Frozen Light

First off, "Dream Come True" is maybe the most beautiful ballad ever. Why Lanni's lesser "Lost in You," which he recorded with Sheriff, came back from the dead instead of this pearl seems just plain unfair. Otherwise, this collection plays even more polished than Frozen Ghost's still-quirky debut, whereupon the Canadian duo established a superior level of professionalism and skill that works against the tunes this time around. Except for the Fixx-like first single, "Round and Round," there exists nothing simple about any of these songs. Nice Place to Visit almost echoes a new age atmosphere – i.e., dealing with outer (the memorable "Mother Nature") and inner ("Perfect World") solace. It's hard to recommend this CD to scratch any particular musical itch, but "Dream Come True" on a mixed tape could make anybody fall in love with you.

Rather than coasting on the vapor trail left by Dawn in Space, Pyramidal re-ignite the boosters, taking their blend of space and psych rock further out - for them and us - by pumping in some flares of prog into the tanks. Frozen Galaxies is still alive with trace elements of rock’s core, but the mixture has been recalibrated. No slouchers before by any means, Pyramidal sound reinvigorated after Dawn. The songs are fiercer, more intense and their playing is pushed deeper. That doesn’t mean it’s jackhammers-on-the-asteroid time. Obvious fans of pioneers such as Hawkwind and more experimental leaning Sabbath, Pyramidal get that heft isn’t about indulgence in distortion or useless bombast. That’s just turning a knob or two. The songs themselves, the structure, is what has the weight.

The intoxicating debut from Frozen Ghost commingles Great White North album-oriented rock with a classy new wave chill worthy of their mysterious moniker. Not as artsy as Duran Duran, not as emotive as Ultravox, this pair may be the Canadian answer to Tears for Fears, only better than that sounds. Opening minor hit "Should I See" might as well be the Fixx, but it's actually brainchild Andre Lanni establishing his way with ruminating rhymes and mechanical melody. He came from Sheriff, where he wrote their posthumous smash "When I'm With You" and, after three fine FG works, went on to become a powerhouse producer (King's X) and mentor (Our Lady Peace). Except for the radio number mentioned above, Frozen Ghost fell off the face of the planet instantly. A shame, as the world missed out on the mysterious stranger lurking in "Yum Bai Ya," the military melancholy of "Soldiers Cry," and "End of the Line," a flat-out great pop tune not related to the Traveling Wilburys hit of the same period or even the Roxy Music song (though Roxy roots appear elsewhere). Actually, every track is rock-solid and probably gone forever, further adding to the mystique of one of the all-time should-have-beens.