Herbert 100

James S. Coleman, Elihu Katz, Herbert Menzel - Medical Innovation. Uno studio della diffusione

James S. Coleman, Elihu Katz, Herbert Menzel - Medical Innovation. Uno studio della diffusione
Italian | 2016 | 100 pages | ASIN: B01NCMGWH1 | EPUB | 1,1 MB
Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan - Mozart: Requiem In D Minor, K.626 (1976) Reissue 2002

Wolfgang Amadeus Mozart: Requiem In D Minor, K.626 (1976) Reissue 2002
Anna Tomowa-Sintow (soprano), Agnes Baltsa (contralto), Werner Krenn (tenor), José van Dam (bass)
Wiener Singverein, Berlin Philharmonic Orchestra, conducted by Herbert von Karajan
Recording: Berlin, 9/1975

EAC | APE | Tracks (Cue&Log) ~ 243 Mb | Mp3 (CBR320) ~ 133 Mb | Scans included
Classical, Choral | Label: Deutsche Grammophon | # 471 639-2 | Time: 00:53:12

Between 1961 and 1986, Herbert von Karajan made three recordings of the Mozart Requiem for Deutsche Grammophon, with little change in his conception of the piece over the years. This recording, from 1975, is, on balance, the best of them. The approach is Romantic, broad, and sustained, marked by a thoroughly homogenized blend of chorus and orchestra, a remarkable richness of tone, striking power, and an almost marmoreal polish. Karajan viewed the Requiem as idealized church music rather than a confessional statement awash in operatic expressiveness. In this account, the orchestra is paramount, followed in importance by the chorus, then the soloists. Not surprisingly, the singing of the solo quartet sounds somewhat reined-in, especially considering these singers' pedigrees. By contrast, the Vienna Singverein, always Karajan's favorite chorus, sings with a huge dynamic range and great intensity, though with an emotional detachment nonetheless. Perfection, if not passion or poignancy, is the watchword. The Berlin orchestra plays majestically, and the sound is pleasingly vivid.
Herbert von Karajan & Berlin Philharmonic - Herbert von Karajan & Berliner Philharmoniker (2017)

Herbert von Karajan & Berlin Philharmonic - Herbert von Karajan & Berliner Philharmoniker (2017)
Classical | MP3 CBR 320 kbps | 08:08:26 | 1.10 GB
Label: Deutsche Grammophon | Release Year: 2017

One of his peculiarities was that he usually conducted concerts with his eyes closed, vexing many orchestra musicians. However, through Karajan’s intense rehearsals they were thoroughly prepared for performances. “His philosophy was that everything the orchestra needs had to happen beforehand,” the string bassist Rudolf Watzel recalled. Under Herbert von Karajan the Berliner Philharmoniker developed their very own performance culture, characterised by a beauty of sound, enchanting legati, virtuosity and perfection. He preferred to concentrate on the classical-romantic repertoire: Beethoven, Brahms, Bruckner, Schumann, Tchaikovsky, Wagner and Strauss. In addition, he devoted himself to the Second Viennese School and leading composers of the early 20th century like Ravel, Stravinsky and Debussy, taking occasional excursions into the contemporary era with works by Messiaen and Henze, even Penderecki.

VA - Opera Gold: 100 Great Tracks (2016)  Music

Posted by tirexiss at March 26, 2017
VA - Opera Gold: 100 Great Tracks (2016)

VA - Opera Gold: 100 Great Tracks (2016)
EAC | FLAC (image+.cue, log) | Covers Included | 07:15:40 | 2,07 Gb
Genre: Classical, Opera | Label: Decca | Catalog: 002503602

Decca, the opera company, presents a premium collection of the 100 most beautiful opera tracks on 6 CDs. Enjoy classic arias and overtures, performed by the greatest opera stars of all time. This is a fine compendium of opera's "greatest hits" by great singers including Pavarotti, Bartoli, Caballe, Horne and Sutherland from opera's latest "golden age" in the last decades of the 1900s. They're all there on six CDs, from Pavarotti's great "Nessun Dorma" to Sutherland's "Casta Diva."
Herbert Howells, Eric Whitacre, Ildebrando Pizzetti - Requiem (Conspirare, C. H. Johnson, Company Of Voices) (2009)

Herbert Howells, Eric Whitacre, Ildebrando Pizzetti - Requiem (Conspirare, C. H. Johnson, Company Of Voices) (2009)
Classical | 1cd | EAC Rip | Flac + Cue + Log | covers
Harmonia Mundi, HMU 807518; SACD Red Book Layer | rec: 2005 | 290Mb

Requiem, a two-disc set by Conspirare, the Austin, TX-based vocal ensemble, was originally released in 2006 on the Clarion label and received two Grammy nominations. This release on Harmonia Mundi has trimmed several tracks so that it could be issued on a single disc, and it received the Dutch Edison Award in the Choral Music category. It's easy to hear why it has been so highly honored.

Herbert Grönemeyer - Schiffsverkehr (2011)  Music

Posted by tirexiss at Feb. 1, 2017
Herbert Grönemeyer - Schiffsverkehr (2011)

Herbert Grönemeyer - Schiffsverkehr (2011)
EAC | FLAC (image+.cue, log) - 311 MB | MP3 (CBR 320 kbps) - 137 MB | Covers Included | 56:58
Genre: Pop-Rock | Label: EMI | Catalog: 095383

Schiffsverkehr, Herbert Grönemeyer's 13th studio album, is the beginning of a new chapter for the German singer: after losing both his wife and his brother to cancer in 1998, his past couple of albums have been informed by his grief, and while Schiffsverkehr doesn't dispense with the melancholic ballads, it marks a return to the more experimental sounds of his album Bleibt Alles Anders, coupled with a stronger focus on guitars and synthesizers, giving the album an '80s sound with elements of Deutschrock. Just like its two predecessors, the record reached the number one spot in the German, Austrian, and Swiss album charts (thus continuing a streak of number one albums in Germany that has lasted since 1984's 4630 Bochum).
Herbert von Karajan & Adrian Boult - Holst - Les Planetes (2016) {Les indispensables de Diapason}

Herbert von Karajan & Adrian Boult - Holst - Les Planetes (2016)
EAC Rip | FLAC (tracks+.cue, log) | Artwork | 383 mb | MP3 CBR 320kbps | RAR | 207 mb
Classical, Orchestral | Label: Les indispensables de Diapason / No. 82

Although best remembered for his devotion to the core Austro-Germanic repertoire, Austrian conductor Herbert von Karajan did flirt with the English repertoire in the '50s and early '60s.

VA - 100 Best Tchaikovsky (2010)  Music

Posted by LoveHive at Dec. 16, 2016
VA - 100 Best Tchaikovsky (2010)

VA - 100 Best Tchaikovsky (2010)
Classical | MP3 CBR 320 kbps | 07:29:14 | 1.0 GB
Label: Warner Classics

This 6-CD set contains 100 tracks from the most familiar and best-loved works by the Russian composer Pyotr Ilyich Tchaikovsky (1840–1893), performed by many of the world’s leading instrumentalists, singers, orchestras and conductors.

VA - 100 Best Berliner Philharmoniker (2011)  Music

Posted by LoveHive at Dec. 9, 2016
VA - 100 Best Berliner Philharmoniker (2011)

VA - 100 Best Berliner Philharmoniker (2011)
Classical | MP3 CBR 320 kbps | 07:27:25 | 1.0 GB
Label: Warner Classics

The first CD of this 6-CD set is devoted to the current Music Director of the Berlin Philharmonic, Sir Simon Rattle, and includes extracts from popular works like Orff's Carmina Burana and The Planets by Holst as well as more substantial works like Mahler's Fifth Symphony and Shostakovich's First Symphony. It also showcases extracts from Rattle's highly acclaimed superb new recording of Tchaikovsky's famous ballet The Nutcracker.
Peter Rösel, Staatskapelle Dresden, Herbert Blomstedt - Carl Maria von Weber: Piano Concertos (1987)

Peter Rösel, Staatskapelle Dresden, Herbert Blomstedt - Carl Maria von Weber: Piano Concertos (1987)
EAC | FLAC (image+.cue, log) | Covers Included | 60:57 | 236 MB
Genre: Classical | Label: EMI Digital | Catalog: 49177

A new recording of Weber's piano concertos was obviously long overdue, and this one fits the bill more than adequately, coming as it does generously coupled with the much better known Konzertstück and in first-rate sound quality from HMV. Not the least of its virtues is the light it casts on the origins of the piano idiom of Chopin and Liszt and, in the case of the Konzertstück, on the very foundations of the romantic concerto. I wouldn't envy any historian out to determine who was responsible for which innovation in the first two decades of the nineteenth century, but certainly to hear so many fully-formed romantic textures in music dating from 1810-21 is an instructive, not to say startling, experience.