Filmed in Berlin in 1997, this good-looking production finds the aging bluesman mixing his classic covers with more recent material, all for an appreciative audience in a startlingly dramatic venue.
Collection includes all studio albums by Australian alternative rock band from Sydney. In 2010, their album Diesel and Dust ranked no. 1 in the book The 100 Best Australian Albums.
When it came time for Motown to package its Commodores catalog for the CD market, they paired up the albums into a series of two-fers, one of the more suitable pairings being Natural High/Midnight Magic. These back to back albums, from 1978 and 1979 respectively, flow together well. Neither is one of the group's best overall albums, but each has a good share of hits that add up to a satisfying albeit spotty sum, one that includes a pair of gigantic hits, "Three Times a Lady" and "Still." These two crossover hits are both quiet piano ballads sung by Lionel Richie, who had made such songs his stock-in-trade by this point, delivering one or two on every successive Commodores album, to generally greater and greater (and broader) success each go round.
Falling asleep during the Paradise Coffee ("The Coffee that Makes You Sleep") Program, the band's third trumpeter dreams he's Athanael, an angel deputized to blow the Last Trumpet at exactly midnight on Earth. But Osidro and Doremus, two fallen angels enjoying the physical pleasures of an earthly existence, try to steal Athanael's trumpet, enlisting the aid of suave jewel thief Archie Dexter. Athanael fumbles his first try when he saves Archie's accomplice, Fran, from suicide. His second chance seems doomed when he's forced to leave his trumpet as security for a meal he can't pay for. But he gets it back just in time for a final confrontation with his desperate adversaries, dangling with them from the roof, only seconds from Midnight.
…One of Moroder's biggest hits, the track bounces back and forth between melodic disco and hypnotic sequencer trance just one step removed from the likes of Tangerine Dream.
Australia's Midnight Oil brought a new sense of political and social immediacy to pop music: not only did incendiary hits like "Beds Are Burning" and "Blue Sky Mine" bring global attention to the plight of, respectively, aboriginal settlers and impoverished workers, but the group also put its money where its mouth was – in addition to mounting benefit performances for groups like Greenpeace and Save the Whales, frontman Peter Garrett even ran for the Australian Senate on the Nuclear Disarmament Party ticket.