Grant Green Matador

Grant Green - Matador (1965, reissue 1990, Blue Note # CDP 7 84442-2)

Grant Green - Matador
EAC+LOG+CUE | WV: 293 MB | Artwork: 38 MB | 5% Recovery Info
Label/Cat#: Blue Note # CDP 7 84442-2 | US 1990, 1965
Genre: Jazz | Style: Hard Bop, Soul Jazz, Guitar Jazz, Jazz Instrument
Grant Green - Matador (Blue Note BRP-8045, JPN Toshiba-EMI Bonus) LP rip in 24 Bit/ 96 Khz + Redbook

Grant Green - Matador
Blue Note BRP-8045, Japan Toshiba-EMI Bonus, 1993
Vinyl rip in 24-bit/96kHz | FLAC (Tracks) , artworks | Stereo | 898 + 181 Mo | 5% RAR Recovery | 1964
Styles: Soul Jazz, Guitar Jazz, Hard Bop | RapidShare Download

Grant Green recorded so much high-quality music for Blue Note during the first half of the '60s that a number of excellent sessions went unissued at the time. Even so, it's still hard to figure out why 1964's Matador was only released in Japan in 1979, prior to its U.S. CD reissue in 1990 – it's a classic and easily one of Green's finest albums. In contrast to the soul-jazz and jazz-funk for which Green is chiefly remembered, Matador is a cool-toned, straight-ahead modal workout that features some of Green's most advanced improvisation, and remains one of his greatest achievements. Allmusic*****
Very rare Japan Promo only Bonus LP for who buy many copies from The Series "Blue Note 1993 4000 Series Ultra Collection Part 10 & 11

Grant Green: Matador [1965]  Music

Posted by Alexix at July 25, 2007
Grant Green: Matador [1965]

Grant Green: Matador [1965]
Jazz | Blue Note | PT 51:06 | APE + Cue | 303 Mb | Covers
Grant Green - Solid (1964) [Remastered 1995 with Bonus Track]

Grant Green - Solid (1964) [Remastered 1995 with Bonus Track]
EAC rip | FLAC + CUE + LOG | Scans | 300 Mb (Incl. Recovery)
Genre ~ Hard Bop, Guitar Jazz, Soul Jazz | Label ~ Blue Note/Capitol Records

Solid is a companion piece to the Grant Green classic Matador, recorded about a month later with the same rhythm section, and also not issued until 1979. Green is once again accompanied by the Coltrane supporting team of pianist McCoy Tyner and drummer Elvin Jones, plus bassist Bob Cranshaw; this time, however, Green is also joined on the front line by James Spaulding on alto sax and Joe Henderson on tenor. ~ AllMusic
Grant Green - Solid (Blue Note Connoisseur series) LP rip in 24 Bit/ 96 Khz + Redbook

Grant Green - Solid
Vinyl rip in 24-bit/96kHz + 16-bit/44kHz | FLAC (Tracks) , artworks | Stereo | 838, 250 Mo | 5% RAR Recovery | 1964
Styles: Soul Jazz, Guitar Jazz, Hard Bop | RapidShare Download
Blue Note Connoisseur LP series 180g virgin vinyl (1995)

Another great Green's classic!!!
Grant Green - Funk in France: From Paris to Antibes (1969-1970) (2018)

Grant Green - Funk in France: From Paris to Antibes (1969-1970) (2018)
EAC Rip | FLAC (tracks)+cue, log, m3u, front cover | 644 MB
Label: Resonance Records – HCD-2033 | Tracks: 10 | Time: 118:13 min
Jazz, Jazz Funk

In partnership with the French National Audiovisual Institute (INA), 'Funk in France: From Paris to Antibes (1969-1970)' is the first official, previously unissued live recordings of legendary guitarist Grant Green in over a decade.

Grant Green - Slick! Live At Oil Can Harry's (2018)  Music

Posted by SERTiL at May 30, 2018
Grant Green - Slick! Live At Oil Can Harry's (2018)

Grant Green - Slick! Live At Oil Can Harry's (2018)
EAC Rip | FLAC (tracks)+cue, log, m3u, front cover | 356 MB
Label: Resonance Records – HCD-2034 | Tracks: 03 | Time: 67:05 min
Jazz

'Slick! - Live at Oil Can Harry's' is a never-before-released recording from jazz guitar icon Grant Green captured live on September 5, 1975 at Oil Can Harry's, a popular club in Vancouver, BC Canada.

Essential Jazz Lines: In the Style of Grant Green - Guitar Edition  eBooks & eLearning

Posted by AlexGolova at Feb. 11, 2018
Essential Jazz Lines: In the Style of Grant Green - Guitar Edition

Essential Jazz Lines In the Style of Grant Green: Guitar Edition by Corey Christiansen
English | 11 Apr. 2016 | ISBN: 0786696214 | 56 Pages | AZW3 | 7.55 MB
Grant Green - The Complete Quartets With Sonny Clark (1961-1962) {2CD Blue Note SBM Remaster rel 1997}

Grant Green - The Complete Quartets With Sonny Clark (1961-1962) {2CD Blue Note SBM Remaster rel 1997}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 924 Mb | MP3 @320 -> 318 Mb
Full Artwork @ 600 dpi (jpg) -> 120 Mb | 5% repair rar | Super Bit Mapping
© 1961-62, 1997 Blue Note / Capitol | CDP 7243 8 57194 2 4
Jazz / Hard Bop / Soul Jazz / Guitar

THE COMPLETE QUARTETS WITH SONNY CLARK includes the albums NIGERIA, GOODEN'S CORNER and OLEO as well as 3 additional tracks. This two-disc set gathers together the cuts for three Blue Note sessions teaming Grant Green with Sonny Clark. The first, NIGERIA, was originally release posthumously in 1980 and features Green's only collaboration with drummer Art Blakey. GOODEN'S CORNER and OLEO were both only released in Japan in 1979 and 1980, respectively. The latter two sessions featured Louis Hayes on drums along with Sam Jones, the bassist for all three albums. Luckily these sessions have been carefully restored and release for all to hear.

Grant Green - The Latin Bit (1962) {Blue Note}  Music

Posted by tiburon at Sept. 23, 2017
Grant Green - The Latin Bit (1962) {Blue Note}

Grant Green - The Latin Bit (1962) {Blue Note}
EAC 0.99pb5 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 402MB + 5% Recovery
MP3 CBR 320 Kbps | 147MB + 5% Recovery
Genre: Jazz, Bop, Latin Jazz

Grant Green, being known mainly as a soul-jazz guitarist, eventually gravitated into the popular boogaloo sound, a derivation of Latin music. The Latin Bit is the natural bridge to that next phase, though a bit premature for most in 1961-1963, even relative to the subsequent bossa nova craze. Pianist Johnny Acea, long an underrated jazzman, is the nucleus of this session, grounding it with witty chops, chordal comping, and rhythmic meat. The Latino rhythm section of drummer Willie Bobo and conga player Carlos "Patato" Valdes personify authentic, seasoned spice, while at times the chekere sound of Garvin Masseaux makes the soup too thick. At its collective best, the group presents a steady, serene, and steamy "Besame Mucho" and the patient, slow, slinky, sultry "Tico Tico.".