Singer/songwriter/producer Lamont Dozier was part of the legendary Motown production team of Holland-Dozier-Holland. A galvanizing force in the '60s pop and R&B chart-dominance of the Detroit-based independent record label, the trio later formed Invictus and Hot Wax Records, and enjoyed gold-record-laced success with the Chairmen of the Board, Freda Payne, 100 Proof Aged in Soul, the Honey Cone, and 8th Day.
Motown’s legendary songwriting/production team, Holland-Dozier-Holland, left the fold in 1967, to establish their own Invictus/Hot Wax group of labels. They had worldwide hits with their flagship act, Chairmen Of The Board, debuted the first album by Parliament, as well as scoring a UK #1 with Freda Payne’s ‘Band of Gold…
Fantastic Box Set covering the Motown Years, over 110 tracks, including "Where Did Our Love Go," "Dancing In The Street," "Jimmy Mack," "I Heard It Through The Grapevine," "Behind The Painted Smile," "The Tears of Clown," "The Tracks of My Tears," & "This Old Heart of Mine," to name just a few. Great songs from a great era, if you grew up during this period you'll love these songs, & the quality of the recordings is as usual from Readers Digest excellent!
Deluxe remastered edition of this album from cult folk artist Karen Dalton. Recorded over a six month period in 1970/71 at Bearsville, In My Own Time was Dalton's only fully planned and realized studio album. The material was carefully selected and crafted for her by producer/musician Harvey Brooks, the Renaissance man of rock-jazz who played bass on Dylan's Highway 61 Revisited and Miles' Bitches Brew. It features ten songs that reflected Dalton's incredible ability to break just about anybody's heart - from her spectral evocation of Joe Tate's One Night of Love, to the dark tragedy of the traditional Katie Cruel. Known as a great interpreter of choice material, Dalton could master both country and soul genres with hauntingly pining covers of George Jones' Take Me and Holland-Dozier Holland's How Sweet It Is.
"More Hits by The Supremes" is the sixth studio album by Motown singing group The Supremes, released in 1965. The album includes two number-one hits: "Stop! In the Name of Love" and "Back in My Arms Again", as well as the Top 20 single "Nothing but Heartaches". The album opens up with the b-side "Ask Any Girl" from their "Where Did Our Love Go" album, which ironically ended side 2 of their previous album of new material. It was once planned for single release with this new mix. Barney Ales, then an executive vice-president of Motown Records, reported in the August 14, 1965 issue of Billboard magazine the album had advance orders estimated at 300,000. More Hits by The Supremes peaked at #6 on the U.S. Billboard album chart and remained on that chart for 37 weeks. It reached #2 on Billboard's R&B album chart. To further underscore their popularity, each girl's signature was autographed on the album cover. According to Motown data this album managed to sell over 1,675,000 copies.
After the song-writing partnership of Holland-Dozier-Holland (Edward-Lamont-Brian) left Motown in the late Sixties, they set up the INVICTUS and HOT WAX labels in the States featuring hot new soul acts like Chairman Of The Board, Freda Payne, Parliament, The Honey Cone, Ruth Copeland, Laura Lee etc.
8th Day were a studio-based congregation on Invictus Records: the post-Motown label from Holland/Dozier/Holland. There wasn't an official group lineup, and the musicians and singers in 8th Day were featured in other Invictus/Hot Wax groups – most notably in 100 Proof (Aged In Soul) – but sweating over the details of who did what and who was where misses the point of the Invictus sound: the sound and the songs took prominence over group membership, and why not? The team at Invictus was tremendous, creating big, "Wall of Sound" productions that were nevertheless nimble, stylish, and lush: a perfect expansion of the Motown aesthetic for the post-psychedelic, smooth, soul era.
Freda Payne was a onetime flagship of Invictus, the label established by Motown mutineers Holland-Dozier-Holland. Though she only made three albums with the former Detroit hit machine, it was through the first two singles both artist and label became instantly known. Parting with Motown proved the right decision for HDH in their search for more creative recognition. Through Payne's "Unhooked Generation" and " "Band of Gold" they nurtured a newfound soul style. Combining the infectious rhythmic base of their earlier efforts with the Supremes and the Four Tops, HDH ventured into a more funk-oriented approach, with a little less emphasis on the familiar orchestration.