The Messiaen celebrations come to an overwhelming climax with this superb 32-CD set of his complete works. The limited edition, from Deutsche Grammophon, is a one-of-a kind deluxe edition. The crowning gem of this box set is a performance of the two piano Visions de l'Amen with Olivier Messiaen and Yvonne Loriod, recorded in Paris in 1962.
From the opening four notes of Michael Henderson's hypnotically minimal bass that open the unedited master of "On the Corner," answered a few seconds later by the swirl of color, texture, and above all rhythm, it becomes a immediately apparent that Miles Davis had left the jazz world he helped to invent – forever. The 19-minute-and-25-second track has never been issued in full until now. It is one of the 31 tracks in The Complete On the Corner Sessions, a six-disc box recorded between 1972 and 1975 that centers on the albums On the Corner, Get Up with It, and the hodgepodge leftovers collection Big Fun. It is also the final of eight boxes in the series of Columbia's studio sessions with Davis from the 1950s through 1975, when he retired from music before his return in the 1980s. Previously issued have been Davis' historic sessions with John Coltrane in the first quintet, the Gil Evans collaborations, the Seven Steps to Heaven recordings, the complete second quintet recordings, and the complete In a Silent Way, Bitches Brew, and Jack Johnson sessions. There have been a number of live sets as well; the most closely related one to this is the live Cellar Door Sessions 1970, issued in 2005.
The new recordings of Chopin's works on period instruments allow contemporary listeners to discover the historical models, bringing us closer to the original and to the long-forgotten sound of the Romantic era.
Beside Marty Paich, none of Mel Tormé's collaborators exerted such a large influence on the singer's career as George Shearing, the pianist whose understated, expressive accompaniment contributed to Tormé's resurgence during the early '80s. Their six excellent albums together – two of which, An Evening With… and Top Drawer, earned Grammy awards – proved that classic vocal music had outlasted the long night that was the '70s, and emerged to become a timeless American genre. The pair's work for Concord was usually recorded live in a trio or quartet setting; leaving much space for Shearing solos, Tormé occasionally reprised his big standards ("A Nightingale Sang in Berkeley Square," "Lullaby of Birdland," "The Folks Who Live on the Hill"), but often searched for more obscure material he could make his own, and often succeeded. Tormé and Shearing were restless innovators, taking on a full album of World War II standards, medleys devoted to songs about New York and by Duke Ellington, and a stunningly broad range of material: "Oleo," "Lili Marlene," "How Do You Say Auf Wiedersehen?," and "Dat Dere."