Collection includes 16 albums by American instrumental rock band Los Straitjackets. Los Straitjackets is a Nashville based band known primarily for performing instrumental surf music.
Nancy Sandra Sinatra (born June 8, 1940) is an American singer and actress. She is the daughter of singer/actor Frank Sinatra, and remains best known for her 1966 signature hit "These Boots Are Made for Walkin'".
Of all the various best-ofs and compilations that have come out over time that cover the Go-Go's career, this one is the clearest winner, by a long shot. Though by default it doesn't tell the full story, appearing as it did in 1994, in terms of containing both the famous hits and a slew of rarities and unreleased tracks, Return to the Valley of the Go-Go's is equally valuable for both neophytes and hardcore fans. The first 11 tracks alone make for an entertaining peek into the band's earliest days, with a slew of live cuts from both early rehearsals and gigs, including a number of songs taped at the legendary SF punk venue the Mabuhay Gardens. Everything's rough, energetic, and merry fun – while it's no surprise why some compositions remained unheard in later years, it's still worth hearing how the group pureed everything from straight-up punk to spaghetti Western guitar and girl group right from the start. A real treat is a romp through "Johnny, Are You Queer?" which would later get a more famous (and much more sedate!) take by Josie Cotton. Plenty of rare B-sides from the group's commercially dominant days surface here and there, and as for the big hits, they're available a-plenty: "We Got the Beat," "Vacation," "Our Lips Are Sealed," "Head Over Heels," "Turn to You," and more. Choice album cuts include "Skidmarks on My Heart" and "This Town".
John Scofield owes a great deal to Medeski, Martin & Wood for the success of A Go Go. The piano/organ, bass, and drum playing trio adds a world of bouncing vibes to Scofield's inquisitive, happy guitar work here. A Go Go is an album of mostly breezy, sometimes tense, jam-based grooves. The album's charm is in its "city meets the tropics" feel. The four players create such a warm, vibrant sound that resisting the urge to tap one's feet along with the beat becomes a near impossibility. The opening song is a treat of plucked guitars and tightly packed new jazz. Other standouts are "Kubrick," a swooning, gentle change of pace packed with background tension, and "Hottentot," a tour de force of dynamic interplay. There's nary a moment of filler to be found across the ten tracks..
Though its title track ignited a nationwide fad for go-go music, Smokey Robinson & the Miracles' Going to a Go-Go LP certainly wasn't just a cash-in effort. It's one of the best records the group put out, and the first six songs make for the best side of any original Motown LP of the '60s (granted, all but one are also available on dozens of Miracles compilations). The four biggest hits were among the best in a set of Miracles archetypes: the throwback to the aching '50s doo wop ballad ("Ooo Baby, Baby"), the flashy up-tempo dance song ("Going to a Go-Go"), the dancing-with-tears-in-my-eyes jerker ("The Tracks of My Tears"), and the mid-tempo orchestral epic ("My Girl Has Gone"). "Choosey Beggar" is one of the sweetest of all Robinson's lead vocals, with stunning background work by the rest of the Miracles.