With its two sides split between Perry and Gerrard's vocal efforts, Within the Realm of a Dying Sun serves as both a display for the ever more ambitious band and a chance for the two to individually demonstrate their awesome talents. Beginning with the portentous "Anywhere Out of the World," a piece that takes the deep atmospherics of "Enigma of the Absolute" to a higher level with mysterious, chiming bells, simple but effective keyboard bass and a sense of vast space, the album finds Dead Can Dance on a steady roll. Once again a range of assistant musicians provide even more elegance and power to the band's work, with a chamber string quartet plus various performers on horns, woodwind, and percussion. Impressive though the remainder of the first side is, Gerrard's showcase on the second half is even more enveloping and arguably more successful. The martial combination of drums and horns that start "Dawn of the Iconoclast" call to mind everything from Wagner to Laibach, but Gerrard's unearthly alto, at its most compelling here, elevates it even higher.
A writer awakens one day to find a strange but beautiful woman in bed with him. He quickly falls in love with her, thinking he has found his muse, but as time passes she becomes more and more unattainable.
An enigmatic musical poet, world-renowned pianist Glenn Gould continues to captivate twenty-seven years after his untimely death. His inimitable music and writing reveal and insightful world-view that we are still unravelling – his complex recording technologies, including overdubbing, was unprecedented. Though there have been many documentaries about Gould, most are distracted by his eccentricities, focusing on the pills, gloves, and scarves while missing the man and message behind the music. Genius Within: The Inner Life of Glenn Gould pierces through the myths, revealing the man beneath the icon.