Fresh Title

Cream - Fresh Cream (1966) [2017, 3CD + Blu-ray Box Set]  Music

Posted by v3122 at Feb. 20, 2017
Cream - Fresh Cream (1966) [2017, 3CD + Blu-ray Box Set]

Cream - Fresh Cream (1966)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
3CD | Polydor Records, 571855-1 | ~ 1094 or 539 Mb | Scans(png) -> 794 Mb
Blu-ray: MPEG-4 AVC 1979 kbps, 1080p, 23.976 fps, 16:9, High Profile 4.1
LPCM Audio 2.0, 96 kHz, 4608 kbps, 24-bit -> 17.73 Gb
Blues Rock, Pop Rock, Electric Blues

Fresh Cream represents so many different firsts, it's difficult to keep count. Cream, of course, was the first supergroup, but their first album not only gave birth to the power trio, it also was instrumental in the birth of heavy metal and the birth of jam rock…
Wade Legge Trio - Wade Legge Trio (2016) {Fresh Sound FSR-CD 894 rec 1953-55}

Wade Legge Trio - Wade Legge Trio (2016) {Fresh Sound FSR-CD 894 rec 1953-55}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 370 Mb | MP3 @320 -> 186 Mb
Full Artwork @ 600 dpi (jpg) -> 212 Mb | 5% repair rar | 24bit remaster
© 1953-55, 2016 Vogue / Fresh Sound Records | FSR-CD 894
Jazz / Bop / Hard Bop / Piano

The Fresh Sound label is one of the major reissue record companies, also releasing new music on their Fresh Sound New Talent subsidiary. Fresh Sound, under the direction of the tireless Jordi Pujol, has repackaged and reissued a great deal of very valuable jazz from the 1950s and early 1960s. In addition to the major names, some of their most intriguing sets focus on obscure figures from jazz history whose music has been out-of-print for decades.
Les McCann - Les McCann Ltd. in San Francisco: Recorded Live at the Jazz Workshop (1960) {Fresh Sound FSR-CD 682 rel 2012}

Les McCann - Les McCann Ltd. in San Francisco: Recorded Live at the Jazz Workshop - Complete Recordings (1960) {Fresh Sound FSR-CD 682 rel 2012}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 371 Mb | MP3 @320 -> 145 Mb
Full Artwork @ 300 dpi (jpg) -> 16 Mb | 5% repair rar
© 1960, 2012 Pacific Jazz / Fresh Sound Records | FSR-CD 682
Jazz / Hard Bop / Soul Jazz / Piano Trio

Les McCann Ltd. in San Francisco: Recorded Live at the Jazz Workshop was recorded in December of 1960 and released in 1961 on the Pacific Jazz label. Backing his piano were bassist Herbie Flowers and drummer Ron Jefferson. The original LP of this date featured seven selections – only about half of the entire gig. This Fresh Sound reissue contains four more tracks, bringing the total to 11.
Chet Baker - Chet Baker in Paris 1955-1956 The Barclay years (1988) {Fresh Sound} (REPOST)

Chet Baker - Chet Baker in Paris 1955-1956 The Barclay years (1988)
EAC Rip | FLAC (tracks+.cue, log) | Artwork (600dpi, jpg) | 838 mb | MP3 CBR 320kbps | RAR | 457 mb
Jazz, Cool Jazz | Label: Fresh Sound Records / FSR-CD 001

In the summer of 1955, Chet Baker decided to go on a concert tour of Europe for a few weeks. He ended up staying there for more than six months, and his work and experiences during that time, which was mostly spent in Paris, should be crucial for his career and his life.

Gael Horellou - Time After Time (2013) {Fresh Sound New Talent}  Music

Posted by shamanicus at Jan. 11, 2017
Gael Horellou - Time After Time (2013) {Fresh Sound New Talent}

Gaël Horellou - Time After Time (2013)
EAC Rip | FLAC (tracks+.cue, log) | Artwork | 349 mb | MP3 CBR 320kbps | RAR | 142 mb
Jazz | Label: Fresh Sound New Talent / FSNT-422

Gaël Horellou is a French jazz saxophonist and composer. Saxophonist with a classical and jazz background, his career started in 1992. Album "Time After Time" was released in 2013 and it belongs to Jazz genres.

Gael Horellou - BrOoklyn (2014) {Fresh Sound New Talent}  Music

Posted by shamanicus at Jan. 9, 2017
Gael Horellou - BrOoklyn (2014) {Fresh Sound New Talent}

Gael Horellou - BrOoklyn (2014)
EAC Rip | FLAC (tracks+.cue, log) | Artwork | 444 mb | MP3 CBR 320kbps | RAR | 180 mb
Jazz | Label: Fresh Sound New Talent / FSNT-455

French saxophonist Horellou also goes under the name Dual Snake, and seems equally at home working in a variety of musical genres as he does with jazz. Brooklyn is a pretty mainstream quartet outing, full of enjoyable compositions that Horellou has penned himself, and seven originals plus Tadd Damerons If You Could See Me Now makes up a solid set for the 70 minutes duration.
Sergi Sirvent Octopussy Cats - Inferencies (2012) {Fresh Sound New Talent}

Sergi Sirvent Octopussy Cats - Inferencies (2012)
EAC Rip | FLAC (tracks+.cue, log) | Artwork | 678 mb | MP3 CBR 320kbps | RAR | 348 mb
Jazz, Contemporary Jazz | Label: Fresh Sound New Talent / FSNT-413

The work of the Catalan pianist Sergi Sirvent, despite the organizational complexity that entails such a wide formation, is a real delight from beginning to end. Inferències and the group that develops it, is an octet conformed by a cast of musicians coming from diverse musical areas of the Barcelona scene. A project to publicize the compositional concerns in large format of one of the most interesting musicians and creators that currently exist in the national jazz scene.
Charlie Parker Quintet & Sextet - Bird In Boston: Live At The Hi-Hat 1953-1954 (2016) {2CD Fresh Sound Records}

Charlie Parker Quintet & Sextet - Bird In Boston: Live At The Hi-Hat 1953-1954 (2016) {2CD Fresh Sound Records}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 666 Mb | MP3 @320 -> 331 Mb
Full Artwork @ 600 dpi (jpg) -> 228 Mb | 5% repair rar
© 1953-54, 2016 Fresh Sound Records | FSR-CD 911 | 24bit Digitally Remastered
Jazz / Bebop / Bop / Saxophone

For over two decades, the Hi-Hat Club occupied a choice location among the jazz clubs of Boston’s South End district, at the corner of Columbus and Massachusetts Avenue. After the end of World War II, lesser luminaries took over the band-stand, and after a while entertainment practically stopped altogether. Dave Coleman, a jazz promoter, had taken over management of the club in 1949. Through Coleman’s personal initiative, the Hi-Hat enjoyed its most successful years, and by 1951 it was the only club featuring a consistent policy of presenting modern jazz.

The Bad Plus - The Bad Plus (2001) {Fresh Sound New Talent}  Music

Posted by ruskaval at Dec. 30, 2016
The Bad Plus - The Bad Plus (2001) {Fresh Sound New Talent}

The Bad Plus - The Bad Plus (2001) {Fresh Sound New Talent}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 284 Mb | MP3 @320 -> 105 Mb
Full Artwork @ 300 dpi (png) -> 29 Mb | 5% repair rar
© 2001 Fresh Sound Records | Fresh Sound New Talent Series | FSNT 107
Jazz / Post Bop / Post Modern Jazz / Piano Trio

Pianist Ethan Iverson, bassist Reid Anderson, and Minneapolis-based drummer David King are the Bad Plus, and they bill themselves as "the loudest piano trio ever." Upon hearing them play, one is not inclined to quibble. In any case, they're certainly the only jazz group to cover ABBA's "Knowing Me, Knowing You," Nirvana's "Smells Like Teen Spirit," and Rodgers & Hart's "Blue Moon" on the same disc. Iverson and Anderson each contribute two previously unrecorded originals. King, for his part, penned the persistently grooving "1972 Bronze Medalist."
Mel Torme and The Marty Paich Dek-Tette - The 1956 Torme-Paich Legendary Sessions (1956) {Fresh Sound Records rel 2006}

Mel Torme and The Marty Paich Dek-Tette - The 1956 Torme-Paich Legendary Sessions (1956) {Fresh Sound Records rel 2006}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 299 Mb | MP3 @320 -> 176 Mb
Full Artwork @ 600 dpi (jpg) -> 263 Mb | 5% repair rar
© 1956, 2006 Bethlehem / Fresh Sound Records | FSRCD 2230
Jazz / Vocal Jazz / Bop / Cool / West Coast Jazz

50th Anniversary Commemoration Edition of the TORMÉ-PAICH legendary sessions. A milestone in the history of vocal jazz, with fully illustrated booklet (rare & unpublished photos). The definitive edition. Fascinated by the sound of the 1953 Gerry Mulligan Ten-tette, Mel Tormé had always felt that these same patterns, re-worked for the proper vocalist, could blend voice and instrument to the mutual satisfaction of both. In 1956, this idea became a reality. The task of selecting musicians who could produce this sound was given to the versatile pianist-arranger Marty Paich who, in fact, co-featured with Mel on these recordings.