This volume released by AS Disc dedicated to Legenday Conductors, features Dimitri Mitropoulos and his soloist in both live venues is Myra Hess. He traveled from Paris to the US at the invitation of Serge Koussevitzky to conduct the Boston Symphony Orchestra and remained there fulfilling various commitments, leading the Minneapolis SO from 1937-1940 and at the same time was instrumental in the formation of the famous New York Philharmonic Orchestra where he was to remain as Director. It was there that Myra Hess, on one of her famous American Tours, met him and played under him.
The appeal of this release hinges more on its sound quality than on the quality of its well-known and excellent performances. Unfortunately, it doesn't sound very good. One can more or less hear Richter – details of articulation occasionally get lost, inner voices are sometimes obscured, and bigger sonorities are often opaque – but he sounds like he's miles away. One can hear Sanderling and the USSR Radio & Television Symphony Orchestra only faintly when they're quiet, somewhat better when they're louder, and all too well when they're really loud. There have been better releases of these recordings in the past – many listeners prefer the 1995 BMG-Melodiya issues – and there will likely be better releases in the future. This one's not worth it except for Richter specialists who have to have every release of every performance Richter ever recorded.
Paramax Films captured the concert by the Israel Philharmonic Orchestra at its resident venue of Charles Bronfman Auditorium in Tel Aviv in July 2015 conducted by Zubin Mehta and starring Georgian concert pianist Khatia Buniatishvili. The film showcases a performance of the piano’s most famous orchestral repertoire; Beethoven’s Piano Concerto No 1 and Liszt’s virtuosic Piano Concerto No 2 with its waves of sound.
This 2014 Decca release of two famous Russian piano concertos, Pyotr Il'yich Tchaikovsky's Piano Concerto No. 1 in B flat minor and Sergey Prokofiev's Piano Concerto No. 3 in C major, cannot be faulted for a lack of practice, because Behzod Abduraimov has played these works on numerous occasions. In 2009, he won the London International Piano Competition with his fiery reading of the Prokofiev, and in 2014 he took the Tchaikovsky on tour internationally, so there's only a question of how fresh the playing can be after numerous performances. Chalk it up to youthful resilience or personal charisma, but Abduraimov shows abundant energy and brilliance, qualities that aren't worn down by the physical demands of these works. If anything, he appears to relish the opportunity to play them with different conductors and orchestras, each time giving his all in collaborative efforts that have won critical praise everywhere he has performed.