Martial Solal and Joachim Kühn joined forces in 1975 for a duo piano concert during the debut of the Festival Independent de Massy. Both musicians enjoy showing off their right-handed runs in the opening to "Solar," before turning on the afterburners and really starting to wow the audience. The remaining two numbers are evidently on-the-spot duo improvisations, with "Journey Around the World" segueing through many different moods. "Musica 2000," a 19-minute excursion, is even more intense and clearly much further into the avant-garde camp. Throughout the concert, the two pianists are clearly inspired by each other. Released by Dreyfus in Europe, but not in the U.S., this recommended live CD may be somewhat difficult to acquire.
One of the few later recordings we've seen from tenorist Eddie Chamblee – a player who first rose to prominence on the Chicago scene of the 50s, and one who's got a well-bitten style that creates a deeply soulful tone! Eddie's roots are more in swing than bop, but there's also a quality here that recalls some of the earliest soul jazz sides on Prestige – especially as Eddie's working in a combo that includes organ and vibes from Milt Buckner. Other players on the session include Earl Warren on alto sax, Arnett Cobb on tenor, and Buster Cooper on trombone.
The story of the Cranberries is one of dogged survival. Debuting with a maiden release that everybody seemed to rate as a portent of great things, the band suffered not only a "difficult" second album but also an absolute stinker of a third one, as the bandmembers strove desperately – too desperately – to live up to their reputation for sensitivity and thoughtfulness, and completely lost sight of their true virtues in the process. Internecine squabbling, health problems, and general disaffection all took further toll, so much so that, as the band prepared to release its fourth album, 1999's Bury the Hatchet, many observers were shocked to learn that the band even existed any longer, let alone was capable of actually making a new record – especially one that was as good as Bury the Hatchet turned out to be. Filmed at the Paris Omnisport de Bercy on December 9, 1999, toward the end of that album's accompanying tour, Beneath the Skin captures the full 84-minute concert performance, with the band ranging and, occasionally, raging through a veritable greatest-hits collection. The 22 tracks date back to the shimmering beauty of the Everybody Else Is Doing It era, fast forward through the highlights (and there were a few) of the two albums that followed, and then climax with eight cuts from the new record, including an opening salvo of "Animal Instinct," "Loud and Clear," and "Promises" that restates Hatchet's own defiant kickoff.
BLUES PILLS are what they call the band of the hour. Their latest album, »Lady In Gold«, not only rocketed them onto position #1 of the German album charts and brought them numerous other chart entries all around the globe but also led them through the vast majority of the European continent…
From Robert's early Geometry and Rainforest period, with hours of previously unreleased music. Melodic sequencers with swift patterned keyboard improvisation, melting down into slow looping textures and flutes.