20 tracks of their most requested songs from one of the world's most famous vocal groups. The Gipsy Kings' distinctive and passionate brand of world music has won them the respect and admiration of devoted fans everywhere. Their formula is a successful mix of raw flamenco with Latin American and Arabic influences along with rai and rock.The Gipsy Kings are largely responsible for bringing the joyful sounds of progressive pop-oriented flamenco, called Sevillana in Spain, to the world. The band started out in Arles, a village in southern France during the '70s when brothers Nicolas and Andre Reyes, the sons of renowned flamenco artist Jose Reyes, teamed up with their cousins Jacques, Maurice and Tonino Baliardo, whose father is Manitas de Plata. They originally called themselves Los Reyes and started out as a gypsy band traveling about playing weddings, festivals, and in the streets. Because they lived so much like gypsies, the band adopted the name the Gipsy Kings. Later, they were hired to add color to posh parties in St. Tropez.
The companion volume to the hugely successful first ‘Best Of’, with yet more excellent highlights from 15 years of bassist/bandleader Bill Wyman’s post-Stones musical project, sampling six key albums. Includes standout tracks from studio and stage, where the Rhythm Kings are in their element. Numerous special guests include Albert Lee, Georgie Fame, Procol Harum’s Gary Brooker and former colleague Mick Taylor on slide guitar (‘Can’t Get My Rest At Night’). A re-cut of the Stones’ ‘Melody’ – originally from the ‘Black And Blue’ album on which Bill appeared – features Eric Clapton, while George Harrison guests on ‘Love Letters’. A lively cover of the Beatles’ ‘Taxman’ features Australian guitar virtuoso Tommy Emmanuel. Specially released to coincide with Autumn 2012 Rhythm Kings European dates. Expertly remastered by Jon Astley (whose past credits include recordings by the Who, Led Zeppelin, George Harrison and many others). Superb sound – the best in the business!
When it comes to good time R&B played by top class musicians, you can’t beat the sound of Bill Wyman’s Rhythm Kings. After Bill quit the Rolling Stones in 1993, the bass player set about forming his own all-star band. As well as touring the world, the Rhythm Kings released a succession of fine albums, beginning with ‘Struttin’ Our Stuff’ in 1998. We have selected the hottest tracks from this debut album, as well as songs from subsequent albums ‘Anyway The Wind Blows’, ‘Double Bill’, ‘Groovin’ and ‘Just For A Thrill’. The Kings have included some right royal players over the years, notably – keyboard players Gary Brooker and Georgie Fame, guitarists such as former Rolling Stone Mick Taylor, vocalist Paul Carrack, and blues artist Beverley Skeete.
After ten years of playing in the streets, at weddings, and in restaurants, the Gipsy Kings were swept away in a feast of commercial and critical success in the late '80s. By the late '90s, they had sold over 15 million albums worldwide and become one of the best-selling all-Spanish language acts in U.S. history. Their Greatest Hits collection, released in 1998, aptly reflects the time-perfected technique and soulful delivery that allowed them to transcend ethnic and age differences as few bands have. The introductory sequence of songs simply explodes out of the blocks. If consecutive hip-shakers "Djobi, Djoba," "Baila Me," "Bamboleo," "Pida Me La," "Bem, Bem, Maria," and "Volare" don't have you at least tapping your feet, someone ought to take your pulse…
As leaders of the flamenco music genre, the Gipsy Kings have thrilled audience's worldwide for over 16 years. Here, they are captured in a live performance at the legendary Kenwood House in London. At this majestic setting on the water in front of thousands of fans, the Gipsy Kings play some of their greatest hits, including 'Baila Me' and 'Volare'.
As leaders of the flamenco music genre, the Gipsy Kings have thrilled audience's worldwide for over 16 years. Here, they are captured in a live performance at the legendary Kenwood House in London…
The Gipsy Kings had major crossover success with their splendid and innovative third album, which used drums, bass, percussion, and synthesizer to beef up the sound. This French import is their first album from 1983, and it is a much more traditional affair, with only acoustic guitars, voices, and hand claps. It shows that artistically the sound did not need to be beefed up; the music is still wonderful. How can an array of seven guitars and full-throated passion not be wonderful? Commercially, the additions to their sound helped break The Gipsy Kings through to a larger audience, but now that their name is known, it should be possible for more people to go back and appreciate this album. It is in no way crude or unpolished, and the artistry and playing are of an equally high quality.