Features 24 bit remastering and comes with a mini-description. This is the music that will be playing when you die and go to heaven. Excellent original style Dixieland, George's clarinet is heaven! I don't know if any record can do justice to the live experience of the original giants of jazz creating this stuff. But the George Lewis tracks on this record come pretty close! For this alone this CD is well worth buying.
Features 24 bit remastering and comes with a mini-description. Recorded with Punch Miller, this album offers a mixed bag featuring Paul Barbarin's Band/Punch Miller's Bunch & George Lewis (clarinet). It's worth acquiring for the Barbarin composition "The Second Line" alone, but offers much more.
Features 24 bit remastering and comes with a mini-description. Released in 1963, this is a pair of traditional dixieland jazz performances recorded at the historic Preservation Hall in New Orleans - very distinctly New Orleans sound. Nathan "Jim" or "Big Jim" Robinson was a very reliable New Orleans trombonist who was much more consistent than most of the musicians he performed with, never seeming to have an off day. A jazz pioneer, Robinson played guitar as a child and started playing trombone in 1917, while stationed in France during World War I; he was already 24.
Features 24 bit remastering and comes with a mini-description. Jazz at Preservation Hall: The Eureka Brass Band features New Orleans street parade jazz with bristling horns, sousaphone, and two marching drummers. Trumpeter Percy Humphrey leads an ensemble notable for the presence of saxophonist Emanuel Paul and Percy's brother, Willie, who blows some of the best clarinet he ever recorded. What makes this an unforgettable listening experience is the dual trombone action supplied by Albert Warner and Oscar "Chicken" Henry.
Features 24 bit remastering and comes with a mini-description. Paul Smith, jazz pianist, widely known as Ella Fritzgerald’s conductor and pianist, an active studio musician with a brilliant technique. Paul Smith also worked with renowned Jazz figures, such as: Dizzy Gillespie, Anita O’Day, Buddy DeFranco, Louie Bellson, Steve Allen, Louie Bellson, Stan Kenton, Mel Torme and many others. Pick of the day, Paul Smith’s rendition to Bossa Nova. This is Paul Smith Piano and Orchestra – Brazilian Detour (1966), for Warner. Paul Smith is a virtuoso piano player; he goes from the “liquid sounds” slow playing to a faster approach, hitting keys strongly. Paul Smith also leads the orchestra.
Features 24 bit remastering and comes with a mini-description. A wonderful set from Barney Kessel – bossa-inflected jazz, and a wonderful setting for Barney to hit some very groovy lines on electric guitar ! The group on the date is part of the strength of the record – with Conte Candoli on trumpet, Emil Richards on vibes, Paul Horn on flute, and Victor Feldman on piano – with loads of great percussion and guitar interplay on the set, plus some excellent use of flute and vibes – all of which makes for the sort of session that really translates the Brazilian groove into the best sort of sound the LA scene was cutting at the time ! Nice, light, and dancing rhythms – and titles that include "Love", "Days Of Wine & Roses", "Latin Dance #1", "Lady Byrd", and "One Note Samba".
Features 24 bit remastering and comes with a mini-description. Other than two selections put out on a sampler and the soundtrack from the 1958 Newport Jazz Festival, this LP is quite significant for having the first recordings of Eric Dolphy with the Chico Hamilton Quintet. Dolphy's solos (on alto, flute and bass clarinet) are brief, but he already sounded fairly distinctive. The third version of Hamilton's popular Quintet also included the drummer/leader, cellist Nate Gershman, guitarist Dennis Budimir and bassist Wyatt Ruther. On this album, half of the tunes are played by the basic quintet, while the remaining five songs have an added string section. The West Coast jazz chamber music generally holds one's interest, but has been out of print for some time.
Features 24 bit remastering and comes with a mini-description. The 27 trombones that earned one of Down Beat's rare 5***** review. Each of the selections on this set has between seven and a dozen trombonists along with a rhythm section. The first five selections were recorded with East Coast musicians and the next six with players from the West Coast but, truth be told, there is no real difference in the style of music.
Features 24 bit remastering and comes with a mini-description. Saxes Inc – a unique sax-heavy session done by Warner Brothers, and a blaring batch of tracks played by an all-star all-sax group that includes Herb Geller, Phil Woods, Gene Quill, Al Cohn, Zoot Sims, Seldon Powell, Hal McKusick, and Georgie Auld! Bob Prince arranged and conducted, and the approach is surprisingly modernist, with the saxes carrying the bulk of the rhythm and melody, as well as the solos – a really great approach that makes for plenty of unique moments – all handled with a sound that's a lot more fluid than you might expect! Titles include "Four Brothers" (of course!), "The Gypsy", "Night In Tunisia", "Jumpin With Symphony Sid", and "Axmobile".
Reissue with the latest 2015 remastering. Comes with liner notes. Nicely sharp sounds from the great JJ Johnson – a set that has the trombonist really honing his edge on a host of tight, short tracks – with a vibe that almost recalls his initial bop recordings on Blue Note and Prestige! The style here is a bit more sophisticated – definitely with an ear towards the modern directions that JJ was exploring in the 50s – but the sound is also nicely spontaneous, with more focus on improvisation between group members than larger arrangements – quite nice, given that the group features excellent tenor from Bobby Jaspar on tenor – and either Tommy Flanagan or Hank Jones on piano, Percy Heath or Wilbur Little on bass, and Elvin Jones on drums. Tracks are short, and titles include "Overdrive", "Cube Steak", "Chasin The Bird", and "Solar".