German musician Hans-Martin Linde has established impressive credentials in so many fields of endeavor that it is difficult to give him a primary classification. Some biographers will call him a flutist and recorder player first, then a conductor. He began his career as a flutist, but eventually turned to conducting, without, however, abandoning the flute or recorder. He has also performed in concert as a baritone singer; has drawn notice as a composer, particularly for his 1993 Concerto for recorder and strings; and has authored several authoritative books on flute and recorder performance.
Peking, 1948. A winter night. A man returns home to find a letter awaiting him written by a woman before her death. in the letter she tells him the story of her love for him -a life-long passion that has not diminished over time, but one that he has never known. her story spans 18 years from the moment she -then a 13 year-old girl- sets her eyes on her new neighbor. she tells their brief but passionate love in her youthi the hardship she goes through raising their child alone, and their final encounter after the war, during which the man fails tor ecognize her and one which leaves her in despair.
Composed at a time when neither oratorio nor opera existed, Emilio de' Cavalieri's musical drama Rappresentatione di anima et di corpo combines song, stage action, dance, and instrumental music in perfect harmony. The work's libretto, attributed to Agostino Manni, presents a musical morality play in which soul and body dispute, with the participation of other allegorical characters and angels and souls both in heaven and hell. On this new recording, maestro Rene Jacobs illuminates this key work, which was written at the dawn of the Baroque revolution.