The 2006 release of The Essential Gloria Estefan satisfied a long unmet need for a career-spanning English-language retrospective, one that includes the singer's popular hits with Miami Sound Machine in the mid-'80s as well as her subsequent solo recordings. For years, Estefan fans had few best-of choices to choose from – the Spanish-language Exitos de Gloria Estefan (1990), the two-volume Greatest Hits series (1992, 2001), and the latter-day Amor y Suerte: Exitos Romanticos collection (2004) – with no alternatives, not even budget-line knockoffs. The long-overdue release of The Essential Gloria Estefan thankfully resolved this gripe, for it includes the highlights from all aspects of Estefan's varied output, spread generously across two jam-packed discs.
Greatest Hits is a 1992 compilation album by the Cuban-American singer-songwriter Gloria Estefan. Musically, it includes songs with soft rock influenced sounds as well as more upbeat Latin pop works inspired by dance music. The tracks were gathered from various releases over the 1985 to 1992 period. As well as serving as a collection of her greatest hits both as a solo artist and with Miami Sound Machine, the album also contained four previously unreleased songs. The most well-known, U.S. and Canadian album release has some differences from alternate releases in different regions…
Released just after Cuts Both Ways and a year before her Greatest Hits compilation, Exitos de Gloria Estefan rounds up the key highlights among the singer's Spanish-language recordings for Sony Discos. Expected inclusions like "Conga" and "Don't Wanna Lose You" are here, of course, albeit in Spanish (though "Here We Are" is oddly here in its Portuguese version). More notably, however, Exitos de Gloria Estefan also rounds up unexpected inclusions, some of which never had English-language hit counterparts. "Renacer" is a remake of the title track from Miami Sound Machine's debut album from way back in 1977, for instance, while "Dingui-Li Bangui" is a wonderful song that will be new to most English-language-inclined listeners. And too, the English-language "Dr. Beat" is a welcome inclusion, for it's a catchy and fun dance-pop song from 1984 that was unfortunately left off the Greatest Hits collection. Most of Miami Sound Machine's less commercially successful albums remained out of print for years, so Exitos de Gloria Estefan is one of the few relatively available albums featuring these songs.
As one of the biggest new stars to emerge during the mid-'80s, singer Gloria Estefan predated the coming Latin pop explosion by a decade, scoring a series of propulsive dance hits rooted in the rhythms of her native Cuba before shifting her focus to softer, more ballad-oriented fare. Born Gloria Fajardo in Havana on September 1, 1957, she was raised primarily in Miami, Florida, after her father, a bodyguard in the employ of Cuban president Fulgencio Batista, was forced to flee the island following the 1959 coup helmed by Fidel Castro.
Mi Tierra (English: My Homeland) is the third studio album by Cuban-American recording artist Gloria Estefan, released on June 14, 1993 by Epic Records. Produced by husband Emilio Estefan, it is her first Spanish-language album and pays homage to her Cuban roots. The album features Cuban musical genres, including boleros, danzan and son music. Recorded at Crescent Moon Studios in Miami, Florida, Mi Tierra features notable Latin musicians such as Arturo Sandoval, Cachao López, Chamin Correa and Paquito D'Rivera.
This long-awaited disc by The Concussions is here! A dozen raw, twangy surf and guitar instrumental tunes, delivered by guys that are masters of their instruments and know their way around a recording studio. Hailing from Grand Rapids, Michigan, this combo is led by Dick Chiclet on lead guitar, who also produced recorded and mixed this release. His production style, which favors the use of vintage gear and is inspired by Joe Meek and others in the past and present that have stuck to analog recording techniques. This all goes towards delivering a disc that will appeal to surf and vintage instrumental rock n' roll aficionados, as well as those that are just looking to move and groove on the dance floor. If you love the early 60s Brit instro sound of The Tornados or Shadows, or the more modern instrumental recordings of The Kaisers, you will absolutely flip over this disc! The disc art is truly out of this world - incredible illustration work by Shawn Dickinson!