Reissue. Comes with new liner notes. Available only for a limited period of time until March 20, 2015. The first of two sets recorded during a weekend in 1961 features the Miles Davis Quintet at a period of time when Hank Mobley was on tenor and the rhythm section was comprised of pianist Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb. What is most remarkable is the way Kelly fits into this particular blend of the Miles band. Kelly's interplay with Chambers is especially brilliant, because his sense of blues phrasing inside counterpoint harmony is edgy and large, with left-hand chords in the middle register rather than sharp right-hand runs to accentuate choruses.
This recording features Zora Young (Howlin Wolf's cousin) and one of the best blues singers in the world, teamed with one of the most prolific and veteran blues bands in the world. The music includes soulful original compositions and modern blues classics.
Reissue. Comes with new liner notes. Available only for a limited period of time until March 20, 2015. This cd is the second of 2 put out to chronicle Miles' stay at the Blackhawk in San Francisco in 1961. After a period of transition which included the sometimes uneven results of the "Someday My Prince Will Come" lp, Miles' working band of Hank Mobley on tenor sax, Wynton Kelly on piano, Paul Chambers, bass, and drummer Jimmy Cobb, were coming together as a tight unit. Both dates of the Blackhawk shows are prime examples of the greatness of this working group.
Reissue with the latest remastering. Comes with liner notes. Pianist Denny Zeitlin's third Columbia release is a live session recorded during a break from his internship as a psychiatrist. With bassist Charlie Haden and drummer Jerry Granelli, it's clear that Zeitlin didn't ignore his jazz chops in spite of the long hours required of him in medicine.
Reissue with the latest DSD remastering. Comes with liner notes. A searing performance from Japanese jazz giant Sadao Watanabe – and key proof that he was a hell of a player in the years before he softened things up! There's a blissful post-Coltrane post-Miles sort of vibe going on here with Watanabe really jamming things up on the main track on the album – "Round Trip Going & Coming", which features incredible work on soprano sax, and eventually rolls into a kicked-up electric groove that has Sadao playing electric keys, alongside guitar, bass, and drums. Side two features slightly shorter tracks, but still with a great degree of exploratory freedom and fresh improvisation from Sadao – and titles include "Lament" and "Tokyo Suite: Sunset".
Reissue with the latest DSD remastering. Comes with liner notes. One of the more obscure albums by this great reedman – recorded live, and with a loose feel that really points towards his changes to come in the 70s! The album's got a lively vibe that's quite a change from some of Watanabe's albums from a few years before – longer tracks, lots of new ideas, and a style that's really stretching out – yet never too far outside too.