Soundtrack from Twin Peaks (also known as Music from Twin Peaks) is a soundtrack album by the American composer Angelo Badalamenti. It was released on September 11, 1990 on Warner Bros. Records and is the official soundtrack to the television series Twin Peaks (1990–91). The series' co-creator David Lynch produced the album alongside Badalamenti and wrote lyrics for several tracks, including the series theme song "Falling". Upon its release, Soundtrack from Twin Peaks placed in several international charts—including the top 10 in Norway, Sweden, Australia and the Netherlands—and "Twin Peaks Theme" received the award for Best Pop Instrumental Performance at 33rd Annual Grammy Awards.
"Make It Big" is the second studio album from British pop duo Wham!, released in 1984. It was mostly recorded at Studio Miraval in Southern France to escape the press and enable George Michael to work peacefully and mixed at Good Earth Studios in London and Marcadet Studios in Paris. In comparison to their earlier work, the duo had more control over the album's production, as George Michael became the sole credited producer, a position he would subsequently hold on all future releases until the group split in 1986.
"Streisand Superman" is an album released in 1977 by American singer Barbra Streisand. The single "My Heart Belongs To Me" became a hit in 1977, peaking at #4 on the US pop chart. The album peaked at #3 on the Top 200 LP Billboard album chart and on the UK Albums Chart at #32. It has sold 2 million copies in United States and was certified 2x Platinum.
"Emotion" is the twenty-third studio album released by Barbra Streisand. It was released on October 9, 1984, and went platinum in the United States on December 18 the same year. This album was recorded in eleven studios in Los Angeles and two in New York with a multitude of producers and writers. The album was promoted by a music video of the title track "Emotion", starring Streisand, The Who's Roger Daltrey and Mikhail Baryshnikov. "Left in the Dark" also received a music video, reuniting Streisand with Kris Kristofferson, her costar from A Star Is Born. The album peaked at #19 on the US chart and has been certified Platinum by the RIAA. According to the liner notes of Barbra's retrospective box set, Just for the Record, the album also received a record certification in the Netherlands.
With Rain Dances, Camel began exploring shorter, more concise songs, but it wasn't until its follow-up, Breathless, that they truly made a stab at writing pop songs. Although they didn't completely abandon improvisational prog rock – there are several fine, jazzy interludes – most of the record is comprised of shorter songs designed for radio play. While the group didn't quite achieve that goal, Breathless is nevertheless a more accessible record than Camel's other albums, which tend to focus on instrumentals. Here, they try to be a straightforward prog rock band, and while the results are occasionally a little muddled, it is on the whole surprisingly successful.
Roy Wood is an English singer-songwriter and multi-instrumentalist. He was particularly successful in the 1960s and 1970s as member and co-founder of the Move, Electric Light Orchestra and Wizzard. As a songwriter, he contributed a number of hits to the repertoire of these bands. Wood will be inducted into the Rock and Roll Hall of Fame in 2017 as a member of Electric Light Orchestra. On the Road Again is the third solo album by Roy Wood. The album was released only due to the intervention of Warner Bros. boss Mo Ostin, but it was only released in the United States, Germany and The Netherlands. The album includes guest appearances from Carl Wayne, Andy Fairweather-Low and John Bonham.
Cardboard sleeve (mini LP) reissue from Phil Upchurch featuring the latest remastering and the high-quality SHM-CD format. Recorded in 1971, shortly after he departed Cadet where he served as a house sideman-playing on dozens of records and a prefferred guitarist for Curtis Mayfield and Jerry Butler, Phil Upchurch headed for the West Coast and Blue Thumb Records. Produced by Tommy LiPuma, Upchurch's Darkness, Darkness is his quintessential (double) album, full of laid-back funky grooves, elegant, mind-blowing guitar work, elegant string and horn arrangements, and fine Fender Rhodes work from Donny Hathaway with legendary session bassist Chuck Rainey and smooth jazz piano great Joe Sample in the house.
Within a refined setting of easy listening pop ballads and lightly funky up-tempo selections produced by Al McKay, Henderson proves himself an assured vocalist with mastery of clarity and phrasing. The problem here is the material isn't challenging enough – it's often formulaic and derivative of other early-'80s releases. Even a contribution from Stevie Wonder, "Crush on You," wanders into oblivion. But the singer's debonair tone and elegant, polished diction makes the weaker sound stronger. A perfect example is the mid-tempo "I'd Rather Be Gone," which suffers from a sleepy melody and clichéd rhythm arrangement.