The choice of repertoire is more or less predictable. There are no lesser known arias, and Gott sei Dank they have been grouped by opera but, within the operas, not in the order of appearance. The ordering of the operas seems haphazard, too. "What an ungrateful nit-picker!" I can hear readers mumble. "Of course they have decided the order to achieve as much variety as possible". But I am not so sure. Why, in that case, start the recital, after the Zauberflöte overture with two arias in a row sung by Russell Braun?