Broadcast in the dying hours of Christmas Eve, the BBC's A Ghost Story for Christmas series was a fixture of the seasonal schedules throughout the 1970s and spawned a long tradition of chilling tales which terrified yuletide viewers for decades to come. This expansive box set collects over 13 hours' worth of content, including all 12 episodes of the classic A Ghost Story for Christmas series, the entire Classic Ghost Stories series (presented by Robert Powell), the M R James episodes of Spine Chillers (presented by Michael Bryant), and three of the Ghost Stories for Christmas with Christopher Lee instalments from 2000.
The most haunted neighborhood in America? That's what many are calling Old Louisville, an extensive preservation district with hundreds of old mansions and beautiful homes in Kentucky's largest city. Wherever you go in this eye-popping neighborhood, it seems that a haunted house is not far away. Or a haunted church, a haunted street corner, or a haunted park. Over the last decade, so many stories of paranormal activity have surfaced that Old Louisville has gained the reputation as being one of the spookiest locations in the country. David Dominé discovered this for himself after purchasing an old home on Old Louisville's famed Millionaires Row in 1999.
Haunted Lives: True Ghost Stories (shortened to Haunted Lives and later re-titled as Real Ghosts) was an American paranormal anthology television miniseries that originally broadcast from May 15, 1991 to November 28, 1995, on CBS and UPN. This short-lived program comprised three primetime specials that featured re-enactments of ghost stories told by real people who experienced alleged paranormal activity. The docudrama series used actors and special effects, and then introduced the witnesses who reported such phenomena.
A Ghost Story for Christmas is a strand of annual British short television films originally broadcast on BBC One between 1971 and 1978, and revived in 2005 on BBC Four. With one exception, the original instalments were directed by Lawrence Gordon Clark and the films were all shot on 16 mm colour film. The remit behind the series was to provide a television adaptation of a classic ghost story, in line with the oral tradition of telling supernatural tales at Christmas.