Many collectors would agree that Sviatoslav Richter was the greatest pianist of the 20th century. His enormous recorded legacy hides hundreds of treasures, many of which are included in this beautiful 51CD set. Released to celebrate the 100th anniversary of his birth (20th March 2015), the edition encompasses his complete Decca, Philips and DG recordings, including his Sofia Recital as well as his collaborations with Rostropovich, Karajan and Benjamin Britten.
A collection of 18 original piano works which takes us through the award-winning composer's eclectic output, embracing his work with the London Philharmonic (Memoryhouse), The Blue Notebooks, Royal Ballet-commissioned Infra and some of his film scores (Departure from The Leftovers, Miss Sloane). The album is recorded using an avant-garde conception instrument thus creating a completely new sound.
Back in the '50s and '60s when RCA was one of the two dominant American classical record companies, the big debate was over which of their two recordings of Brahms Piano Concerto in B flat major was better: the Emil Gilels with Fritz Reiner from 1958 or the Sviatoslav Richter with Leinsdorf from 1960. Both are with the Chicago Symphony at the peak of its strength and sensitivity.
Taboo is a dark tale of love and death, treachery and revenge with supernatural undertones, set in pre-Victorian London, starring Tom Hardy as James Keziah Delaney. Long believed dead, Delaney is a mysterious adventurer who returns to London from 12 years in Africa to inherit what is left of his father's shipping empire. His enemies, including his own family and the corrupt power-brokers of the East India Company, are all intent on disposing of the dangerous Delaney by any means necessary, and keeping his inheritance for themselves. Composer Max Richter was first attracted by the mood of the drama, which pulls no punches with its authentic evocation of a seedy London 200 years ago, filled with criminals, courtesans and corrupt officials.