This is a recording which truly challenges the accepted norms of musical recording and it does so triumphantly. The sound is full and rich, being recorded in a great church. Lislevand's control of sonority is at times stunning, his tone always sweet and strong. The pieces are tastefully arranged into suites, balanced and whole. And the disc even includes snippets of bird and animal sounds which invaded the recording sessions from the cool night air and nearby lake. Added to this, the liner notes are exemplary, full of insight into the composers' of the disc as well as the opinions and ideas on historical performance. Highlights of this recording are the Canaries by Gaultier and Tombeau du Mezangeau, by the same.
This is a reissue (first time on CD) of the seminal album by legendary German clarinetist/composer Rolf Kuhn (born 1929), recorded with a quintet, which also included his younger brother pianist/composer Joachim Kuhn (born 1944), bassist Klaus Koch and two Polish Jazz legends: saxophonist Michał Urbaniak and drummer Czesław Bartkowski. The album presents six pieces: three original compositions by Rolf Kuhn, two original compositions by Joachim Kuhn and one arrangement of a folk tune. Over the years this album achieved a legendary status and became a highly sought after collector's item, because of its political implications, as well as being one of the earliest East European Jazz recordings and an important cornerstone of European Jazz in general.
Danish Bjarke Mogensen (b. 1985) is the new star of the accordion in a country where there are already fine accordion traditions. On this CD Bjarke is accompanied by the Danish National Chamber Orchestra conducted by Rolf Gupta in new Danish accordion concertos by Per Nørgård, Ole Schmidt, Anders Koppel and Martin Lohse – the last two written specifically for the young soloist.
In this wonderful solo album, Norwegian early music performer Rolf Lislevand turns his attention to the music of two composers from the court of Louis XIV: Robert de Visée (c. 1655-1732) and the Italian-born Francesco Corbetta (c. 1615-1681), and plays their masterpieces with historical awareness and an inventiveness which belongs to the tradition. De Visée wrote about playing what the instruments themselves called for, advice Lislevand takes to heart, adding improvised introductions to passacaglias from both composers. He uses two contrasting instruments here, the small Baroque guitar with its sparkling, crystal-clear sonorities and the theorbo, the dark-toned and earthy king of the lutes.
In this wonderful solo album, Norwegian early music performer Rolf Lislevand turns his attention to the music of two composers from the court of Louis XIV: Robert de Visée (c. 1655-1732) and the Italian-born Francesco Corbetta (c. 1615-1681), and plays their masterpieces with historical awareness and an inventiveness which belongs to the tradition.
Norwegian composer Rolf Wallin (born 1957) belongs to that school of Scandinavian composers of the late twentieth and early twenty-first centuries who are grounded in the techniques of modernism, but who employ those techniques in music that's immensely and immediately appealing to broad audiences in the directness of its emotional reach and the attractiveness of its sound. The three pieces recorded here, an orchestral work, a percussion concerto and a concerto for six percussionists, reveal a composer with an extraordinarily colorful orchestrational palette, fine sense of large musical structure, and an elemental rhythmic vitality.
Le meurtre sanglant d'une femme à Marseille replonge les héros de Marée d'équinoxe au cœur d'une nouvelle enquête macabre. …