Jackie Evancho: Dream with Me in Concert, marks the solo concert debut of the 10-year-old girl with the extraordinary soprano voice.
Jumaane Smith, trumpeter and vocalist, has already done what most musicians spend their lives dreaming about. He’s traveled the world, played stages in historic clubs, in massive stadiums and at cultural landmarks, recorded a solo album, appeared on national television and performed for two sitting U.S. presidents. His collaborations range from pop idols to jazz legends, and the list reads like a lineup for the best New Orleans Jazz Fest ever. He’s worked with Stevie Wonder, Quincy Jones, Michael Buble’, Jackie Evancho, Alicia Keys, The Jonas Brothers, Wyclef Jean, Justin Bieber, Diddy, Natalie Cole, James Ingram, Wynton Marsalis, Ravi Coltrane, Chris Botti and many more…
This is a fine compilation of Jackie Gleason's output for Columbia. Gleason's objective was to make "musical wallpaper" that should never be intrusive, but rather conducive. He was not musically literate, but never had a problem articulating what he wanted to hear from his orchestra. The music here is quiet, melancholy, and often somber, played at mostly moderate to slow tempos. Each selection seems to flow into the next, achieving Gleason's goal of unobtrusiveness. Collectors may be more interested in seeking out the original LPs that comprise the material here, but for those looking for two CDs worth of some of the most relaxing music ever recorded, this is the place to start.
The last of the Jackie McLean Prestige sessions, this LP has material from two different sets, but fortunately, the music is on a higher level than one might expect of "leftovers." "Strange Blues" is from a marathon quartet set that McLean had with pianist Mal Waldron, bassist Arthur Phipps, and drummer Art Taylor, as is a rendition of "What's New" that is an alternate version to the one included on Makin' the Changes. In addition, "Disciples Love Affair" and "Millie's Pad" match McLean with the tuba of Ray Draper (who contributed both songs), trumpeter Webster Young, pianist John Meyers, bassist Bill Salter, and drummer Larry Ritchie, while the incomplete "Not So Strange Blues" is all McLean on an explosive blues with the rhythm section. A generally strong set chiefly recommended to Jackie McLean completists.