Contains lots of very catchy and easy-to-dance-to tracks, including an interesting remake of Deodato's classic "Also Spracht Zarathustra" as well as a good rendition of classics like "Aquelas Coisas Todas" and "Chove Chuva". Quality package compiled by Dingwalls stalwart DJ Patrick Forge.
Having steered the mothership and worked as a triggerman for the Godfather of Soul, storied sax man Maceo Parker now brings his own tight rhythm and soul sound to vinyl (er, plastic) in undeniable proof that he's still "got it." Combining his smoking horn with the backing of fellow legends such as trombonist Fred Wesley and new bloods such as son Corey (whose intermittent raps colorfully enhance the album's youthful vibrance), Maceo works through the familiar funk and soul lines of his Parliament and JB days and adds new twists to such classics as Marvin Gaye's "Let's Get It On" and "Inner City Blues," Stevie Wonder's "Tell Me Something Good," and Sly Stone's "Sing a Simple Song," while offering a number of his own well-orchestrated and well-seasoned compositions. "Youth of the World" features Maceo on a lead vocal reminiscent of Kool Moe Dee or Kurtis Blow, while "Do You Love Me" rises like Tower of Power before the sultry Chicago lines of closer "Going in Circles".
Northern soul boy, crate digger and tastemaker, Keb Darge is a name which needs no introduction to lovers of rare music the world over. His ‘Legendary Deep Funk’ night at Soho’s seminal strip club turned music venue Madame Jojo’s introduced obscure dance-floor soul music to an eager London club crowd, sparking a global appetite for raw, visceral funk.
Criminally overlooked by academics, critics and purists who refuse to listening to anything outside of conventional jazz vernacular, Andy Bey's delivery on Experience and Judgment goes beyond anything he previously committed to tape, revealing a spiritual side that's punched up and supported by a jazz-funk ensemble. The album's opener "Celestial Blues" finds Bey delivering lines that wouldn't be out of place on Bill Withers records from this era, and the remainder of the album sounds similar to the works of such contemporaries as Roy Ayers and Gil Scott-Heron. It's soul soothing music that's been played with great reverence by the rare soul and funk community for years and rightly so, as Bey captures the essence of the soul world brilliantly, and fuses it into something that is uniquely his own.
Electric Ladyland is the third and final studio album by English-American rock band the Jimi Hendrix Experience, released in October 1968. By mid-November, it had charted at number one in the United States, where it spent two weeks at the top spot. Electric Ladyland was the Experience's most commercially successful release and their only number one album. It peaked at number six in the UK, where it spent 12 weeks on the chart. Although the album confounded critics in 1968, it has since been viewed as Hendrix's best work and one of the greatest rock records of all time. Electric Ladyland has been featured on many greatest-album lists, including Q magazine's 2003 list of the 100 greatest albums and Rolling Stone's list of the 500 greatest albums of all time, on which it was ranked 54th.