Wolfgang Dauner has now been highly active on the scene for more than fifty years. Dauner hired top young musicians to be around him for the current upgrade to United 2.0. The second United generation, like the first one, is eagerly researching the crossing points between jazz, rock, funk and world music…
Honoring the iconic music of the Grateful Dead with original interperative arrangements by this legendary ensemble. Featuring world-renowned musicians: T Lavitz, Rod Morgenstein, Jeff Pevar, Dave Livolsi, Alphonso Johnson, Jerry Goodman, Luis Conte, Bill Evans, Howard Levy and Bill Holloman.Due to the unfortunate passing of our beloved T Lavitz in October of 2010, this recording also serves as a tribute to one of the finest keyboard players that ever graced the planet.
Experimental at the time, this is a difficult listen years later. Recorded live at the 1970 Montreux Jazz Festival, this album features some challenging compositions by pianist Mike Nock. Violinist Michael White shows why he was a potential star, but this heavily electrified jazz is too abstract for most. The Fourth Way was a pioneering jazz-rock fusion group formed in the late 60s, before the horizons of the genre narrowed, and fusion became a perjorative term. The group was formed in the heady days of the San Francisco music era, comprised of pianist Mike Nock and violinist Michael White (both from the John Handy group), with bassist Ron McLure (from the Charles Lloyd quartet) and drummer Eddie Marshall.
With a musical career spanning more than three decades, Al Di Meola continues to be one of the most influential and pioneering guitarists in the jazz-world-fusion category, mirroring the rich influences of flamenco, tango, Brazilian, African, and Middle Eastern music in his work. Recorded in 1993 at the North Sea Jazz Festival, an event widely acknowledged as the biggest and most prestigious festival in the world. Over the past 30 years, Al Di Meola has been recognized as a prolific composer, with over two dozen recordings to his name. The profundity of Di Meola s writing, along with the soulfulness and natural lyricism of his playing, have won him a large number of admirers worldwide.
Jazz-rock great Scott Henderson reveals his unique approach to improvising. You'll learn how to solo over major, pentatonic, melodic minor, diminished, and whole-tone scales, along with modern uses for arpeggios and triads all in the context of melodic and rhythmic phrasing. It also nails the hard-to-teach subject of improvisational phrasing. Includes printable companion booklet.
Jazz vibraphonist Gary Burton and Larry Coryell collaborated on Duster back in ’67 evoking wider use of the term ‘jazz rock’ and stimulating broader appreciation for what was then a very fresh-sounding new genre that fused jazz and rock. Coryell can certainly be credited with attracting guitarists from both sides of the fence to the jazz rock scene but Miles Davis’ highly improvisational Bitches Brew with John McLaughlin (recorded in ’69) blew minds and made jazz rock history. Listen carefully and you can hear Miles snapping fingers to set tempos, assigning solos to players and whispering direction such as, “Keep it tight.”
In the Blues Rock Master Class DVD, Guitar World's own esteemed associate editor Andy Aledort teaches you beginning, intermediate, and advanced levels of blues rock guitar. Learn to play shuffles like Stevie Ray Vaughan, make your ax sing like Eric Clapton, solo like Duane Allman, and command the 12-bar blues like Johnny Winter. With more than 90 minutes of lessons, this DVD will help you play like a blues master in no time!