Herbie Thrust

Herbie Hancock - V.S.O.P. - Live Under the Sky (1979) 2CD Expanded Remastered 2004 [Re-Up]

Herbie Hancock - V.S.O.P. - Live Under the Sky (1979) 2CD Expanded Remastered 2004
EAC | FLAC | Image (Cue&Log) ~ 956 Gb (incl 5%) | Mp3 (CBR320) ~ 372 Mb | Scans included
Hard Bop, Post-Bop, Modal Jazz | Label: Columbia/Legacy | # C2K 87165 | Time: 02:34:18

Herbie Hancock's V.S.O.P. project with his former bandmates from the Miles Davis Quintet – Ron Carter, Wayne Shorter, Tony Williams – and trumpeter Freddie Hubbard was a band that almost single-handedly tried to re-establish acoustic jazz in the United States. And though they made three recordings, all of which were favorably reviewed and heralded by true jazz fans, none of them sold very well, and the band could find few gigs in the United States. The 1978 tour of major cities was thought to be a triumph at the time, but the unit could find few gigs afterward, and so its various members all went back to their other projects. In 1979, they got the opportunity to tour Japan and jumped at the chance. Sony, Hancock's Japanese label, recorded the two evenings, and the first, which took place during a furious rainstorm, was broadcast live on national television! Live Under the Sky marks the first time that this album has been available in the United States in any form.
Herbie Hancock - The Complete Columbia Album Collection 1972-1988 (2013) (34 CD Box Set)

Herbie Hancock - The Complete Columbia Album Collection 1972-1988 (2013) (34 CD Box Set)
XLD Rip | FLAC (Tracks+.cue, log) | 34 CDs, 27:41:32 min | Covers included | 8,73 Gb
Genre: Jazz, Jazz-Funk, Fusion, Jazz-Rock / Label: Columbia/Legacy

Herbie Hancock recorded for Columbia between 1972 and 1988. During that period, between the label's American and Japanese divisions, he released 31 albums, both solo and with an astonishing variety of players in an equally breathtaking panorama of styles, from straight-ahead post-bop, to fusion, jazz-funk, disco, R&B, smooth jazz, and even hip-hop. Though Hancock had a celebrated career before signing to Columbia, it was his longest label association; and during his tenure there, he experienced his greatest commercial success and his name was etched permanently into the history of popular music. This box set contains 34 discs – 28 single and three double albums – all housed in handsome individual LP and gatefold sleeves.
Herbie Hancock - Future Shock (1983/2014) [Official Digital Download 24/96]

Herbie Hancock - Future Shock (1983/2014)
FLAC (tracks) 24-bit/96 kHz | Time - 44:18 minutes | 939 MB
Studio Master, Official Digital Download | Artwork: Front cover

"Future Shock" is pianist Herbie Hancock's thirty-fifth album and a million-selling Platinum-certified disc. It was Hancock's first release from his electro-funk era and an early example of instrumental hip hop. Much of the album was initially composed by the team of avant-garde bassist and record producer Bill Laswell, and keyboardist and producer Michael Beinhorn, and played on tour by their group Material in 1982.
Herbie Hancock - Austin City Limitst 2017 (2018) [HDTV, 1080i]

Herbie Hancock - Austin City Limitst 2017 (2018)
TS: MPEG2 Video 1920x1080 29.97fps | Dolby AC3, 2 ch, 384 kbps
Jazz-Funk, Fusion | 00:51:40 | ~ 4.78 Gb

~ Herbie Hancock Live at The Moody Theater, Austin, TX, USA on October 12, 2017 ~
Chick Corea, Herbie Hancock, Keith Jarrett, McCoy Tyner - (1990) {Atlantic}

Chick Corea, Herbie Hancock, Keith Jarrett, McCoy Tyner - (1990) {Atlantic}
X Lossless Decoder | FLAC tracks | Cue+Log+M3u | Full Scans 300dpi | 287MB + 3% Recovery
MP3 CBR 320 Kbps | 149MB + 5% Recovery
Genre: Jazz, Post-Bop

This odd anthology from Atlantic reissues selections from trio dates recorded during the 1960s by Keith Jarrett, Chick Corea, and Herbie Hancock, along with otherwise unobtainable early recordings by McCoy Tyner. Jarrett is joined by Charlie Haden and Paul Motian on two originals, both of which show the obvious influence of Bill Evans. Chick Corea is accompanied by Steve Swallow (on acoustic bass rather than the electric bass he switched to a short time later) and Joe Chambers. The pianist's "Tones for Joan's Bones" is swinging, but not nearly as driving as his works in the decades to follow, while his reworking of the show tune "This Is New" features Joe Farrell and Woody Shaw; both tracks also show the influence of Bill Evans.

Herbie Hancock - Lite Me Up (1982)  Music

Posted by v3122 at Dec. 16, 2017
Herbie Hancock - Lite Me Up (1982)

Herbie Hancock - Lite Me Up (1982)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
2004 | Columbia Sony Music Entertainment, 486573 2 | ~ 255 or 92 Mb | Scans(png) -> 36 Mb
Funk, Rhythm & Blues, Soul

By 1978, Hancock had another identity as a dance/fusion attraction with the albums Feets Don't Fail Me Now and Sunlight. Lite Me Up is an even more concerted effort to fuse jazz with pop. Hancock handled all of the production chores on all but two of the eight tracks…

Herbie Hancock - Dancin' Grooves (1999)  Music

Posted by JET 1 at Dec. 13, 2017
Herbie Hancock - Dancin' Grooves (1999)

Herbie Hancock - Dancin' Grooves (1999)
EAC Rip | FLAC (Tracks) +CUE, LOG | 346 MB | Covers Included
Genre: Jazz / Fusion | Label: SME Records | Catalog Number: SRCS-8856

1999 Japan released compilation CD from Herbie Hancock's Sony catalogue.
The Herbie Brock Trio - Brock's Tops (1956) {Savoy Jazz SV-0201 rel 1993}

The Herbie Brock Trio - Brock's Tops (1956) {Savoy Jazz SV-0201 rel 1993}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 134 Mb | MP3 @320 -> 85 Mb
Full Artwork @ 300 dpi (jpg) -> 18 Mb | 5% repair rar
© 1956, 1993 Savoy Jazz / Nippon Columbia | SV-0201
Jazz / Bebop / Staright-ahead Jazz / Piano Trio

A solid bebop pianist, Herbie Brock was an obscure musician based in Miami. He recorded two albums for Savoy during 1955-56 (Brock's Tops was his second) and a few slightly later titles for Criteria from 1957 have also been reissued by V.S.O.P. Brock's Tops features the pianist in eight trio performances with bassist Brooks Caperton and drummer Rick Hanson; six standards (including "Four Brothers"); and two Brock originals. The packaging of this Japanese Savoy reissue aims to be a recreation of the original LP, for better or worse. The music still communicates well and will be enjoyed by straight-ahead jazz fans.
Herbie Hancock - Head Hunters (1973) [Analogue Productions, Remastered 2016] Audio CD Layer

Herbie Hancock - Head Hunters (1973) APO Remastered 2016
Mastered at Sterling Sound by Ryan Smith
EAC | FLAC | Tracks (Cue&Log) ~ 231 Mb | Mp3 (CBR320) ~ 105 Mb | Scans included
Jazz-Funk, Fusion | Label: Analogue Productions | # CAPJ 084 SA | 00:41:53

Head Hunters is the twelfth studio album by the American pianist and composer Herbie Hancock, released October 13, 1973, on Columbia Records. Recording sessions for the album took place during evening at Wally Heider Studios and Different Fur Trading Co. in San Francisco, California. Head Hunters is a key release in Hancock's career and a defining moment in the genre of jazz. In 2003, the album was ranked number 498 in the book version of Rolling Stone magazine's list of the 500 greatest albums of all time. In 2007, the Library of Congress added it to the National Recording Registry, which collects "culturally, historically or aesthetically important" sound recordings from the 20th century.
Herbie Hancock - Thrust (1974) [Audio Fidelity, Remastered 2016] Audio CD Layer

Herbie Hancock - Thrust (1974) [Mastered By Kevin Gray, 2016]
EAC | FLAC | Tracks (Cue&Log) ~ 243 Mb | Mp3 (CBR320) ~ 108 Mb | Scans included
Fusion, Jazz-Funk | Label: Audio Fidelity | # AFZ5 223 | Time: 00:38:54

The follow-up to the breakthrough Headhunters album was virtually as good as its wildly successful predecessor: an earthy, funky, yet often harmonically and rhythmically sophisticated tour de force. There is only one change in the Headhunters lineup – swapping drummer Harvey Mason for Mike Clark – and the switch results in grooves that are even more complex. Hancock continues to reach into the rapidly changing high-tech world for new sounds, most notably the metallic sheen of the then-new ARP string synthesizer which was already becoming a staple item on pop and jazz-rock records. Again, there are only four long tracks, three of which ("Palm Grease," "Actual Proof," "Spank-A-Lee") concentrate on the funk, with plenty of Hancock's wah-wah clavinet, synthesizer textures and effects, and electric piano ruminations that still venture beyond the outer limits of post-bop.