George Howard was one of the most talented artist ever and he knew what we wanted. A Home Far Away is one his of best. From the first jam, Miracle, to You Can Make This Story Right and Renewal, this is classic George Howard. This is one of those rare CDs that is played from beginning to end.
The second album of Elektric Band, "Light Years" is more funk-oriented than its predecessor. Saxophonist Eric Marienthal joins the band and Frank Gambale replaces Henderson and Rios (who plays still on some tracks) to form what is considered the band's definitive lineup.
Anyone who appreciates the richness of Spanish music (be it traditional flamenco or the popular "flamenco rock" of the 1970s, '80s and '90s) can't help but take notice when an album is titled Madrid. This effort by guitarist Marc Antoine was recorded with the so-called "smooth jazz" market in mind. Imagine the most laid-back recordings of Earl Klugh, Lee Ritenour, or Grant Geissman having Spanish overtones, and you can get an idea what Antoine sounds like on such lightweight tunes as "Jazzenco," "Plaza Mayor," and "Sunland." Antoine's albums may have wound up in the jazz bins, but this CD is would be more at home in "new age with a beat.
"Run For Your Life" was nominated for Best Contemporary Jazz Performance in the 37th Annual Grammy Awards.This is one of The Yellowjackets' most jazz-oriented sets. Roughly half of the music uses funky rhtyhms while the remainder is straightahead.This fine release is recommended both to The Yellowjackets' longtime fans and those listeners who mistakenly think that this popular group is a mundane fusion band.
Steppin' Out is the second studio album released by soprano saxophonist George Howard. It was first released as an LP record in 1984 by Palo Alto Records and reached as high as #9 on the Billboard magazine Top Jazz Albums list for that year. This CD from 1984 has lively and complex sax sounds. When Howard rejoined GRP Records in 1990, they acquired the rights to previous albums by him and released this album on compact disc in 1992.
This live set by the Yellowjackets (taped at the Roxy in Hollywood) has plenty of solo space for Bob Mintzer (on tenor, soprano, bass clarinet and EWI) and keyboardist Russell Ferrante (who takes a particularly colorful spot on "Homecoming") along with fine backup work by bassist Jimmy Haslip, drummer William Kennedy and percussionist Paulinho Da Costa. Although the back cover of the CD says "Featuring: Michael Franks, Take 6, Brenda Russell & Marilyn Scott," fortunately Franks, Russell and Scott are only heard on one harmless selection ("The Dream" ) while Take 6 just pops by for the closer "The Revelation."
Straight fusion set by trumpeter Tom Browne, replete with double-tracked vocals and songs heavy on backbeats and light on solos. Everything is nicely played, and the album did do moderately well on charts and with Adult Contemporary audiences.
Glass offers the sublime results of a collaboration between Ryuichi Sakamoto and Carsten Nicolai (Alva Noto), as performed and recorded at Philip Johnson’s Glass House in Connecticut during the private opening to Yayoi Kusama’s installation marking the 110th anniversary of Johnson’s birth.
Making sterling use of the landmark architectural work’s pellucid dimensions, the pair fixed contact mics to its glass walls, which they effectively played as an “instrument”, rubbing it with rubber gong mallets to generate delicate tones which they combined with a sympathetic palette of singing glass bowls, crotales, keyboards and mixers…
This disc of Philip Glass' Tirol Concerto for piano and orchestra is among the first wave of releases from Orange Mountain Music, a label started by Kurt Munkacsi and Don Christensen out of their attempt to archive the master tapes of Glass' music. Most of the releases slated to appear are of older recordings, including many that have not been heard before. But the Tirol Concerto for piano and orchestra dates only from 2000 and was recorded in 2002.