One of the most formidable fretless electric bassists in the post-Jaco Pastorius era, Texas native and current Barcelona resident Gary Willis joins forces with Catalan keyboardist Albert Bover and Budapest-born drummer Gergo Borlai on this exhilarating take on the electric piano trio.
Gary Willis, one of the world’s leading bassists, has delivered his fifth album Larger Than Life—a delicious collection of fusion-funk for the twenty-first century. Joining Willis on this set of twelve tracks are Gergo Borlai on drums, long-time Tribal Tech band mate Scott Kinsey on keyboards, Steve Tavaglione on saxes and EWI, Claudia Bardagi on voice and Llibert Fortuny on tenor sax and voice.
Anyone familiar with electric bassist Gary Willis (co-founder of the powerhouse fusion outfit Tribal Tech) and drummer Kirk Covington (a longtime member of that same group) will know that any saxophone trio they are involved with will be far removed from convention. Add saxophonist Llibert Fortuny, a rising star on the Spanish jazz scene, and the result is Slaughterhouse 3, an energized, take-no-prisoners album that, with its combination of potent grooves, wild electronics and freewheeling improvisation, will appeal equally to fans of fusion, jam-bands and electronica.
As a follow-up to fiercely uncompromising power trio project Slaughterhouse 3, bassist extraordinaire Gary Willis delivers a potent punch with Actual Fiction, his solo debut on the premier fusion label Abstract Logix. Joining the world-class electric bassist on this ambitious avant-groove outing is Willis' longtime bandmate in Tribal Tech, drummer Kirk Covington, along with drummer David Gomez. On frantic romps like the drum'n'bass flavored Cartoon Fetish and ultra-funky throwdowns like Smells Like A Party, If Only It Could Talk and PodCast, Willis blends remarkable chops along with an innate ability to groove on the low end.Now based in Spain, Willis remains one of the premier electric bassists on the international scene.
The Best of Gary Numan 1978–1983 is a double disc compilation album of Gary Numan's singles and selected album tracks released on the Beggars Banquet Records label. It was promoted by the remixed re-release of "Cars". The contents of the enclosed twelve page booklet are identical to the one included with the previously released Exhibition compilation album. It contains various pictures from the years in question and an extensive chronological essay by Francis Drake.