Chris Smither left New Orleans in the mid-'60s for Boston, and quickly became part of a booming Cambridge folk scene that also included Bonnie Raitt, who went on to make his "Love (Me) Like a Man" a folk-blues standard. He eventually signed a deal with Poppy Records, which led to the release of I'm a Stranger Too! in 1970.
Endlessly imitated and parodied, Ingmar Bergman's landmark art movie The Seventh Seal (Det Sjunde Inseglet) retains its ability to hold an audience spellbound. Bergman regular Max von Sydow stars as a 14th century knight named Antonius Block, wearily heading home after ten years' worth of combat. Disillusioned by unending war, plague, and misery Block has concluded that God does not exist. As he trudges across the wilderness, Block is visited by Death (Bengt Ekerot), garbed in the traditional black robe. Unwilling to give up the ghost, Block challenges Death to a game of chess. If he wins, he lives – if not, he'll allow Death to claim him. As they play, the knight and the Grim Reaper get into a spirited discussion over whether or not God exists. To recount all that happens next would diminish the impact of the film itself; we can observe that The Seventh Seal ends with one of the most indelible of all of Bergman's cinematic images: the near-silhouette "Dance of Death".
”Our Love to Admire” is the third studio album by the American post-punk revival band Interpol, released July 10, 2007 on Capitol Records. Recorded at Electric Lady Studios in Greenwich Village and The Magic Shop Studios in New York City, the album is the group's first to be released on a major label. The album has scored Interpol's best chart positions in their career, debuting inside the top five of the UK & US album charts, reaching number-three on the European Albums Chart.