“Trevor Nunn produced his first opera, Idomeneo, Glyndebourne in 1983, with felicitous results. John Napier's designs imaginatively evoke the Cretan milieu, supported by restrained, dignified costumes and lighting. The spare setting now seems a model beside what usually passes for decor today. Within it Nunn directs his principals and chorus with economic yet pointed care. Philip Langridge is a compellingly distraught and haunted Idomeneo, singing with his customary feeling for word-painting. He easily encompasses the longer version of 'Fuor del mar'. Carol Vaness offers a fiery, richly contoured Elettra. Yvonne Kenny's beautifully sung Ilia is more conventional and Jerry Hadley is a fresh, pleasing Idamante. Bernard Haitink conducts a lithe, forward-moving account of the score, though you'll need a high volume setting to get the best out of the sound.” (The Gramophone)
A host of accomplished conductors including Daniel Harding, Daniele Gatti, Bernard Haitink and Eliahu Inbal lead the Royal Concertgebouw Orchestra in these performances of Mahler's Symphonies Nos. 1-10. Recorded in Amsterdam over two seasons in 2010/11, the collection also includes 'Das Lied von der Erde'.
Luchino Visconti's famous Covent Garden production (originally from 1958, here revived in 1985) is now available on DVD–the sets are stark, the costumes sumptuous. Luis Lima is the most dramatic and moving Don Carlo on DVD; Ileana Cotrubas is a small scale but touching Elisabetta–tears well up in both their eyes in their final duet. The rest of the cast is fine, especially Zancanaro (Rodrigo) and Lloyd (Philip II). Picture quality is uneven, sound excellent. Haitink is a delicate but effective conductor of the full (3 1/2 hour) score. In general, the most powerful performance available of this most grand of Verdi operas.By C. Harbison (Montague, MA United States)
"This is yet another triumph for PentaTone’s RQR series. With visionary conducting and exemplary playing and singing, this set is a treasure to listen to from both an audiophiles' and a musician’s perspective. (…) To sum up: for all Mahlerians, this is an essential addition to the discography." ~SA-CD.net
Translucence, transparency – warmth' are the qualities identified by Bernard Haitink as necessary for an ideal sound performance of Beethoven's only opera, and all are present in this fantastic recording of Katharina Thalbach's new production for Opernhaus Zurich. Haitink conducts the Zurich Opera Orchestra in a magnificent performance in which Leonore Overture No. 3 provides an interlude between the two scenes of the second act, following a tradition started by Gustav Mahler. German soprano Melanie Diener, in the role of Leonore, leads a brilliant cast including Alfred Muff as Rocco, Roberto Saccà as Florestan, Sandra Trattnigg as Marzelline and Christoph Strehl as Jaquino. This High Definition recording with true surround sound marks the start of an exciting new collaboration between Opus Arte and Opernhaus Zurich.
"…I will treasure this set until the end of my days, and hope others will attain the same joy from it after I am gone." ~SA-CD.net
Translucence, transparency – warmth' are the qualities identified by Bernard Haitink as necessary for an ideal sound performance of Beethoven's only opera, and all are present in this fantastic recording of Katharina Thalbach's new production for Opernhaus Zurich. Haitink conducts the Zurich Opera Orchestra in a magnificent performance in which Leonore Overture No. 3 provides an interlude between the two scenes of the second act, following a tradition started by Gustav Mahler.
Bruckner followed suit in 1896, leaving his ninth ‘unfinished’. Having written three monumental movements over the preceding nine years, he never completed the big finale he had envisaged. Although attempts have been made since to reconstruct the last movement for performance, it’s arguable whether this adds anything. The three-movement work is eerily satisfying as it stands and is the version favoured by Bernard Haitink here.
At one point back in the days of LPs it seemed that conductor Bernard Haitink was waging an Ormandy-like campaign to record all of the Western orchestral literature for Philips. Moreover, for many listeners this was a welcome pursuit because Haitink was so good at so many things; his 1973 recording of Stravinsky's Le Sacre du printemps is still considered one of the most superlative readings of the work, even though Haitink's catalog ultimately grew to the extent that it became difficult to single out what was best within it.
Bernard Haitink conducts the Berlin Philharmonic in this extraordinary performance of Mahler's third symphony. Mezzo-soprano Florence Quivar's heartbreaking accompaniment adds to the sumptuousness of this remarkable concert event. The camera movements are as sensitive to the rhythms as the performers, making this a visual and aural treat.
This is a recording for the ages and one that deserves all of the attention focused on it by very competent engineers. Highly recommended.