This is one of pianist John Lewis' most rewarding albums outside of his work with the Modern Jazz Quartet. Three numbers (including a remake of "Two Degrees East, Three Degrees West") showcase his piano in a quartet with guitarist Jim Hall, bassist George Duvivier, and drummer Connie Kay. A 15-and-a-half-minute rendition of "Body and Soul" has one of tenor saxophonist Paul Gonsalves' finest solos, while "Afternoon in Paris" features a diverse cast with trumpeter Herb Pomeroy, Gunther Schuller on French horn, tenor man Benny Golson, baritonist Jimmy Giuffre, and guitarist Jim Hall; altoist Eric Dolphy cuts everyone.
Features 24 bit remastering and comes with a mini-description. Pianist Jay McShann has spent much of his career being classified as a blues pianist when in fact he is a flexible swing stylist. On this excellent release, McShann appears with two groups of all-stars. His original "Crazy Legs and Friday Strut" and "Georgia on My Mind" find him joined by Herbie Mann (on flute and tenor), baritonist Gerry Mulligan and a rhythm section that includes guitarist John Scofield. The other selections (two standards, Duke Ellington's "Blue Feeling" and McShann's own "Jumpin' the Blues") are performed by an octet also featuring Mann, altoist Earle Warren, trumpeter Doc Cheatham, trombonist Dicky Wells and Scofield. The unusual grouping of swing, bop and modern stylists is successful (the material is pretty basic) and Janis Siegel's guest appearance for a vocal duet with McShann on "Ain't Misbehavin'" works.
Vibraphonist Lionel Hampton and pianist Oscar Peterson are the stars of this delightful collection of jazz recordings supervised by producer Norman Granz over an almost exactly 12-month period extending from 1953 to 1954. Granz's marvelous knack for bringing together excellent musicians resulted in the combined presence of trumpeters Roy Eldridge and Dizzy Gillespie, trombonist Bill Harris, clarinetist Buddy DeFranco, tenor saxophonists Ben Webster and Flip Phillips, guitarist Herb Ellis, bassist Ray Brown, and drummer Buddy Rich. The combination of musical minds is extraordinary, and Hamp's amazing wavelength is dependably positive and uplifting.
Good news! Five of Italian trumpeter Enrico Rava's Black Saint and Soul Note recordings have been reissued by CAM Jazz in one of those pretty white box sets with each LP reproduced as a separate CD tucked into a miniature record jacket. Born at Trieste in 1939, Rava later attributed his lifelong pursuit of modern jazz to the influence of Miles Davis. One might add Don Cherry and Freddie Hubbard to that equation, along with maybe Richard Williams and Lee Morgan. In order to fully comprehend what he was up to from the '70s onward, it is important to consider the artistic company that Rava kept during the ‘60s. Take a moment, for example, to ponder the blended influences of Chet Baker and Gato Barbieri.