition WPCR-15524}

Kevin Ayers - Joy Of A Toy +5 (1969) {2014 Remaster Japan Mini LP SHM-CD Edition WPCR-15524}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 447 Mb | MP3 @320 -> 168 Mb
Full Artwork @ 600 dpi (png) -> 460 Mb | 5% repair rar
© 1969, 2014 Parlophone / Warner Music Japan | WPCR-15524
Rock / Art Rock / British Psychedelia / Canterbury Scene

Cardboard sleeve reissue from Kevin Ayers features remastering in 2014 and the high-fidelity SHM-CD format (compatible with standard CD players). The cover faithfully replicates the original UK LP artwork. Includes an obi featuring design of original Japanese limited edition's LP. Comes with a description and lyrics. Part of eight-album Kevin Ayers cardboard sleeve reissue series features the albums, "Joy Of A Toy +5," "Shooting At The Moon +6," "Whatevershebrings Wesing +10," "Bananamour +7," "Odd Ditties +3," "Yes We Have No Mananas. So Get Your Mananas Today +9," "Rainbow Takeaway +7," and "That's What You Get Babe +4." Bonus tracks.
Kevin Ayers - Shooting At The Moon (1970) {2014 Remaster Japan Mini LP SHM-CD Edition}

Kevin Ayers - Shooting At The Moon (1970) {2014 Remaster Japan Mini LP SHM-CD Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 404 Mb | MP3 @320 -> 165 Mb
Full Artwork @ 600 dpi (png) -> 285 Mb | 5% repair rar
© 2014 Parlophone / Warner Music Japan | WPCR-15525
Rock / Art Rock / British Psychedelia / Canterbury Scene

Cardboard sleeve reissue from Kevin Ayers features remastering in 2014 and the high-fidelity SHM-CD format (compatible with standard CD players). The cover faithfully replicates the original UK LP artwork. Includes an obi featuring design of original Japanese limited edition's LP (subject to change). Comes with a description and lyrics. Part of eight-album Kevin Ayers cardboard sleeve reissue series features the albums, "Joy Of A Toy +5," "Shooting At The Moon +6," "Whatevershebrings Wesing +10," "Bananamour +7," "Odd Ditties +3," "Yes We Have No Mananas. So Get Your Mananas Today +9," "Rainbow Takeaway +7," and "That's What You Get Babe +4." Bonus tracks.
Miles Davis - The Original Jacket Collection (2006) [30 Albums, 37 CDs] {DSD Japan Mini LP Analog Collection} (part 5of6)

Miles Davis - The Original Jacket Collection (2006) [30 Albums, 37 CDs] {DSD Japan Mini LP Analog Collection} (part 5of6)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.88 Gb | MP3 @320 -> 1.11 Gb | Artwork
© 2006 Sony Music Japan / Columbia | SICP 1222~29 | DSD | HQD High Quality Disc
Jazz / Fusion / Jazz Rock / Jazz Funk / Trumpet

None of Miles Davis' recordings has been more shrouded in mystery than Jack Johnson, yet none has better fulfilled Miles Davis' promise that he could form the "greatest rock band you ever heard." Containing only two tracks, the album was assembled out of no less than four recording sessions between February 18, 1970, and June 4, 1970, and was patched together by producer Teo Macero. Most of the outtake material ended up on Directions, Big Fun, and elsewhere. The first misconception is the lineup: the credits on the recording are incomplete. For the opener, "Right Off," the band is Miles, John McLaughlin, Billy Cobham, Herbie Hancock, Michael Henderson, and Steve Grossman (no piano player!), which reflects the liner notes.
Miles Davis - The Original Jacket Collection (2006) [30 Albums, 37 CDs] {DSD Japan Mini LP Analog Collection} (part 4of6)

Miles Davis - The Original Jacket Collection (2006) [30 Albums, 37 CDs] {DSD Japan Mini LP Analog Collection} (part 4of6)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.70 Gb | MP3 @320 -> 739 Mb | Artwork
© 2006 Sony Music Japan / Columbia | SICP 1216~21 | DSD | HQD High Quality Disc
Jazz / Hard Bop / Modal Music / Fusion / Trumpet

With their second album, Miles Smiles, the second Miles Davis Quintet really began to hit their stride, delving deeper into the more adventurous, exploratory side of their signature sound. This is clear as soon as "Orbits" comes crashing out the gate, but it's not just the fast, manic material that has an edge – slower, quieter numbers are mercurial, not just in how they shift melodies and chords, but how the voicing and phrasing never settles into a comfortable groove. This is music that demands attention, never taking predictable paths or easy choices.
Miles Davis - The Original Jacket Collection (2006) [30 Albums, 37 CDs] {DSD Japan Mini LP Analog Collection} (part 3of6)

Miles Davis - The Original Jacket Collection (2006) [30 Albums, 37 CDs] {DSD Japan Mini LP Analog Collection} (part 3of6)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.42 Gb | MP3 @320 -> 626 Mb | Artwork
© 2006 Sony Music Japan / Columbia | SICP 1211~15 | DSD | HQD High Quality Disc
Jazz / Hard Bop / Modal Music / Trumpet

Miles Davis' concert of February 12, 1964, was originally divided into two LPs, with all of the ballads put on My Funny Valentine. These five lengthy tracks (which include "All of You," "Stella by Starlight," "All Blues," "I Thought About You," and the title cut) put the emphasis on the lyricism of Davis, along with some strong statements from tenor saxophonist George Coleman and freer moments from the young rhythm section of pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams.
Miles Davis - The Original Jacket Collection (2006) [30 Albums, 37 CDs] {DSD Japan Mini LP Analog Collection} (part 2of6)

Miles Davis - The Original Jacket Collection (2006) [30 Albums, 37 CDs] {DSD Japan Mini LP Analog Collection} (part 2of6)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.23 Gb | MP3 @320 -> 555 Mb | Artwork
© 2006 Sony Music Japan / Columbia | SICP 1206~10 | DSD | HQD High Quality Disc
Jazz / Hard Bop / Modal Music / Trumpet

Kind of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album, a universally acknowledged standard of excellence. Why does Kind of Blue posses such a mystique? Perhaps because this music never flaunts its genius. It lures listeners in with the slow, luxurious bassline and gentle piano chords of "So What." From that moment on, the record never really changes pace – each tune has a similar relaxed feel, as the music flows easily. Yet Kind of Blue is more than easy listening. It's the pinnacle of modal jazz – tonality and solos build from the overall key, not chord changes, giving the music a subtly shifting quality. All of this doesn't quite explain why seasoned jazz fans return to this record even after they've memorized every nuance.
Miles Davis - The Original Jacket Collection (2006) [30 Albums, 37 CDs] {DSD Japan Mini LP Analog Collection} (part 1of6)

Miles Davis - The Original Jacket Collection (2006) [30 Albums, 37 CDs] {DSD Japan Mini LP Analog Collection} (part 1of6)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.24 Gb | MP3 @320 -> 515 Mb | Artwork
© 2006 Sony Music Japan / Columbia | SICP 1201~05 | DSD | HQD High Quality Disc
Jazz / Hard Bop / Modal Music / Trumpet

With the release of the spectral title tune, and the efforts of the Columbia marketing and publicity departments behind him, a thirty-year old Miles Davis entered into a period of extraordinary artistic maturity and growth. And Miles instinctively knew how to cultivate his star quality. Looming behind those shades, was the diffident, sensitive anti-hero–proud and defiant–who only spoke to his audience through his horn, and turned his back on them when the other soloists were blowing. The combination of attitude and intellect was irresistible. Beginning with ROUND ABOUT MIDNIGHT and proceeding through a remarkable succession of famous recordings over the next 30 years, Miles Davis became one of the greatest soloists, arrangers and talent scouts in the history of American music. People who didn't own a single jazz record came to know his name–Miles was a jazz icon.
Be Bop Deluxe - Drastic Plastic (1978) {2008 Harvest Japan Mini LP TOCP-70363}

Be Bop Deluxe - Drastic Plastic (1978) {2008 Harvest Japan Mini LP TOCP-70363}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 336 Mb | MP3 @320 -> 124 Mb
Full Artwork @ 600 dpi (png) -> 26 Mb | 5% repair rar
© 1978, 2008 Harvest / EMI Music Japan / Toshiba | TOCP-70363 | Mini LP
Rock / Art Rock / Contemporary Pop / Prog Rock / Glam Rock

Guitarist/leader Bill Nelson has always had his head in a space that's defined by the 1950s World's Fair idea of the future - a world of monorails and strange machines. This is particularly evident here, with Nelson's affection for Japan competing for space with paeans to electrical communication. At times charming and even romantic, at other times outré, Drastic Plastic marked the end of the band and hinted at Nelson's musical experiments to come.
Soft Machine Legacy - Steam (2006) {2014 Japan Mini LP SHM-CD Remaster VSCD4265}

Soft Machine Legacy - Steam (2006) {2014 Japan Mini LP SHM-CD Remaster VSCD4265}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 394 Mb | MP3 @320 -> 154 Mb
Full Artwork @ 600 dpi (png) -> 338 Mb | 5% repair rar | Canterbury Scene Vol.1 Series
© 2006, 2014 Vivid Sound / MoonJune Records | VSCD-4265
Jazz / Jazz Rock / Rock / Avant-Garde Jazz / Prog Rock

Cardboard sleeve reissue from Soft Machine Legacy features SHM-CD format. This series features the following albums: "The Soft Machine Legacy," "Live In Zaandam," "Live Adventures," and "Steam." Potent jazz-rock fusion – British "Canterbury" style – from the legendary Soft Machine alumni. Live in Zaandam is the first salvo from exclusive MoonJune artists' Soft Machine Legacy, showcasing visceral grooves with sizzling solos and telepathic interplay.
Gabor Szabo - Spellbinder (1966) {2007 Impulse! Japan Mini LP 24bit remaster UCCI-9100}

Gabor Szabo - Spellbinder (1966) {2007 Impulse! Japan Mini LP 24bit remaster UCCI-9100}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 217 Mb | MP3 @320 -> 87 Mb
Full Artwork @ 300 dpi (jpg) -> 26 Mb | 5% repair rar
© 1966, 2007 Impulse! / Universal Japan | UCCI-9100 | 24/96 remaster | Mini LP
Jazz / Post Bop / Guitar

Released just six months after Gypsy '66, Gabor Szabo's second album as a leader (after leaving a sublime Chico Hamilton band that also included Charles Lloyd) remains one of his finest moments in the studio. Szabo utilized the tales of bassist Ron Carter and his old boss Hamilton on drums, as well as a pair of fine Latin percussionists – Willie Bobo and Victor Pantoja. The groove quotient was very high on Spellbinder, maybe even higher than on later albums such as Jazz Raga or Sorcerer. This set is all Szabo, drifting, wafting, and soaring above all that rhythm; the track selection provides ample space for Szabo's highly individualized Eastern modal style to shine. The set opens with the title track, a snaky guitar masterpiece with plenty of droning strings and pinched chords that are followed by open string flourishes.