This was Iva Davies return from courtroom hell with former label Chrysalis. Someone should annoy Davies more often, because the result is the most energizing, electric music of his career. From their opener, Icehouse – essentially the trio of Davies, Paul Wheeler, and David Chapman – treat us to a frenzy of guitars, loops, filmic links, and drumming likened to John Bonham. Though lyrically weak, the title song bounces along in jolly mode. Bowie affiliations come again in the form of "Satelite" and "Stolen Guitar." "Judas" and "Cadillac" are more stodgy but still rock; the latter is similar to the more recent Suede material. The album initially came with a computer disc – the first interactive disc in Australian rock history – while others came as standard with the Spin One EP attached, which leads nicely to its parent album.
As an oboe/guitar player involved in electro popular music, it's no surprise Iva Davies took to Roxy Music, especially on "Street Café" and the mega-hit "Hey Little Girl," which duly landed in no less than 13 European Top Ten singles charts, going all the way in Switzerland. An album of atmospheres, "Great Southern Land" evokes images of Australia's arid interior, while "Trojan Blue" conjures up medieval Italy or France. "Mysterious Thing" continues Primitive Man's mood, and produces what may be the best line in ambient white funk recorded! Running orders for the album fluctuate; Australian editions swapped "Love in Motion" for the rockier "Break These Chains" (vice versa in the U.K.). Finishing up is an excellent reworking of "Goodnight Mr. Mathews," which had earlier appeared on the Steve Nye single-only version of "Love in Motion" (itself re-recorded less successfully). Primitive Man (aka Love in Motion in the U.K.) is still one his finest recordings.
Sidewalk is the third studio album by the Australian rock band Icehouse. It was originally released in June 1984, on the labels Regular, Chrysalis, and reached #8 on the National albums chart with singles "Taking the Town" (#22), "Don't Believe Anymore" (#22t) and "Dusty Pages" (#82). Founding member Iva Davies used the Fairlight CMI digital sampling synthesizer on this more sombre and reflective album, included are two tracks used for the Russell Mulcahy 1984 film Razorback, which he had recorded in 1983.
2002 digitally remastered reissue of the Aussie rock/synthpop act's 1986 album that's unavailable domestically. Includes 5 bonus tracks 'Just A Word', 'The Perfect Game', 'The Flame' (Live), 'No Promises' (live) & 'Sister' (live).
Based on the principles of balance, Measure for Measure is half-produced by David Lord, half by Rhett Davies. American and European editions benefit from a better track list, which opens with the Davies-produced "No Promises."
The debut album was released in 1980 when the band was known as Flowers. Remastered reissue includes three bonus tracks, 'Love In Motion (Original Single Mix), 'Goodnight, Mr. Matthews' (B side to Love In Motion) & 'Can't Help Myself' (Original 10 Inch Single Mix).