Grant Green Matador

Grant Green - Matador (1965, reissue 1990, Blue Note # CDP 7 84442-2)

Grant Green - Matador
EAC+LOG+CUE | WV: 293 MB | Artwork: 38 MB | 5% Recovery Info
Label/Cat#: Blue Note # CDP 7 84442-2 | US 1990, 1965
Genre: Jazz | Style: Hard Bop, Soul Jazz, Guitar Jazz, Jazz Instrument
Grant Green - Matador (Blue Note BRP-8045, JPN Toshiba-EMI Bonus) LP rip in 24 Bit/ 96 Khz + Redbook

Grant Green - Matador
Blue Note BRP-8045, Japan Toshiba-EMI Bonus, 1993
Vinyl rip in 24-bit/96kHz | FLAC (Tracks) , artworks | Stereo | 898 + 181 Mo | 5% RAR Recovery | 1964
Styles: Soul Jazz, Guitar Jazz, Hard Bop | RapidShare Download

Grant Green recorded so much high-quality music for Blue Note during the first half of the '60s that a number of excellent sessions went unissued at the time. Even so, it's still hard to figure out why 1964's Matador was only released in Japan in 1979, prior to its U.S. CD reissue in 1990 – it's a classic and easily one of Green's finest albums. In contrast to the soul-jazz and jazz-funk for which Green is chiefly remembered, Matador is a cool-toned, straight-ahead modal workout that features some of Green's most advanced improvisation, and remains one of his greatest achievements. Allmusic*****
Very rare Japan Promo only Bonus LP for who buy many copies from The Series "Blue Note 1993 4000 Series Ultra Collection Part 10 & 11

Grant Green: Matador [1965]  Music

Posted by Alexix at July 25, 2007
Grant Green: Matador [1965]

Grant Green: Matador [1965]
Jazz | Blue Note | PT 51:06 | APE + Cue | 303 Mb | Covers
Grant Green - The Complete Quartets With Sonny Clark (1961-1962) {2CD Blue Note SBM Remaster rel 1997}

Grant Green - The Complete Quartets With Sonny Clark (1961-1962) {2CD Blue Note SBM Remaster rel 1997}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 924 Mb | MP3 @320 -> 318 Mb
Full Artwork @ 600 dpi (jpg) -> 120 Mb | 5% repair rar | Super Bit Mapping
© 1961-62, 1997 Blue Note / Capitol | CDP 7243 8 57194 2 4
Jazz / Hard Bop / Soul Jazz / Guitar

THE COMPLETE QUARTETS WITH SONNY CLARK includes the albums NIGERIA, GOODEN'S CORNER and OLEO as well as 3 additional tracks. This two-disc set gathers together the cuts for three Blue Note sessions teaming Grant Green with Sonny Clark. The first, NIGERIA, was originally release posthumously in 1980 and features Green's only collaboration with drummer Art Blakey. GOODEN'S CORNER and OLEO were both only released in Japan in 1979 and 1980, respectively. The latter two sessions featured Louis Hayes on drums along with Sam Jones, the bassist for all three albums. Luckily these sessions have been carefully restored and release for all to hear.

Grant Green - The Latin Bit (1962) {Blue Note}  Music

Posted by tiburon at Sept. 23, 2017
Grant Green - The Latin Bit (1962) {Blue Note}

Grant Green - The Latin Bit (1962) {Blue Note}
EAC 0.99pb5 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 402MB + 5% Recovery
MP3 CBR 320 Kbps | 147MB + 5% Recovery
Genre: Jazz, Bop, Latin Jazz

Grant Green, being known mainly as a soul-jazz guitarist, eventually gravitated into the popular boogaloo sound, a derivation of Latin music. The Latin Bit is the natural bridge to that next phase, though a bit premature for most in 1961-1963, even relative to the subsequent bossa nova craze. Pianist Johnny Acea, long an underrated jazzman, is the nucleus of this session, grounding it with witty chops, chordal comping, and rhythmic meat. The Latino rhythm section of drummer Willie Bobo and conga player Carlos "Patato" Valdes personify authentic, seasoned spice, while at times the chekere sound of Garvin Masseaux makes the soup too thick. At its collective best, the group presents a steady, serene, and steamy "Besame Mucho" and the patient, slow, slinky, sultry "Tico Tico.".
Grant Green - Grantstand (1961) [Analogue Productions, Remastered 2011] Audio CD Layer

Grant Green - Grantstand (1961) [Remastered 2011]
Mastered by Kevin Gray and Steve Hoffman at AcousTech Mastering
XLD | FLAC | Tracks (Cue&Log) ~ 236 Mb | Mp3 (CBR320) ~ 107 Mb | Scans included | 00:42:56
Hard Bop, Soul Jazz, Guitar Jazz | Label: Analogue Productions, Blue Note | # CBNJ 84086 SA

Grantstand is an album by American jazz guitarist Grant Green featuring performances recorded in 1961 and released on the Blue Note label. The Allmusic review by Steve Huey awarded the album 4 stars and stated "if you're looking for Green the soul-jazz groovemaster, Grantstand is an excellent place to find him".
Grant Green - For The Funk Of It (1969-1971) {Blue Note 7243 5 60141 2 1 rel 2005}

Grant Green - For The Funk Of It (1969-1971) {Blue Note 7243 5 60141 2 1 rel 2005}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 302 Mb | MP3 @320 -> 109 Mb
Full Artwork @ 300 dpi (jpg) -> 36 Mb | 5% repair rar
© 1969-1971, 2005 Blue Note / Capitol | 7243 5 60141 2
Jazz / Soul Jazz / Jazz Funk / Guitar

For the Funk of It is the second thematically focused volume in Blue Note's Original Jam Master Series that draws from guitarist Grant Green's late-period recordings for the label, from 1969 to 1972. Some of the players involved in these sessions include drummer Idris Muhammad, saxophonist Claude Bartee, Jr., Cornell Dupree (rhythm guitar), percussionists Hall Bobby Porter and Ray Armando, bassist Chuck Rainey, organist Emanuel Riggins, and many others. The material here is less bombastic than the soul and funk covers on Green's Ain't It Funky Now!, but they are still deep in the jukebox soul-jazz groove that was rapidly disappearing during the era.
Grant Green - Live At The Lighthouse (1972) {Blue Note CDP 7243 4 93381 2 8 rel 1998}

Grant Green - Live At The Lighthouse (1972) {Blue Note CDP 7243 4 93381 2 8 rel 1998}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 496 Mb | MP3 @320 -> 166 Mb
Full Artwork @ 300 dpi (jpg) -> 16 Mb | 5% repair rar
© 1972, 1998 Blue Note / Capitol | CDP 7243 4 93381 2 8
Jazz / Soul Jazz / Jazz Funk / Guitar

Some of Grant Green's hottest moments as a jazz-funk bandleader came on his live records of the era, which were filled with extended, smoking grooves and gritty ensemble interplay. Live at the Lighthouse makes a fine companion piece to the excellent Alive!, though there are some subtle differences which give the album its own distinct flavor. For starters, the average track length is even greater, with four of the six jams clocking in at over 12 minutes. That makes it easy to get lost in the grooves as the musicians ride and work them over.
Grant Green - The Main Attraction (1976) {CTI-Epic-Legacy EK 86145 rel 2002}

Grant Green - The Main Attraction (1976) {CTI-Epic-Legacy EK 86145 rel 2002}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 213 Mb | MP3 @320 -> 89 Mb
Full Artwork @ 600 dpi (png) -> 145 Mb | 5% repair rar
© 1976, 2002 Kudu Records / CTI / Epic / Legacy / Sony Music | EK 86145
Jazz / Soul Jazz / Jazz Funk / Guitar

Quite an unusual album from Grant Green – a record that's quite different than his earlier records for Blue Note, but still pretty darn great overall! Grant's working here in a large group – Kudu style – with arrangements by David Matthews, but a sound that's still pretty lean overall! There's a fair bit of great players in the lineup – including Jon Faddis on trumpet, Hubert Laws on flute, and Joe Farrell on tenor – and the horns soar out nicely to set the scene over some tightly stepping backings – all served up with plenty of room for Grant to solo spaciously on guitar! The title track – "The Main Attraction" – is nearly 20 minutes long – and the other two tracks, "Creature" and "Future Feature", both approach the 10 minute mark themselves!

Grant Green - Green Street (Bonus Track Edition) (2016)  Music

Posted by tomashass at Oct. 19, 2016
Grant Green - Green Street (Bonus Track Edition) (2016)

Grant Green - Green Street (Bonus Track Edition) (2016)
MP3 320 kbps CBR | Artworks | 01:17:08 | 178 MB
Genre: Jazz | Label: Down To The Beat Records

As a trio, this edition of guitarist Grant Green's many ensembles has to rank with the best he had ever fronted. Recorded on April Fool's Day of 1961, the band and music are no joke, as bassist Ben Tucker and drummer Dave Bailey understand in the most innate sense how to support Green, lay back when needed, or strut their own stuff when called upon. Still emerging as an individualist, Green takes further steps ahead, without a pianist, saxophonist, or most importantly an organist.