Funeral Culture

Funeral Parade Magazine - Six + Nostalgia, 2015  Magazines

Posted by koc2005 at Jan. 24, 2016
Funeral Parade Magazine - Six + Nostalgia, 2015

Funeral Parade Magazine - Six + Nostalgia, 2015
English | PDF | 256 Pages | 46.20 Mb

The Play of Political Culture, Emotion and Identity  eBooks & eLearning

Posted by interes at Oct. 26, 2015
The Play of Political Culture, Emotion and Identity

The Play of Political Culture, Emotion and Identity (Studies in the Psychosocial) by Candida Yates
English | 2015 | ISBN: 0230302521 | 194 pages | PDF | 2 MB
Commemorating the Polish Renaissance Child: Funeral Monuments and Their European Context

Commemorating the Polish Renaissance Child: Funeral Monuments and Their European Context by Jeannie Labno
English | 2011 | ISBN: 0754668258 | 456 pages | PDF | 9 MB
Good Luck Life: The Essential Guide to Chinese American Celebrations and Culture (repost)

Good Luck Life: The Essential Guide to Chinese American Celebrations and Culture By Rosemary Gong, Martin Yan
Publisher: Har per 2005 | 270 Pages | ISBN: 0060735368 | PDF | 1 MB
Good Luck Life: The Essential Guide to Chinese American Celebrations and Culture (repost)

Rosemary Gong, Martin Yan, "Good Luck Life: The Essential Guide to Chinese American Celebrations and Culture"
2005 | ISBN-10: 0060735368 | EPUB, MOBI, PDF | 270 pages | 3 MB
Good Luck Life: The Essential Guide to Chinese American Celebrations and Culture

Good Luck Life: The Essential Guide to Chinese American Celebrations and Culture By Rosemary Gong, Martin Yan
Publisher: Har per 2005 | 270 Pages | ISBN: 0060735368 | EPUB + PDF | 0.6 MB + 1 MB

Joseph Martin Kraus - Funeral Music for Gustav III  Music

Posted by First Amendment at Jan. 28, 2011
Joseph Martin Kraus - Funeral Music for Gustav III

Joseph Martin Kraus - Funeral Music for Gustav III
EAC Rip | FLAC+LOG+CUE | Booklet & Covers | RAR 261MB
CD | Classical | 1992 | Musica Sveciae | Playing Time: 64'46"

The assassination of Gustav III, Sweden's "theatre king", ended one of the most brilliant periods in the country's culture. And it was followed by a ceremony fully on a par with the tragic event itself: a kind of heroic opera about the Third of the Gustavs, staged in the royal burial church, Riddarholmskyrkan. Joseph Martin Kraus, the greatest of the Gustavian composers and royal Kapellmeister, conducted his Funeral Cantata. Strongly personal in its despair, wrath, and grief, this highly dramatic creation was the joint work of three of the age's leading minds, in music, poetry and décor.

Farocki/Godard: Film as Theory (Film Culture in Transition)  eBooks & eLearning

Posted by lengen at Jan. 17, 2017
Farocki/Godard: Film as Theory (Film Culture in Transition)

Farocki/Godard: Film as Theory (Film Culture in Transition) by Volker Pantenburg
English | Oct. 15, 2015 | ISBN: 9089648917 | 292 Pages | PDF | 2 MB

This book brings together two major filmmakers—German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard—to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete.
Jean Desmet and the Early Dutch Film Trade (Amsterdam University Press - Film Culture in Transition)

Jean Desmet and the Early Dutch Film Trade (Amsterdam University Press - Film Culture in Transition) by Ivo Blom
English | Feb. 1, 2003 | ISBN: 9053565701 9053564632 | 475 Pages | PDF | 4 MB

The Netherlands Film Museum's Desmet Collection contains the estate of Dutch cinema owner and film distributor Jean Desmet (1875-1956): almost nine hundred European and American films of all genres, a collection of publicity material, and a massive business archive.
Audiovisions: Cinema and Television as Entr'actes in History (Amsterdam University Press - Film Culture in Transition)

Audiovisions: Cinema and Television as Entr'actes in History (Amsterdam University Press - Film Culture in Transition) by Siegfried Zielinski
English | June 1, 1999 | ISBN: 9053563032 | 357 Pages | PDF | 57 MB

The production, distribution, and perception of moving images are undergoing a radical transformation. Ever-faster computers, digital technology, and microelectronic are joining forces to produce advanced audiovision -the media vanishing point of the 20th century. Very little will remain unchanged.
The classic institutions for the mediation of film - cinema and television - are revealed to be no more than interludes in the broader history of the audiovisual media. This book interprets these changes not simply as a cultural loss but also as a challenge: the new audiovisions have to be confronted squarely to make strategic intervention possible.