A popular Peruvian rock group in the late 1960s and early 1970s, Traffic Sound had a very British-influenced early progressive rock sound along the lines of Traffic and (more distantly) Jethro Tull. These similarities were evident in the band's use of flute and saxes, all played by Jean Pierre Magnet, who could also play vibes and percussion. What is surprising is that Traffic Sound, unlike other South American groups of the period that only came to light in the Northern Hemisphere in the 1990s, do not sound exotic or primitive. They simply sound like an accomplished minor-league 1970 rock band with considerable progressive, psychedelic, and soul influences informing their original material.
"I can't fit into my skinny black jeans anymore," laments veteran blues rocker David Gogo on the appropriately titled, hard-driving, Stones-inflected, and likely autobiographical "Getting Old." Only in his early forties at the time of its 2011 release, he's obviously not letting fears of his advancing years slow or dull his attack, as his sixth release in a decade shows. Gogo isn't a particularly distinctive guitarist, but as this disc's title implies (Soul-Bender is also the name of the Fulltone guitar pedal he uses)….