Recorded in Hamburg in June 2013, some Pasadena Roof Orchestra favourites such as ‘Puttin on the Ritz’ ‘The lullaby of Broadway’and a special guest appearance from Laura Fygi and Les Brunettes. The Pasadena Roof Orchestra is a contemporary band from England that specialises in the jazz and swing genres of music of the 1920s and 1930s, although their full repertoire is considerably wider. The orchestra has existed since 1969, although the line-up has frequently changed. It has achieved success outside the United Kingdom, most notably in Germany.
God Save the King is actually a split release and/or a Robert Fripp compilation, depending on how you look at it. In 1980, Robert Fripp released something of a split disc himself, called God Save the Queen/Under Heavy Manners, consisting of a side of Frippertronics and a side of Discotronics, the latter being Frippertronics with a "dance-oriented" (according to Fripp) rhythm section. Also in 1980, Fripp formed a new group, borrowing the name from his early-'60s band, the League of Gentlemen.
The Last Southern Gentlemen is a landmark recording for Delfeayo Marsalis, pairing father Ellis Marsalis, Jr. with son on a collaborative album for the first time. Marsalis' finest outing to date, the superb recording quality and meticulous production showcase his brilliant, classically trained tone as it swings effortlessly through standards and original compositions. The music is relaxed, thoughtful and provocative, acknowledging the love and respect of all people shared by Louis Armstrong and most early jazz entertainers. This sense of humanity and humility is at the center of the Southern lifestyle that birthed the original American music. Built on the intimacy of American ballads and the trombone's expressive mimicry of the human voice, The Last Southern Gentlemen is a firm acknowledgement of the existence and importance of these sweet, gentle sounds.
As the League head north, possibly chastened by the previous evening’s encounter with a mouthy fan in London, there’s only a rather fleeting stage announcement from Fripp tonight. There’s a business-like feel to the concert which is not to say that it’s in any way deficient or lacking. Rather, the band maintain a tight focus on the notes perhaps rather than it’s spirit. Major hits are scored with Hepataparaparshinokh and the wild-card sorties that are Thrang Thrang Gozinbulx I & II have the effect of bulldozing aside any doubts or worries about such matters.