In what used to be called the West, Sviatoslav Richter's best-known and best-loved recording of Tchaikovsky's First Piano Concerto was the 1962 recording on Deutsche Grammophon with Herbert von Karajan conducting the Vienna Symphony. In what used to be called the East, Richter's best-known and best-loved recording of Tchaikovsky's First was this 1958 recording on Melodiya with Yevgeny Mravinsky conducting the Leningrad Philharmonic.
For the 100th anniversary of Sviatoslav Richter, Firma Melodiya presents its arguably biggest project in its semicentennial history: a 50-CD set of Sviatoslav Richters concert recordings! This collection is far from the complete phonographic legacy of the great musician. Nevertheless, the set includes plenty of exclusive, previously unreleased recordings that will make the hearts of even most erudite connoisseurs and collectors rejoice.
Very few conductors have recorded as much Bach as Karl Richter and none can lay a stronger claim to a legacy based on championing the master. Richter's reverence for Bach is evinced by the simplicity, splendor, and grandeur with which he consistently imbued his performances exemplified here by these landmark recordings of the Brandenburg Concertos and Orchestral Suites. In Archiv's original-image bit-processing remastered transfers as well, the sound is better than ever. This is cornerstone Bach that should not be missed.
The first time I heard him play was at the Moscow Conservatory in May 1957, and he opened his programme with the last of Schuberts sonatas. Its a very long sonata, one of the longest ever written, in fact, and Richter played it at the slowest tempo Ive ever heard. I think at this point its appropriate to confess… Im not really addicted to most of Schuberts music. I find myself unable to come to terms with the repetitive structure, and I get very restless and squirm when I have to sit through one of the longer Schubert essays.
Good News - the legal dispute over the ownership of Sviatoslav Richter's Eurodisc recordings has finally been resolved, and Sony is releasing them in a nice 14 CD box.Recorded in Salzburg, Vienna and Munich between 1970 and 1983.A joint production of the small German label Eurodisc (Ariola) and the Soviet giant Melodiya.These are among the last of Richter's studio recordings - after this, most of his commercial recordings were recorded in concert.
Firma Melodiya continues the series of compact discs dedicated to December Evenings Festival that takes place at the Pushkin State Museum of Fine Arts. This album, like the previous one, is dedicated to the 1985 festival World of Romanticism and includes recordings featuring Sviatoslav Richter. The atmosphere of December Evenings, an event initiated by the great pianist, differed from usual philharmonic concerts. The spirit of music as an inseparable part of "fusion of arts" the romanticists dreamt of was invisibly felt in each number; a sensitive listener can catch it in these, perhaps technically imperfect, concert recordings from thirty years ago. The works by Schubert, Schumann and Chopin were performed by Sviatoslav Richter in ensemble with his outstanding contemporaries, violinist and David Oistrakh's student Oleg Kogan who passed away prematurely, violist Yuri Bashmet, cellist Natalia Gutman and clarinettist Anatoly Kamyshov.