Following the Allies success at El Alamein, the war in the desert became the retreat of the Afrika Korps and Italian forces and also the first joint Anglo-American land operation of the war. In April 1943, the Allies began offensive with a series of battles in Tunisia that were fought not only treacherous mountainous terrain, but also on the narrow coastal plains. It was the climax of campaign that allies began from the Suez Canal and ended up on the Atlantic coast. It was also the signal of the end for the German campaign in North Africa, especially for its unfortunate Commander General Hans von Arnim. General Harold Alexander was going to be his opponent in the last onslaught of the Allies to push the Axis forces out of Africa.
WWII in HD is the first-ever World War II documentary presented in full, immersive HD color. Culled from thousands of hours of lost and rare color archival footage gathered from a worldwide search through basements and archives, WWII in HD will change the way the world sees this defining conflict. Using footage never before seen by most Americans–converted to HD for unprecedented clarity–viewers will experience the war as if they were actually there, surrounded by the real sights and sounds of the battlefields. Along the way they'll meet a diverse group of soldiers whose wartime diaries and journals show in visceral detail what the war was really like.
One of a number of Art Blakey albums titled after "Night In Tunisia" – and most likely the best! The tune is a perfect fit for the Blakey Jazz Messengers format – long, rhythmic, really stretching out, yet allowing plenty of space for the horn players to solo. Players include Bobby Timmons on piano, Lee Morgan on trumpet, and Wayne Shorter on tenor – a killer lineup that's in really classic form here – driven on nicely by Blakey's drums and bass work by Jymie Merritt. Titles include "Night In Tunisia", with Blakey thundering through impeccably – plus the tracks "Yama", "Kozo's Waltz", and a version of Timmons' great "So Tired".
This book examines the processes of economic and political reform in Tunisia, placing the current policies of Zine el Abidine Ben Ali within their historical context. Emma Murphy develops a theoretical understanding of the relationship between economic liberalization and political change in the Arab world, developing the concept of the disarticulation of the corporatist state and concluding that, despite efforts at democratization, an authoritarian political system is a more likely successor in the era of economic transformation…