Drummer Jack DeJohnette's debut as a leader (which has been reissued on CD) has quite a bit of variety. The music ranges from advanced swinging to brief free improvisations and some avant-funk. DeJohnette (who doubles on melodica) is joined by Bennie Maupin (on tenor and flute), keyboardist Stanley Cowell, bassists Miroslav Vitous and Eddie Gomez, and drummer Roy Haynes. He uses six different combinations of musicians on the eight songs (five of his originals, John Coltrane's "Miles' Mode," Cowell's "Equipoise" and Vitous' "Mirror Image"). Intriguing and generally successful music.
More Jack Than God is easily the finest studio recording the fabled bassist and singer/songwriter Jack Bruce has made since the 1970s. His outings with Kip Hanrahan and the Golden Palominos have afforded him the luxury of working with many of his collaborators this time out: Robert Ameen, Bernie Worrell, Horacio "El Negro" Hernández, Richie Flores, and most notably new guitarist Vernon Reid. Bruce's son Malcolm is also in the mix. Bruce's songwriting here is top notch. His elongated, ethereal, and funky groove as displayed on the album's opener "So They Invented Race" showcases all of his talents.
Two classic albums from Jack Jones, making their long awaited debut on CD. Booklet features original artwork, designed so that purchaser may display either original album cover as front of CD, plus detailed sleeve notes. Digitally transferred from the original American master tapes. Grammy award winner for Best Performance by a Male Singer (Lollipops and Roses) and Record of the Year (Wives and Lovers) Grammy nominee (The Impossible Dream).
Reissue. Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. On Song for My Daughter, his third record for Blue Note, Jack Wilson "changed with the times," to paraphrase one of the record's songs. Like many of his peers on the label, Wilson pursued a pop direction as the '60s drew to a close, which meant he covered pop hits like "Scarborough Fair/Canticle" and "Stormy," and that he recorded the album with a large band augmented by a string section. It is a testament to Wilson's strengths as a pianist that he doesn't get lost in this heavy-handed setting and manages to contribute some typically graceful moments, including the lovely title song.