In addition to backing Brown on stage and on record during this era, the J.B.'s also recorded albums and singles on their own, sometimes with Brown performing on organ or synthesizer. Their albums were generally a mixture of heavy funk tracks and some more jazz-oriented pieces. They scored a number of chart hits in the early 1970s, including "Pass the Peas," "Gimme Some More," and the #1 R&B hit, "Doing It to Death". Credited to "Fred Wesley & the J.B.'s", "Doing It to Death" sold over one million copies, and was awarded a gold disc by the R.I.A.A. in July 1973. Nearly all of their recordings were produced by Brown and most were released on his own label, People Records. Like most of James Brown's music, the J.B.'s recorded output has been heavily mined for samples by hip hop DJs and record producers.
' After growing frustrated with James Brown's fleeting focus, and a decline in the popularity of the sound the original JB's left to join George Clinton's "Parliament". James Brown continued to tour with differing versions of the J.B.'s, including a late-'70s outfit dubbed the J.B.'s International, but for all intents and purposes, the true J.B.'s no longer existed. This is the last of the James Brown produced JB's Albums. However, though mainly written and produced by James Brown this record is more disco-orientated. It's an absolute must for people who want to discover another aspect from these funkmeisters. ' source: discomusic.com
Three albums in, Florida Georgia Line carved out their own niche – part good times, part tearjerkers – but they're not staying in place. Rather, if 2016's Dig Your Roots is any indication, they're choosing to settle into a groove, sliding into their status as slowly mellowing country bros. Staring down 30, FGL still find time to have fun, but the party no longer lasts all night; it's a gentle breeze on an "Island" or a Sunday afternoon reggae sunsplash with Ziggy Marley. Such softening of the ravers puts the rest of their music in sharper relief, making it all seem sentimental. Naturally, this is a conscious effort on Florida Georgia Line's part, a reflection of their steady maturation and the realization of their natural affinity for the MOR adult contemporary of the Backstreet Boys, the former teen pop band who cameo on "God, Your Mama and Me."