Franz Miller

Steve Miller Band - Recall The Beginning…A Journey From Eden (1972/2018) [Official Digital Download 24/96]

Steve Miller Band - Recall The Beginning…A Journey From Eden (1972/2018)
FLAC (tracks) 24-bit/96 kHz | Time - 29:36 minutes | 612 MB
Studio Master, Official Digital Download | Artwork: Front Cover

Seventh album Recall The Beginning… A Journey From Eden was produced by SMB occasional keyboard player and co-writer Ben Sidran, and released in March 1972. The album featured another new line-up, with longstanding bassist Gerald Johnson appearing for the first time. Bed Sidran and Jim Keltner guest on keyboards and drums, and arranging legend Nick DeCaro handles the horns and strings.
Mark Padmore, Paul Lewis - Franz Schubert: Die Schone Mullerin (2010)

Mark Padmore, Paul Lewis - Franz Schubert: Die Schone Mullerin (2010)
MP3 (CBR 320 kbps) | Digital Booklet | 01:08:12 | 180 MB
Genre: Classical, Vocal | Label: Harmonia Mundi

Following their exceptional Winterreise and now this equally fine Die schone Mullerin, tenor Mark Padmore and pianist Paul Lewis may be on their way to cornering the Schubert Lieder franchise for the foreseeable future. Besides being the most lyrically beautiful modern rendition of this oft-recorded cycle, the recording is a model of clear, natural presentation of voice and piano in a very complementary acoustic.
Franz Welser-Most, The Cleveland Orchestra - Bruckner: Symphony No. 8 (2012) [Blu-Ray]

Franz Welser-Möst, The Cleveland Orchestra - Bruckner: Symphony No. 8 (2012) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 20928 kbps / 1080i / 29,970 fps | 95 min | 20,2 Gb
Audio1: LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.1 / 48 kHz / 2388 kbps / 24-bit

BluRay-rip | AVC | MKV 1920x1080 (16:9) / 6215 kbps / 29,97 fps | 5,1 Gb
Audio: DTS / 6ch / 48.0 KHz / 24 bits
Classical | Arthaus Musik

With its majestic themes soaring upwards like gothic pillars and its brilliant chorales and fanfares glowing like stained – glass windows, Anton Bruckner’s Symphony No. 8 is the most monumental of his orchestral works, a cathedral in sound that grows out of pianissimo murmurs. Coming after the triumphs celebrated by the composer’s Seventh Symphony and Te Deum, the Eight was considered by Bruckner as the artistic climax of his career. Cleveland‘s Severance Hall is the venue for this performance. This hall, an eclectic yet elegant mix of Art Deco, Art Nouveau, Classicism, Egyptian Revival and Modernism was inaugurated in 1931 and is still hailed today as one of the world‘s most beautiful concert halls. The Cleveland Orchestra, founded in 1918, began its ascent to the upper ranks of the world‘s ensembles after it moved to Severance Hall in 1931.
Franz Welser-Most, The Cleveland Orchestra - Bruckner: Symphony No. 7 (2011) [Blu-Ray]

Franz Welser-Möst, The Cleveland Orchestra - Bruckner: Symphony No. 7 (2011) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 23913 kbps / 1080i / 29,970 fps | 66 min | 20,1 Gb
Audio1: LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.1 / 48 kHz / 2177 kbps / 24-bit

BluRay-rip | AVC | MKV 1920x1080 (16:9) / 6215 kbps / 29,97 fps | 3,56 Gb
Audio: DTS / 6ch / 48.0 KHz / 24 bits
Classical | Arthaus Musik

Bruckner‘s Seventh – The master‘s homage to Richard Wagner With the mighty build-ups and monumental fortissimi of Bruckner’s Seventh, Welser-Möst and his Clevelanders have their work cut out for them. And they do not disappoint. The most popular, and perhaps most easily accessible, of Bruckner‘s symphonies, the Seventh casts its spell on the audience with its clear-cut architecture and the wealth and fullness of its melodies. From the sweeping opening theme of the first movement to the victorious chords of the finale, the Cleveland Orchestra and its conductor deliver a magisterial reading of Bruckner‘s masterpiece. Cleveland‘s Severance Hall is the venue for this performance. This hall, an eclectic yet elegant mix of Art Deco, Art Nouveau, Classicism, Egyptian Revival and Modernism was inaugurated in 1931 and is still hailed today as one of the world‘s most beautiful concert halls. The Cleveland Orchestra, founded in 1918, began its ascent to the upper ranks of the world‘s ensembles after it moved to Severance Hall in 1931.
Miller-Garrett-Petrucciani-Lagrene-White - Dreyfus Night In Paris (1994) {Dreyfus Jazz}

Miller-Garrett-Petrucciani-Lagrene-White - Dreyfus Night In Paris (1994) {Dreyfus Jazz}
EAC 0.95b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 341MB + 5% Recovery
MP3 CBR 320 Kbps | 126MB + 5% Recovery
Genre: Jazz-Funk, Post-Bop

The unique all-star group featured on this live set from 1994 had not only never performed together before as a band, but most of the musicians had never been on the same stage with each other before. Miles Davis had passed away three years earlier, so the two Marcus Miller pieces, "Tutu" (which sounds surprisingly similar to "So What" during the solos even if the chords are different) and "The King Is Gone" are in tribute to the late trumpeter. "The King Is Gone" is a straight-ahead extended blues, while "Looking Up" has heated solos over a simple vamp. Overall, Kenny Garrett and Michel Petrucciani generally take solo honors (Biréli Lagrène is a bit overshadowed), while Miller and Lenny White keep the rhythms stimulating. Although the three selections are each quite extended, they hold one's interest throughout.
Die "Economie des conventions" Grundlagen und Entwicklungen der neuen französischen Wirtschaftssoziologie

Die "Economie des conventions" Grundlagen und Entwicklungen der neuen französischen Wirtschaftssoziologie By Rainer Diaz-Bone
German | PDF | 2018 | 479 Pages | ISBN : 3658210613 | 4.74 MB

Die Economie des conventions (EC) stellt einen zentralen Teil der neuen pragmatischen Sozialwissenschaften sowie einen komplexen pragmatischen Institutionalismus dar. Dieser Band systematisiert die Entwicklung der EC, führt in die wichtigen Grundkonzepte ein und präsentiert die wichtigsten Beiträge der EC zur neuen Wirtschaftssoziologie. Die EC ist zunächst in Frankreich als Wissenschaftsbewegung aus einer transdisziplinären Kooperation zwischen Wirtschaftswissenschaftlern und Soziologen entstanden.

Bonjour Lolo! Französische »Lohengrin«-Parodien 1886–1900  eBooks & eLearning

Posted by AvaxGenius at May 13, 2018
Bonjour Lolo! Französische »Lohengrin«-Parodien 1886–1900

Bonjour Lolo! Französische »Lohengrin«-Parodien 1886–1900 By Christian Dammann
German | PDF | 2018 | 250 Pages | ISBN : 3476046176 | 35.03 MB

Wenn Parodien auf eine Person und ihre Werke trotz allen Spotts Wertschätzung bezeugen, so hat Richard Wagner Ende des 19. Jahrhunderts in Frankreich die höchsten Weihen erfahren. Schon dessen erste Pariser Auftritte als Dirigent 1860 inspirierten Offenbach, darauf mokant in szenisch-musikalischer Form zu reagieren. Der erst 1891 mit "Lohengrin" einsetzende Siegeszug von Wagners Opern auf den staatlichen Bühnen Frankreichs zog eine Welle nicht minder erfolgreicher Parodien nach sich, die – landesweit aufgeführt in kleinen Theatern, Cafés-Concerts und im Guignol (Puppenspiel) – den Schwanenritter namentlich im Brautgemach von einer wenig heldenhaften Seite zeigen. Dieses Buch will dazu einladen, sich mit einem kaum beleuchteten Aspekt der französischen Wagnerrezeption auseinanderzusetzen.
Christine Schornsheim, Das Reicha'sche Quintett - Franz Danzi: Piano Quintets (2007)

Christine Schornsheim, Das Reicha’sche Quintett - Franz Danzi: Piano Quintets (2007)
EAC | FLAC | Image (Cue&Log) ~ 252 Mb | Mp3 (CBR320) ~ 163 Mb | Artwork included
Classical | Label: New Classical Adventure | # 60174 | Time: 01:10:34

The works of Franz Danzi did not achieve especially widespread appeal during his lifetime, nor have they been particularly popular in modern times despite the trend of resurrecting lost or unknown compositions. In addition to being a prolific composer, Danzi was quite active as an educator, though his pedagogical achievements are equally unrecognized. While not all of his compositions are necessarily worthy of a second look, his chamber works are of interest. In particular, his wind chamber music finds the composer hard at work advancing his ideals of wind performance and the advocacy of the "new," modernized versions of wind instruments. This set of three piano quintets (for fortepiano plus winds) is an ideal setting. The fortepiano, played by Christine Schornsheim, is clearly the dominant force throughout the three quintets, the winds are given several opportunities to stand alone. Danzi sought a more equal treatment of the wind instruments, even bringing the bassoon out of its more traditional role as a mere bass accompaniment instrument.

Lloyd Miller - Jazz At The University Of Utah (2018)  Music

Posted by varrock at May 7, 2018
Lloyd Miller - Jazz At The University Of Utah (2018)

Lloyd Miller - Jazz At The University Of Utah (2018)
MP3 CBR 320kbps | Tracks: 10 | 57:31 min | 132 Mb
Style: Jazz, World | Label: Now Again Records

Modal and Eastern Jazz by Spiritual Jazz maestro Lloyd Miller, originally issued in a run of 500 copies in 1967. This reissue – the first in a series focusing on Miller’s catalog on Now-Again – was overseen by Miller and pressed from new stampers made from the original metal parts. Contains an extensive booklet detailing Miller’s amazing life in jazz and his worldwide travels by jazz historian Francis Goding. Also includes a download card for WAV files of the album and video of late 60s performances.

Franz Liszt, 2nd edition  eBooks & eLearning

Posted by roxul at May 1, 2018
5530981
Michael Saffle, "Franz Liszt, 2nd edition"
English | ISBN: 0415998395, 0415861535 | 2013 | 536 pages | EPUB | 5 MB