A countryman of Bela Bartók and a sometime teacher to both György Ligeti and György Kurtág, Sándor Veress emigrated to Switzerland from what was then part of Hungary in 1949. Settling in Bern, he collected various prizes and teaching posts while working in relative obscurity on who knows how many pieces–most of which have been unavailable. This collection is made up of a pithy trio of compositions dated 1938 (Six Csárdás), 1951 (Hommage à Paul Klee), and 1952 (Concerto for Piano, Strings, and Percussion), and they show what a deftly melodic force Veress was. He's thrilled by blustery string wafts, especially in the concerto, where the percussion adds drama and immediacy. But he also favors sweetly chipper string formations, which surprise the ear during the homage to Klee, especially given the dissonances fostered early on by the twin pianos. The closing piano miniatures of Six Csárdás are counterpoint-rich gems, played with sharp precision by András Schiff.
It comes as no surprise that, a year after Rampal's death, James Galway should dedicate a disc to him. After all, Galway has always cited the Frenchman as his true mentor - and it was with Rampal that Galway first spied a golden flute. The recording actually happened over a year before Rampal died but appropriately enough contains concertos by the French Classical composer François Devienne, of whose music Rampal was a noted interpreter.
Legendary Jazz/Soul vocalist Patti LaBelle is making a return to music after going nearly a decade without releasing an album. Her newest LP, "Bel Hommage" is slated to be released by GPE Records on May 5th, 2017, and the entire record only contains one duet and it's with Kem.
The Armenian monk Soghomon Soghomonian, better known by his priest’s name of Komitas, collected hundreds of folksongs around 1900 during the course of his travels through the Armenian highlands between Van Lake, the Black Sea and the southern Caucasus. These songs, handed down orally over the centuries, express all the archaism of this ancient people’s unmistakeable culture – a culture than was nearly extinguished in the genocide of the Armenians during the Ottoman Empire from 1915 to 1917…
There is a recurrent theme running through the program presented by the Dena Piano Duo in this production; all four composers and works have a particular relationship to Edvard Grieg. Both Johannes Brahms and Camille Saint-Saëns were friends of Grieg, and in several of his works the inspiration Grieg gained from his colleagues in Vienna and Paris is easy to hear. In between the works of Brahms and Saint-Saëns the Dena Piano Duo play two Norwegian works they have commissioned from the composers Wolfgang Plagge and Terje Bjørklund with this recording in mind.