Gary Peacock

Gary Peacock Trio - Tangents (2017) {ECM 2533}  Music

Posted by ruskaval at Nov. 3, 2017
Gary Peacock Trio - Tangents (2017) {ECM 2533}

Gary Peacock Trio - Tangents (2017) {ECM 2533}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 242 Mb | MP3 @320 -> 124 Mb
Full Artwork @ 600 dpi (jpg) -> 17 Mb | 5% repair rar
© 2017 ECM Records | ECM 2533
Jazz / Post Bop / Double Bass

Some of Gary Peacock’s finest music has been made in piano trios. Early in his musical life, Peacock established a fresh role for the bass as an independent melodic voice, a concept carried forward in the history-making groups he’s played with – from Paul Bley’s Bill Evans’s trios to Keith Jarrett’s. As a bandleader he has also been influential: Tangents is the second release from the great bassist’s trio with Marc Copland and Joey Baron and draws on years of shared playing in diverse contexts.

Gary Peacock Trio - Tangents (2017) [Official Digital Download 24/96]  Vinyl & HR

Posted by SERTiL at Oct. 11, 2017
Gary Peacock Trio - Tangents (2017) [Official Digital Download 24/96]

Gary Peacock Trio - Tangents (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 53:05 minutes | 940 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

Some of Gary Peacock’s finest music has been made in piano trios. Early in his musical life, Peacock established a fresh role for the bass as an independent melodic voice, a concept carried forward in the history-making groups he’s played with – from Paul Bley’s Bill Evans’s trios to Keith Jarrett’s. As a bandleader he has also been influential: Tangents is the second release from the great bassist’s trio with Marc Copland and Joey Baron and draws on years of shared playing in diverse contexts. All three band members contribute compositions, Peacock’s including “December Greenwings”, revisiting a piece Gary introduced on his ECM recording December Poems.
Marilyn Crispell, Gary Peacock, Paul Motian - Nothing Ever Was, Anyway: The Music of Annette Peacock (2CD) (1997)

Marilyn Crispell, Gary Peacock, Paul Motian - Nothing Ever Was, Anyway: The Music of Annette Peacock (2CD) (1997)
EAC Rip | FLAC (image+.cue, log) ~ 241.28 Mb (CD1) + 214.02 Mb (CD2) | 1:27:37 | Cover
Contemporary Jazz, Free Jazz | Label: ECM Records ‎– ECM 1626/27

This double CD is a performance of and tribute to the work of iconoclastic composer/songwriter/poet Annette Peacock. Ms. Peacock is a marginal figure, largely because of her own stubborn muse. She has, nonetheless, proved to be indispensable to the development of the music of both her ex-husbands, bassist Gary Peacock and pianist Paul Bley (both of whom, along with trumpeter Franz Koglmann, recorded another collection of her tunes called Annette on the Hat Art label in 1992). What makes this music so special is the pianism of Marilyn Crispell, usually associated with fiery improvisations and raucous solo and trio dates, with the music of Anthony Braxton. Peacock and Motian have played in restrained, quiet, mysterious bands for years, either with Paul Bley, John Surman, Bill Frisell, or any number of other ECM stalwarts.

Gary Peacock/Ralph Towner - Oracle (1994) {ECM}  Music

Posted by TestTickles at July 19, 2017
Gary Peacock/Ralph Towner - Oracle (1994) {ECM}

Gary Peacock/Ralph Towner - Oracle (1994) {ECM}
EAC Rip | FLAC with CUE and log | scans | 191 mb
MP3 CBR 320kbps | RAR | 127 mb
Genre: jazz

ECM are the label responsible for the release of Oracle. This is a collaboration between Gary Peacock and Ralph Towner, who released it in 1994.
Christian Muthspiel, Gary Peacock, Wolfgang Muthspiel, Paul Motian - Muthspiel, Peacock, Muthspiel, Motian (1993) {Amadeo}

Christian Muthspiel, Gary Peacock, Wolfgang Muthspiel, Paul Motian - Muthspiel, Peacock, Muthspiel, Motian (1993) {Amadeo}
EAC 1.1 | FLAC tracks level 8 | Cue+Log+M3u | Full Scans 300dpi | 244MB + 5% Recovery
MP3 CBR 320 Kbps | 136MB + 5% Recovery
Genre: Jazz, Post-Bop

Wolfgang Muthspiel is an Austrian guitarist, composer, and founder/owner of Material Records. His intuitive, probing style has made him a celebrated, in-demand sideman since the 1980s. He has worked with Gary Burton, Youssou N’Dour, Gary Peacock, Dave Liebman, Paul Motian, and dozens more.
Keith Jarrett / Jack DeJohnette / Gary Peacock - Standards, Vol.2 (1983) {ECM 1255}

Keith Jarrett / Jack DeJohnette / Gary Peacock - Standards, Vol.2 (1983) {ECM 1255}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 232MB + 5% Recovery
Genre: Jazz

Standards is a two-volume set of jazz albums released by the Keith Jarrett trio in 1983. Originally released by ECM, they have been multiply re-issued, including by Universal/Polygram. The two volumes present performances of pianist Keith Jarrett with Gary Peacock on bass and Jack DeJohnette on drums. Vol. 1 reached #14 on the Billboard Jazz Albums charts. In 2008 the two albums, along with 1983's Changes, were collected into a boxed set, Setting Standards: New York Sessions.
Keith Jarrett / Jack DeJohnette / Gary Peacock - Standards, Vol.1 (1983) {ECM 1255}

Keith Jarrett / Jack DeJohnette / Gary Peacock - Standards, Vol.1 (1983) {ECM 1255}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 248MB + 5% Recovery
Genre: Jazz

Standards is a two-volume set of jazz albums released by the Keith Jarrett trio in 1983. Originally released by ECM, they have been multiply re-issued, including by Universal/Polygram. The two volumes present performances of pianist Keith Jarrett with Gary Peacock on bass and Jack DeJohnette on drums. Vol. 1 reached #14 on the Billboard Jazz Albums charts. In 2008 the two albums, along with 1983's Changes, were collected into a boxed set, Setting Standards: New York Sessions.
Paul Bley & Gary Peacock & Tony Oxley & John Surman - In The Evenings Out There (1993) {ECM 1488}

Paul Bley & Gary Peacock & Tony Oxley & John Surman - In The Evenings Out There (1993) {ECM 1488}
EAC 0.99pb5 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 213MB + 5% Recovery
MP3 CBR 320 Kbps | 134MB + 5% Recovery
Genre: Jazz, Avant-Garde Jazz, Post-Bop

Pianist Paul Bley was touring Scandinavia with a quartet made up of longtime associate Gary Peacock on bass and two brilliant British musicians, drummer Tony Oxley and John Surman on baritone saxophone and bass clarinet, when they made this Oslo recording in 1991. Rather than a conventionally organized quartet session, the CD consists of seven largely improvised solos, three duets, and two tracks–the collectively improvised "Interface" and Surman's "Article Four"–with the full quartet. Even more unusual is the frequent emphasis on bass frequencies and slow, even solemn, tempos. Only extraordinary musicians could keep such a format interesting, and these four do, exploring room resonance with almost ceremonial levels of concentration.
Gary Peacock, Marilyn Crispell - Azure (2013) [Official Digital Download]

Gary Peacock, Marilyn Crispell - Azure (2013)
FLAC (tracks) 24-bit/48 kHz | Time - 59:10 minutes | 540 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

Azure features beautiful duets by two great improvisers who proved their compatibility long ago. Bassist Gary Peacock and pianist Marilyn Crispell made some outstanding music together in Crispell's trio with late drummer Paul Motian, but their duo project also has an extensive history, until now unrecorded. With their shared sense of lyricism, their individual compositional styles and their profound background in free playing, Peacock and Crispell are exceptional musical partners. The album, self-produced in upstate New York, home territory for both musicians, contains pieces written by each one, duo improvisations and highly inventive piano and bass solos.

Paul Bley - With Gary Peacock (1970) {ECM 1003}  Music

Posted by tiburon at Sept. 25, 2016
Paul Bley - With Gary Peacock (1970) {ECM 1003}

Paul Bley - With Gary Peacock (1970) {ECM 1003}
X Lossless Decoder | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 174MB + 5% Recovery
MP3 CBR 320 Kbps | 86MB + 5% Recovery
Genre: Jazz, Post-Bop

Gary Peacock shares front-cover billing with Paul Bley on this 1970 session, but drummer Paul Motian is also present on the first five tracks. (Billy Elgart replaces Motian on the remaining three.) There's a curiously straight-ahead, tempo-driven feel to this short and sweet disc, quite unlike the free aesthetic that Bley, Peacock, and Motian put forward when they returned to ECM as a trio on 1999's Not Two, Not One.