A killer nympho mermaid with an oral fixation prowls the ocean waters, devouring - up to a point - any man unlucky enough to be swimming naked.
GUMS is an insane parody of JAWS featuring horny puppets, a mermaid who blows men to death (and in one case sticks her head out of a toilet) and a Nazi lunatic played by Brother Theodore who volunteers to capture the mermaid for oil wells instead of money.
The arena rock band behind one of the fastest-selling debut albums in history, Boston was essentially the vehicle of guitarist and studio wizard Tom Scholz, born March 10, 1947 in Toledo, Ohio. A rock fan throughout his teen years, he began writing songs while earning a master's degree at the Massachusetts Institute of Technology…
Jean Michel Jarre, son of film composer Maurice Jarre, is one of the true pioneers of electronic music. Oxygène is one of the original e-music albums. It has withstood the test of time and the evolution of digital electronica…
Les Contes du Singe Fou (roughly translated, Tales of the Mad Monkey) is a progressive rock album by Clearlight, released in 1976 on Isadora Records in France. Returning again to France, Clearlight turned to conceptual space rock with science fiction lyrics. (The lyrics do not have anything to do with a mad monkey, however.) Les Contes du Singe Fou is the only Clearlight album in which vocals and lyrics play a significant role. In reverse of the previous album, the title is in French, but all lyrics are in English. This is not apparent from the cover, which contains no song titles on the outside. English Lyrics with French translations are printed on the cover's gatefold. Musically, the album contains psychedelic, new age, and jazz fusion elements.
A band made of pieces from Z-66 and Los Bravos (Zee + Bra), featuring who became later one of the most known jazz guitarist of Spain: Joan Bibiloni. In fact, Zebra can be considered the band of Joan Bibiloni. Their only record is a remarkable one and it has a good recording quality for that time. It has a fine mix of more poppy themes and very interesting progressive ones, specially a cover of the song "Imagine" of John Lennon, that seems to be made by Yes themselves. Guitars in this record remind those of Steve Howe and also the vocal works are also in that direction.
James Taylor had scored eight Top 40 hits by the fall of 1976 when Warner Brothers marked the end of his contract with this compilation. One of those hits, the Top Ten gold single “Mockingbird,” a duet with his wife Carly Simon, was on Elektra Records, part of the Warner family of labels and presumably available, but it was left off.
"The Rest Of My Life" is the 1976 album by legendary soul diva Martha Reeves which was expanded and includes 7 Bonus Tracks with 2 Tracks are Un-Released Gems. Re-Mastered from the original master tapes by Sean Brennan, at Battery Studio’s. Produced by Bert DeCoteaux, General Johnson, Tony Camillo, and Tony Silvester.