Grant Green recorded so much high-quality music for Blue Note during the first half of the '60s that a number of excellent sessions went unissued at the time. Even so, it's still hard to figure out why 1964's Matador was only released in Japan in 1979, prior to its U.S. CD reissue in 1990 – it's a classic and easily one of Green's finest albums. In contrast to the soul-jazz and jazz-funk for which Green is chiefly remembered, Matador is a cool-toned, straight-ahead modal workout that features some of Green's most advanced improvisation, and remains one of his greatest achievements. Allmusic*****Very rare Japan Promo only Bonus LP for who buy many copies from The Series "Blue Note 1993 4000 Series Ultra Collection Part 10 & 11
On the heels of Matador and Solid, two of his most advanced albums, Grant Green decided to continue the more modal direction he'd begun pursuing with the help of members of Coltrane's quartet. Accordingly, he hooked up with organist Larry Young, who was just beginning to come into his own as the first Hammond B-3 player to incorporate Coltrane's modal innovations into his own style. Talkin' About is the first of three albums the Green/Young team recorded together with Coltrane drummer Elvin Jones, and it's exceptional, one of the most underrated items in Green's discography.
Solid is a companion piece to the Grant Green classic Matador, recorded about a month later with the same rhythm section, and also not issued until 1979. Green is once again accompanied by the Coltrane supporting team of pianist McCoy Tyner and drummer Elvin Jones, plus bassist Bob Cranshaw; this time, however, Green is also joined on the front line by James Spaulding on alto sax and Joe Henderson on tenor. ~ AllMusic
The third of three sessions Grant Green co-led with modal organist Larry Young and Coltrane drummer Elvin Jones, I Want to Hold Your Hand continues in the soft, easy style of its predecessor, Street of Dreams. This time, however — as one might guess from the title and cover photo — the flavor is less reflective and more romantic and outwardly engaging. Part of the reason is tenor saxophonist Hank Mobley, who takes Bobby Hutcherson’s place accompanying the core trio…
This release presnts all of Grant Green and Baby Face Willette's collaborative albums as leaders. Recorded in 1961-62, they consist of the LP "Grant's First Stand" (Blue Note BST-84064), issued under the guitarist's name, and “Baby Face” Willette's albums "Face to Face" (Blue Note BST-84068) and "Stop and Listen" (Blue Note BST-84084). Other than their three LPs as leaders, Green and Willette only recorded together on Lou Donaldson's album Here ‘Tis, from which it has been added the title song, a long blues, as a bonus.
Grant Green's star rose after his signing to Blue Note in 1960, though he appeared as a sideman on several releases during the 1950s. These previously unissued live recordings, made in 1959 and 1960 at the Holy Barbarian Coffee House in St. Louis, document some of his earliest work. Although the music wasn't taped professionally, the sound is quite good, with several extended performances. The St. Louis native is joined by tenor saxophonist Bob Graf (a former Woody Herman sideman who had returned to his hometown), the somewhat obscure organist Sam Lazar, and drummer Chauncey Williams, though none of the three have very large discographies.