Hommage Symphonique is an album of progressive rock covers recorded by master keyboardist Erik Norlander along with the virtuoso band of Gregg Bissonette, Don Schiff and Mark McCrite with Kelly Keeling handling all of the vocal duties. Erik also employed a small ensemble of acoustic instruments featuring Jon Pappenbrook (trumpets flugelhorn), Eric Jorgensen (trombones), Mike Alvarez (cello) and David Schiff (woodwinds). David is the brother of Don Schiff, and in addition to Don's NS/Stick work on the album, he also fills out the acoustic string ensemble with the new Bowed Guitar instrument. Erik's choice of covers reflects his own broad musical taste, performing songs originally recorded by ELP, ELO, Yes, Rick Wakeman, King Crimson, Procol Harum and Jethro Tull and Chuck Mangione…
A countryman of Bela Bartók and a sometime teacher to both György Ligeti and György Kurtág, Sándor Veress emigrated to Switzerland from what was then part of Hungary in 1949. Settling in Bern, he collected various prizes and teaching posts while working in relative obscurity on who knows how many pieces–most of which have been unavailable. This collection is made up of a pithy trio of compositions dated 1938 (Six Csárdás), 1951 (Hommage à Paul Klee), and 1952 (Concerto for Piano, Strings, and Percussion), and they show what a deftly melodic force Veress was. He's thrilled by blustery string wafts, especially in the concerto, where the percussion adds drama and immediacy. But he also favors sweetly chipper string formations, which surprise the ear during the homage to Klee, especially given the dissonances fostered early on by the twin pianos. The closing piano miniatures of Six Csárdás are counterpoint-rich gems, played with sharp precision by András Schiff.
C'est le premier enregistrement mondial d'une très belle pastorale inédite de Charpentier, fruit de la collaboration entre le compositeur et Molière, afin de célébrer le tricentenaire de la mort de Charpentier. Chœurs somptueux, airs et duos magnifiques, des couleurs instrumentales chatoyantes et variées font de cette pastorale un petit joyau.
The Armenian monk Soghomon Soghomonian, better known by his priest’s name of Komitas, collected hundreds of folksongs around 1900 during the course of his travels through the Armenian highlands between Van Lake, the Black Sea and the southern Caucasus. These songs, handed down orally over the centuries, express all the archaism of this ancient people’s unmistakeable culture – a culture than was nearly extinguished in the genocide of the Armenians during the Ottoman Empire from 1915 to 1917…
Catherine Anahid Berberian (July 4, 1925 – March 6, 1983) was an American soprano and composer. She interpreted contemporary avant-garde music composed, among others, by Luciano Berio, Bruno Maderna, John Cage, Henri Pousseur, Sylvano Bussotti, Darius Milhaud, Roman Haubenstock-Ramati, and Igor Stravinsky. She also interpreted works by Claudio Monteverdi, Heitor Villa-Lobos, Kurt Weill, Philipp Zu Eulenburg, arrangements of songs by The Beatles, and folk songs from several countries and cultures. As a composer, she wrote Stripsody (1966), in which she exploits her vocal technique using comic book sounds (onomatopoeia), and Morsicat(h)y (1969), a composition for the keyboard (with the right hand only) based on Morse code.
It comes as no surprise that, a year after Rampal's death, James Galway should dedicate a disc to him. After all, Galway has always cited the Frenchman as his true mentor - and it was with Rampal that Galway first spied a golden flute. The recording actually happened over a year before Rampal died but appropriately enough contains concertos by the French Classical composer François Devienne, of whose music Rampal was a noted interpreter.
Legendary Jazz/Soul vocalist Patti LaBelle is making a return to music after going nearly a decade without releasing an album. Her newest LP, "Bel Hommage" is slated to be released by GPE Records on May 5th, 2017, and the entire record only contains one duet and it's with Kem.