Orange Mountain Music presents this new limited edition 11 disc boxed set - The Symphonies by Philip Glass. This collection features conductor Dennis Russell Davies who has arranged the commission of nine of ten Glass symphonies, leading the orchestras over which he has presided during the past 15 years including the Bruckner Orchester Linz, Vienna Radio Symphony Orchestra, Sinfonieorchester Basel, and the Stuttgart Chamber Orchestra. This collection is the fruit of a 20 year collaboration between Glass and Davies and showcases a wide variety within this surprising body of work by Glass.
This volume focuses on love, one of Philip Glass’s most glorious themes. The timeless melancholy of his BAFTA award-winning music for The Hours forms an organic suite driven by the film’s three powerful characters, here complete with unpublished tracks. The breathtakingly energetic Modern Love Waltz expands the limits of minimalism by combining Glass’s style with Viennese dance tradition, while his transcription of Notes on a Scandal is a recording première. Steve Reich described the iconic Music in Fifths as being “like a freight train”. Recognized as a leading interpreter of Liszt’s music, Nicolas Horvath has in recent years become one of the most sought after pianists of his generation. Holder of a number of awards, including First Prize of the Scriabin and the Luigi Nono International Competitions, he frequently organizes events and concerts of unusual length, sometimes over twelve hours, such as Philip Glass’s complete piano music or Erik Satie’s Vexations, and composers from a number of countries have written for him. Nicolas Horvath is a Steinway artist.
The music on this recital was specifically written or arranged for duo violinists Angela and Jennifer Chun. It highlights the personal and professional connections between Philip Glass and Nico Muhly, a longtime colleague and admirer of Glass's work. Glass's miniaturist works, Mad Rush and In the Summer House, create a maximum effect when paired with Muhly's minimalist Four Studies and Honest Music.
This program reverses time, revealing the Metamorphosis in Glass’s work from his 1980s film and theatre transcriptions, through The Olympian composed for the Los Angeles Olympiad, to rarities such as the dream-like Coda. The Trilogy Sonata highlights Glass’s renowned operas from the celebratory Akhnaten Dance to the stately Satyagraha and landmark Einstein on the Beach. The dazzling pulse-patterns of Two Pages make it a milestone of minimalism, while the Sonatina No. 2 is a pre-minimalist work composed when Glass was a student of Darius Milhaud at Juilliard.
Following the recent successful albums of his transcriptions of music by Philip Glass, pianist Michael Riesman presents a new album of solo transcriptions and arrangements from Philip Glass's opera Beauty and the Beast. In Glass's music, the power of the creative and the raw world of nature, represented respectively by Beauty and the Beast, finally emerges and allows the world of imagination to take flight.
Here are three 20th-century violin concertos written within a 30-year period in three totally different styles, played by a soloist equally at home in all of them. Bernstein's Serenade, the earliest and most accessible work, takes its inspiration from Plato's Symposium; its five movements, musical portraits of the banquet's guests, represent different aspects of love as well as running the gamut of Bernstein's contrasting compositional styles. Rorem's concerto sounds wonderful. Its six movements have titles corresponding to their forms or moods; their character ranges from fast, brilliant, explosive to slow, passionate, melodious. Philip Glass's concerto, despite its conventional three movements and tonal, consonant harmonies, is the most elusive. Written in the "minimalist" style, which for most ordinary listeners is an acquired taste, it is based on repetition of small running figures both for orchestra and soloist, occasionally interrupted by long, high, singing lines in the violin against or above the orchestra's pulsation.
The Photographer is a three-part mixed media performance accompanied by music (also sometimes referred to as a chamber opera) by composer Philip Glass. The libretto is based on the life and homicide trial of 19th-century American photographer Eadweard Muybridge. Commissioned by the Holland Festival, the opera was first performed in 1982 at the Royal Palace in Amsterdam.
Of Philip Glass' conventionally scored chamber works, his String Quartet No. 5 is probably the best-known, in part because the Kronos Quartet and the Smith Quartet have given it first-rate recordings, but also because its more traditional approach and neo-romantic feeling hold a special attraction for a broad audience. This five-movement work has Glass' characteristic patterns and pulses, at least as they developed from his hard-edged, amplified minimalism of the 1970s to softer acoustic textures over the course of the 1980s, though the music is much more melodically contoured and expressive. This 2015 release by the Carducci String Quartet adds another title to the work's growing discography, and it is a wonderful performance by musicians who have a strong sympathy for Glass' idiom. It is programmed with the Suite from Dracula, a soundtrack Glass composed for the Tod Browning film, Dracula (1931), and Michael Riesman's arrangement of the Symphony No. 4, "Heroes," here presented as the String Sextet.
Following the enormous success of, and critical superlatives tossed like bouquets of roses at Glassworlds 1 (Grand Piano 677), Glassworlds 2, featuring Philip Glasss 20 Etudes for solo piano, is now available and primed for a similar, or even more enthusiastic reception. Nicolas Horvath gave the world premiere performance of the complete cycle of Philip Glasss 20 Etudes at Carnegie Hall on 9 January 2015. Recognized at once as a great interpreter of Liszts music, Nicolas Horvath became in recent years one of the most sought after pianists of his generation. Holder of a number of awards, including First Prize of the Scriabin and the Luigi Nono Intl Competitions, he frequently organizes events and concerts of unusual length, some lasting in excess of 12 hours, such as Philip Glass complete piano music or Erik Saties Vexations. Composers from many countries have written works for him. Alongside his career as an international virtuoso, Nicolas Horvath is also a composer, his aesthetic in his creative work music being one of great inclusivity. a prodigious pianist.
To say this barrier-breaking string quartet plays modern music is an understatement. All of the five composers showcased on this audacious recording were born in the 20th century. Minimalist Philip Glass is among the best known of the five, whose works cannot possibly be mistaken with anything from the baroque or classical periods. This particular foursome illustrates the grace, beauty, and even power of a string quartet, but goes well beyond. In the words of first violinist and leader David Harrington, "I've always wanted the string quartet to be vital, and energetic, and alive, and cool, and not afraid to kick ass and be absolutely beautiful and ugly if it has to be." The album-ending cover of the Jimi Hendrix classic "Purple Haze" must be heard to be believed.