In addition to backing Brown on stage and on record during this era, the J.B.'s also recorded albums and singles on their own, sometimes with Brown performing on organ or synthesizer. Their albums were generally a mixture of heavy funk tracks and some more jazz-oriented pieces. They scored a number of chart hits in the early 1970s, including "Pass the Peas," "Gimme Some More," and the #1 R&B hit, "Doing It to Death". Credited to "Fred Wesley & the J.B.'s", "Doing It to Death" sold over one million copies, and was awarded a gold disc by the R.I.A.A. in July 1973. Nearly all of their recordings were produced by Brown and most were released on his own label, People Records. Like most of James Brown's music, the J.B.'s recorded output has been heavily mined for samples by hip hop DJs and record producers.
' After growing frustrated with James Brown's fleeting focus, and a decline in the popularity of the sound the original JB's left to join George Clinton's "Parliament". James Brown continued to tour with differing versions of the J.B.'s, including a late-'70s outfit dubbed the J.B.'s International, but for all intents and purposes, the true J.B.'s no longer existed. This is the last of the James Brown produced JB's Albums. However, though mainly written and produced by James Brown this record is more disco-orientated. It's an absolute must for people who want to discover another aspect from these funkmeisters. ' source: discomusic.com
Cardboard sleeve (mini LP) reissue from Soft Machine featuring the high-fidelity Blu-spec CD format (compatible with standard CD players) and 2012 24-bit remastering. The cardboard sleeve faithfully replicates the UK LP. Includes a booklet written in English. Part of a three-album Soft Machine Blu-spec CD cardboard sleeve reissue series featuring albums "Bundles," "Softs," and "Alive And Well Recorded In Paris." At this point in the band's history, Soft Machine might be considered an example of Theseus' paradox, akin to the original axe that George Washington used to cut down the cherry tree – original except that the head had been replaced three times and the handle twice. On Softs, Mike Ratledge, the only remaining original bandmember present on Bundles, the group's preceding Harvest LP, was relegated to guest status, contributing synthesizer to only two tracks, "Song of Aeolus" and "Ban-Ban Caliban."
Too many synth artists of the early to mid-'70s seemed more interested in demonstrating their dexterity with their instrument than actually showing why it was worth being dexterous with in the first place. The reason Tim Blake is important is because he took the opposite approach entirely. Schooled in Gong and soon to dignify Hawkwind, Blake is a composer first, a technician a very distant second. And if New Jerusalem, his solo debut, represents a peak which electronic rock in general has yet to top, Crystal Machine is at least equal to the task. In maintaining the earlier album's application of melody over mood, Blake totally separates himself from the ranks of sallow, clever souls who let their machines do all the talking – a lesson which, by year's end, both Jean Michel Jarre and Donna Summer's "I Feel Love" would both have translated into worldwide chart-toppers. More importantly, however, Blake also liberated the synth from the showroom and showman.
Catharsis is the ninth album by American heavy metal band Machine Head, released on January 26, 2018 via Nuclear Blast.