Forever Young features melodically inventive, harmonically sophisticated and rhythmically alert jazz, composed by Norwegian-American guitarist Jacob Young and played by a spirited team of contemporaries. Young and saxophonist Trygve Seim are friends since school days, and have been heard on the Norwegian jazz scene in numerous combinations and contexts over the years. They are joined on this album by the Polish pianist, bassist and drummer widely known as the Marcin Wasilewski Trio, a group with its own 20 years playing history.
Contemporary jazz that anyone could like, characterised by strong yet open themes, unshowy brilliance and an overall mood of soulfulness and sensitivity. For his third album, French/African drummer Katché has assembled an unusual but effective cast of musicians, with Tore Brunborg on sax, Jason Rebello on piano and Pino Palladino on bass. Guitarist Jacob Young plays on three of the 11 tracks and there's a cameo by Kami Lyle, whose strangulated voice grows on you. Definitely one of the albums of the year. (Source: independent.co.uk)
By 1997, Crosby, Stills & Nash were without a label thanks to a drastic artistic slump, but they began working on a new album, paying for studio time out of their own pockets. Neil Young expressed interest in the tapes, and suddenly, a new CSNY album was in the works. Even though Young's continual tinkering pushed its release back by months, Looking Forward still feels rushed and half-finished. It's immediately apparent that the record began as a self-financed project; it sounds weirdly muted, as if all the levels weren't set accurately; similarly, it's possible to hear sometimes awkward overdubs added to basically completed tracks. While they may have named the album Looking Forward, CSNY are alternately nostalgic and haunted by the past, which colors their attempts to look toward the future.
A leading vihuela specialist, the Argentinian virtuoso Ariel Abramovich has already devoted two albums to the favourite instrument of the Iberian Renaissance, the first on Arcana (Esteban Daça, El Parnasso, A316, 2002) and the second on Carpe Diem (Diego Pisador, Si me llaman, 2009). For this third instalment he is joined by one of the world’s most respected and innovative solo lutenists, Jacob Heringman, for a vihuela duo project which is the result of years of research and performing. While there is a significant number of publications for two lutes from the sixteenth century, only one of the seven collections for vihuela de mano includes duets, and it is precisely that collection that was the main source of inspiration for this project.