Given the glut of "String Quartet Tribute to So and So," "Electronic Tribute to Some Crappy Band," and "Pickin' on Whomever" "tributes," it's somewhat surprising that no one has tackled Pavement in a tribute album – not until now, at any rate. And even more surprising is that it's not one of those aforementioned knockoffs; it's a heavyweight jazz session with James Carter, Cyrus Chestnut, and Reginald Veal, three of jazz's finest players on their respective instruments (rounded out by the talented Ali Jackson on drums). You may be asking, "what the hell are a bunch of jazzbos doing playing Pavement tunes?" The short answer, "making a great album." Remember, underneath their slacker image and loose, lo-fi aesthetic, Pavement's best tunes were memorable and melodic with interesting (though sometimes ramshackle) arrangements.
Cyrus Chestnut covers a wide range of hymns, carols and spirituals on this outstanding solo piano CD. A very dramatic "Holy, Holy, Holy" would inspire any congregation, while the rich voicings in "We Three Kings" are subtle yet moving. "Sometimes I Feel Like a Motherless Child" is the most compelling track, with a thought-provoking arrangement that makes great use of space.