The emotional content, lyricism and direct appeal of Gavin Bryars’s music are unique, reflecting a contemporary composer’s absorption and transformation of several centuries of musical craftsmanship in order to reflect his, and our, own epoch. Originally written for harpsichord, After Handel’s Vesper is a strong illustration of Bryars’s post-minimal interests in early music repertoire. Ramble on Cortona, derived from 13th-century music, makes expressive use of the piano’s resonant qualities, while in the highly-coloured, almost impressionistic The Solway Canal, landscapes pass by as if in a dream.
LTM is proud to present a newly remastered CD edition of the lost yet influential album Hommages by acclaimed modern British composer Gavin Bryars. Originally released in November 1981 on Les Disques du Crepuscule, Hommages was recorded in Leicester in February 1981 and produced by noted Belgian new music composer Wim Mertens. The album was conceived as a series of diverse homages to other composers, which include Bill Evans (My First Homage), Ferruccio Busoni and Gustav Holst (The English Mail-Coach and the Vespertine Park) and Percy Grainger (Hi-Tremolo). Featured musicians included Andrew Bilham, Ronald Reah, Andrew Renshaw, Nigel Shipway, Dave Smith, John White and Marie Wilson, as well as Gavin Bryars himself on piano and vibraphone. The album is the only one which documents the important period between Bryars' early experimental music and later works from Medea onwards, as well as his enthusiasm for small composer/performer ensembles.