A striking little set from vibesman Freddie McCoy – not just for the cool superhero image on the front cover, but also for the tight grooves underneath! The album's one of McCoy's most unified for Prestige – as all tracks feature a core quartet with Freddie on vibes, Charlie Wilson on piano, Steve Davis on bass, and Rudy Lawless on drums – not your usual Prestige players, and all musicians who really make the album sparkle! There's a bold soul jazz vibe running through the set – similar to some of Freddie's other work, but a bit more open too – and titles include a groovy take on "Girl From Ipanema", plus the soul jazz classics "Speak Out, Deagan!" and "Hav' Mercy" – as well as the cuts "Yesterdays" and "Spider Man".
The mid-to-late Sixties was a strange and difficult time for many Blues men - most were without contracts, forgotten and under-appreciated. Then the Blues boom happened (particularly in the UK) and many had their careers kick-started all over again. Freddie King was no exception. His last album had been for Federal in 1964, but with a new lease of life on the mighty Atlantic label, he produced two much revered LPs in rapid succession. The first was "Freddie King Is A Blues Master" released in 1969 on SD 9004 - and then this peach - "My Feeling For The Blues" on Cotillion SD 9016 released in early 1970.
Similar to his first Shelter outing (Getting Ready), but with more of a rock feel. That's due as much to the material as the production. Besides covering tunes by Jimmy Rogers, Howlin' Wolf, and Elmore James, King tackles compositions by Leon Russell and, more unexpectedly, Bill Withers, Isaac Hayes-David Porter, and John Fogerty (whose "Lodi" is reworked into "Lowdown in Lodi"). King's own pen remained virtually in retirement, as he wrote only one of the album's tracks.
Produced in part by Mike Vernon, who worked on The Legendary Christine Perfect Album, this is an entertaining and concise package of ten songs performed by the late Freddie King and a slew of guests. Opening with Gonzalez Chandler's "Pack It Up," featuring the Gonzalez Horn Section, the youthful legend was only 40 years of age when he cut this career LP two years before his death. Though no songs went up the charts like his Top Five hit in 1961, "Hide Away," Burglar is one of those gems that journeymen can put together in their sleep. Tom Dowd produced "Sugar Sweet" at Criteria Studios in Miami, FL, featuring Jamie Oldaker on drums, Carl Radle on bass, and guitarists Eric Clapton and George Terry, which, of course, makes this album highly collectable in the Clapton circles. The sound doesn't deviate much from the rest of the disc's Mike Vernon production work; it is pure Freddy King, like on the final track, E. King's "Come On (Let the Good Times Roll)," where his guitar bursts through the horns and party atmosphere, creating a fusion of the pure blues found on "Sugar Sweet" and the rock that fans of Grand Funk grooved to when he opened for that group and was immortalized in their 1973 number one hit "We're an American Band" a year after this record's release.
Freddie Jackson ended his five-album stay at Capitol ended with Time for Love, a satisfying effort that isn't much different from his previous Capitol releases. The New Yorker obviously knew what his strengths were – smooth soul/urban contemporary music and romantic ballads – and once again, the singer succeeds by zeroing in on them. The standout track is a poignant cover of the Gamble & Huff classic "Me and Mrs. Jones" (recorded by Billy Paul in 1971 and subsequently by the Dramatics), and Jackson also brings plenty of honest emotion to such slick yet gritty tunes as "I Could Use a Little Love Right Now," "Trouble" and "Can We Try." Though it falls short of the excellence of Rock Me Tonight and Just Like the First Time, this CD was a welcome addition to his catalog.
During his years on Milestone, McCoy Tyner had the opportunity to record in a variety of settings with many of his favorite players. For this disc the innovative pianist is featured with quite an all-star crew: trumpeter Freddie Hubbard, flutist Hubert Laws, Bennie Maupin on tenor and bass clarinet, vibraphonist Bobby Hutcherson, Stanley Clarke (in a rare appearance at the time on acoustic bass), drummer Jack DeJohnette and percussionist Bill Summers. In addition to a pair of Tyner's originals, songs were contributed by Laws, DeJohnette, Hutcherson and Hubbard ("One Of Another Kind"). The music is essentially high-quality advanced modal hard bop and each of the sidemen get their opportunities to be showcased.
Essential: a masterpiece of Folk music
Le Disque D’Or is a early compilation of Alan Stivell’s first 3 LPs: “Reflets”, “Renaissance De La Harpe Celtique” and “Chemins De Terre”. Also included are 2 unpublished singles in an official LP.
Essential: a masterpiece of Folk music
At the time of buying this LP, I thought I was going to find a Stivell immersed in the Prog-Folk music… my surprise was great after listening to it completely: Totally unplugged, no instrument with electric cables. Today is one of my favorite records of this legendary harpist. And I think he took the risk to go back to his Breton roots and immerse us in the Breton-Folk music.