Singer/songwriter/producer Lamont Dozier was part of the legendary Motown production team of Holland-Dozier-Holland. A galvanizing force in the '60s pop and R&B chart-dominance of the Detroit-based independent record label, the trio later formed Invictus and Hot Wax Records, and enjoyed gold-record-laced success with the Chairmen of the Board, Freda Payne, 100 Proof Aged in Soul, the Honey Cone, and 8th Day.
Fantastic Box Set covering the Motown Years, over 110 tracks, including "Where Did Our Love Go," "Dancing In The Street," "Jimmy Mack," "I Heard It Through The Grapevine," "Behind The Painted Smile," "The Tears of Clown," "The Tracks of My Tears," & "This Old Heart of Mine," to name just a few. Great songs from a great era, if you grew up during this period you'll love these songs, & the quality of the recordings is as usual from Readers Digest excellent!
"More Hits by The Supremes" is the sixth studio album by Motown singing group The Supremes, released in 1965. The album includes two number-one hits: "Stop! In the Name of Love" and "Back in My Arms Again", as well as the Top 20 single "Nothing but Heartaches". The album opens up with the b-side "Ask Any Girl" from their "Where Did Our Love Go" album, which ironically ended side 2 of their previous album of new material. It was once planned for single release with this new mix. Barney Ales, then an executive vice-president of Motown Records, reported in the August 14, 1965 issue of Billboard magazine the album had advance orders estimated at 300,000. More Hits by The Supremes peaked at #6 on the U.S. Billboard album chart and remained on that chart for 37 weeks. It reached #2 on Billboard's R&B album chart. To further underscore their popularity, each girl's signature was autographed on the album cover. According to Motown data this album managed to sell over 1,675,000 copies.
Deluxe remastered edition of this album from cult folk artist Karen Dalton. Recorded over a six month period in 1970/71 at Bearsville, In My Own Time was Dalton's only fully planned and realized studio album. The material was carefully selected and crafted for her by producer/musician Harvey Brooks, the Renaissance man of rock-jazz who played bass on Dylan's Highway 61 Revisited and Miles' Bitches Brew. It features ten songs that reflected Dalton's incredible ability to break just about anybody's heart - from her spectral evocation of Joe Tate's One Night of Love, to the dark tragedy of the traditional Katie Cruel. Known as a great interpreter of choice material, Dalton could master both country and soul genres with hauntingly pining covers of George Jones' Take Me and Holland-Dozier Holland's How Sweet It Is.
After the song-writing partnership of Holland-Dozier-Holland (Edward-Lamont-Brian) left Motown in the late Sixties, they set up the INVICTUS and HOT WAX labels in the States featuring hot new soul acts like Chairman Of The Board, Freda Payne, Parliament, The Honey Cone, Ruth Copeland, Laura Lee etc.
8th Day were a studio-based congregation on Invictus Records: the post-Motown label from Holland/Dozier/Holland. There wasn't an official group lineup, and the musicians and singers in 8th Day were featured in other Invictus/Hot Wax groups – most notably in 100 Proof (Aged In Soul) – but sweating over the details of who did what and who was where misses the point of the Invictus sound: the sound and the songs took prominence over group membership, and why not? The team at Invictus was tremendous, creating big, "Wall of Sound" productions that were nevertheless nimble, stylish, and lush: a perfect expansion of the Motown aesthetic for the post-psychedelic, smooth, soul era.
Released 18/05/09. First-ever collection of Lulu’s complete recordings for Decca from 1964 to 1967. Includes the Top 10 hits ‘Shout!’ (here in its rarer mono single variation) and ‘Leave A Little Love’, plus other hits ‘Here Comes The Night’ and ‘Try To Understand’. Sleeve-notes include new quotes from Lulu. Includes two rare German language tracks. Great value with 42 tracks taken from two albums, a scarce EP and a raft of singles. Several tracks include session work from the legendary Jimmy Page. ‘Surprise, Surprise’ was an exclusive Jagger/Richards composition.
The first-ever compilation of the legendary work by this great 70s soul diva! was the lesser-known sister of , and – and during the mid 70s she recorded her best work at the label with the team. This CD features 15 great tracks from those years, including her whole LP, plus bonus tracks. The CD features the northern soul killer , plus nice ones like (12 inch mix), , , , , and (12 inch mix).
Vanilla Fudge was one of the few American links between psychedelia and what soon became heavy metal. While the band did record original material, they were best-known for their loud, heavy, slowed-down arrangements of contemporary pop songs, blowing them up to epic proportions and bathing them in a trippy, distorted haze…
Motown’s legendary songwriting/production team, Holland-Dozier-Holland, left the fold in 1967, to establish their own Invictus/Hot Wax group of labels. They had worldwide hits with their flagship act, Chairmen Of The Board, debuted the first album by Parliament, as well as scoring a UK #1 with Freda Payne’s ‘Band of Gold…